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Xinxin Ming
''Xinxin Ming'' (alternate spellings ''Xin Xin Ming'' or ''Xinxinming'') (Chinese: 信心銘; Pīnyīn: ''Xìnxīn Míng''; Wade–Giles: ''Hsin Hsin Ming''; Romanji: ''Shinjinmei''), meaning "Faith in Mind", is a poem attributed to the Third Chinese Chán Patriarch Jianzhi Sengcan (Chinese: 鑑智僧璨; Pīnyīn: ''Jiànzhì Sēngcàn''; Wade–Giles: ''Chien-chih Seng-ts'an''; Romaji: ''Kanchi Sōsan'') and one of the earliest Chinese Chan expressions of the Buddhist mind training practice. Title translation "Xinxin" has commonly been interpreted as "faith" or "trust." For example, one translation is "Faith in Mind" (See ''The Poetry of Enlightenment: Poems by Ancient Ch'an Masters'', Ch'an Master Sheng-Yen). While this interpretation may appear to some to be a departure from the traditional view of seeking refuge in the Three Jewels (Buddha, Dharma and Sangha), it is actually a deliberate declaration and poetic polemic of the Chan (Zen) school written as a response to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Language
Chinese (, especially when referring to written Chinese) is a group of languages spoken natively by the ethnic Han Chinese majority and many minority ethnic groups in Greater China. About 1.3 billion people (or approximately 16% of the world's population) speak a variety of Chinese as their first language. Chinese languages form the Sinitic branch of the Sino-Tibetan languages family. The spoken varieties of Chinese are usually considered by native speakers to be variants of a single language. However, their lack of mutual intelligibility means they are sometimes considered separate languages in a family. Investigation of the historical relationships among the varieties of Chinese is ongoing. Currently, most classifications posit 7 to 13 main regional groups based on phonetic developments from Middle Chinese, of which the most spoken by far is Mandarin (with about 800 million speakers, or 66%), followed by Min (75 million, e.g. Southern Min), Wu (74 million, e.g. Shangh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transmission Of The Lamp
''The Jingde Record of the Transmission of the Lamp'' (), often referred to as ''The Transmission of the Lamp'', is a 30 volume work consisting of putative biographies of the Chan Buddhist and Zen Buddhist patriarchs and other prominent Buddhist monks. It was produced in the Song dynasty by Shi Daoyuan (). Other than the ''Anthology of the Patriarchal Hall'', it represents the first appearance of "encounter dialogues" in the Chan tradition, which in turn are the antecedents of the famous kōan stories. The word ''Jingde'' (景德), the first two characters of the title, refers to the Song dynasty reign name, which dates the work to between 1004 and 1007 CE. It is a primary source of information for the history of Chan Buddhism in China, although most scholars interpret the biographies as largely hagiography. The lives of the Zen masters and disciples are systematically listed, beginning with the first seven buddhas (Gautama Buddha is seventh in this list). The "Lamp" in the tit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7th-century Works
The 7th century is the period from 601 (DCI) through 700 ( DCC) in accordance with the Julian calendar in the Common Era. The spread of Islam and the Muslim conquests began with the unification of Arabia by Muhammad starting in 622. After Muhammad's death in 632, Islam expanded beyond the Arabian Peninsula under the Rashidun Caliphate (632–661) and the Umayyad Caliphate (661–750). The Muslim conquest of Persia in the 7th century led to the downfall of the Sasanian Empire. Also conquered during the 7th century were Syria, Palestine, Armenia, Egypt, and North Africa. The Byzantine Empire suffered setbacks during the rapid expansion of the Caliphate, a mass incursion of Slavs in the Balkans which reduced its territorial limits. The decisive victory at the Siege of Constantinople in the 670s led the empire to retain Asia Minor which assured the existence of the empire. In the Iberian Peninsula, the 7th century was known as the ''Siglo de Concilios'' (century of councils) refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poems
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and ''Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost ''shi'' (詩/诗), and also other major types such as '' ci'' (詞/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zen Texts
Zen ( zh, t=禪, p=Chán; ja, text= 禅, translit=zen; ko, text=선, translit=Seon; vi, text=Thiền) is a school of Mahayana Buddhism that originated in China during the Tang dynasty, known as the Chan School (''Chánzong'' 禪宗), and later developed into various sub-schools and branches. From China, Chán spread south to Vietnam and became Vietnamese Thiền, northeast to Korea to become Seon Buddhism, and east to Japan, becoming Japanese Zen. The term Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (''chán''), an abbreviation of 禪那 (''chánnà''), which is a Chinese transliteration of the Sanskrit word ध्यान ''dhyāna'' ("meditation"). Zen emphasizes rigorous self-restraint, meditation-practice and the subsequent insight into nature of mind (見性, Ch. ''jiànxìng,'' Jp. '' kensho,'' "perceiving the true nature") and nature of things (without arrogance or egotism), and the personal expression of this insight in daily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nondualism
Nondualism, also called nonduality and nondual awareness, is a fuzzy concept originating in Indian philosophy and religion for which many definitions can be found, including: nondual awareness, the nonduality of seer and seen or nondifference of subject and object; the identity of conventional phenomena and ultimate reality, or the "nonduality of duality and nonduality"; metaphysical monism, the nonplurality of the world and "the interconnection of all things." It may also refer to a negation of dualistic thinking; and to the mystical unity with God or with Ultimate reality. The English term is derived from Sanskrit terms such as "advaita" (अद्वैत), "not-two" or "one without a second," which in various Hindu philosophies refers to the identity of ''Atman'' and ''Brahman''; and ''advaya'', also meaning "not two," but referring to various Buddhist ideas such as the identity of conventional and ultimate reality. In Indian philosophy, these terms refer to se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagarjuna
Nāgārjuna . 150 – c. 250 CE (disputed)was an Indian Mahāyāna Buddhist thinker, scholar-saint and philosopher. He is widely considered one of the most important Buddhist philosophers.Garfield, Jay L. (1995), ''The Fundamental Wisdom of the Middle Way'', Oxford: Oxford University Press. Jan Westerhoff considers him to be "one of the greatest thinkers in the history of Asian philosophy." Nāgārjuna is widely considered to be the founder of the Madhyamaka (centrism, middle-way) school of Buddhist philosophy and a defender of the Mahāyāna movement. His ''Mūlamadhyamakakārikā'' (Root Verses on Madhyamaka, or MMK) is the most important text on the madhyamaka philosophy of emptiness. The MMK inspired a large number of commentaries in Sanskrit, Chinese, Tibetan, Korean and Japanese and continues to be studied today. History Background India in the first and second centuries CE was politically divided into various states, including the Kushan Empire and the Satavaha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
śūnyatā
''Śūnyatā'' ( sa, शून्यता, śūnyatā; pi, suññatā; ), translated most often as ''emptiness'', ''vacuity'', and sometimes ''voidness'', is an Indian philosophical concept. Within Hinduism, Jainism, Buddhism and other philosophical strands, the concept has multiple meanings depending on its doctrinal context. It is either an ontological feature of reality, a meditative state, or a phenomenological analysis of experience. In Theravāda Buddhism, ''Suññatā'' often refers to the non-self (Pāli: ''anattā'', Sanskrit: ''anātman'') nature of the five aggregates of experience and the six sense spheres. ''Suññatā'' is also often used to refer to a meditative state or experience. In Mahāyāna Buddhism, ''śūnyatā'' refers to the tenet that "all things are empty of intrinsic existence and nature (''svabhava'')", but may also refer to the Buddha-nature teachings and primordial or empty awareness, as in Dzogchen, Shentong, or Chan. Etymology "'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avatamsaka Sutra
The ' (IAST, sa, 𑀅𑀯𑀢𑀁𑀲𑀓 𑀲𑀽𑀢𑁆𑀭) or ''Buddhāvataṃsaka-nāma-mahāvaipulya-sūtra (The Mahāvaipulya Sūtra named “Buddhāvataṃsaka”)'' is one of the most influential Mahāyāna sutras of East Asian Buddhism. In Classical Sanskrit, ''avataṃsaka'' means garland, wreath, or any circular ornament, such as an earring.'''' Thus, the title may be rendered in English as ''A Garland of Buddhas'', ''Buddha Ornaments'', or ''Buddha’s Garland''. In Buddhist Hybrid Sanskrit, the term ''avataṃsaka'' means “a great number,” “a multitude,” or “a collection.” This is matched by the Tibetan title of the sutra, which is ''A Multitude of Buddhas'' (''""''). The ''Buddhāvataṃsaka'' has been described by the translator Thomas Cleary "the most grandiose, the most comprehensive, and the most beautifully arrayed of the Buddhist scriptures." The ' describes a cosmos of infinite realms upon realms, mutually containing one another. This sut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfection Of Wisdom
A Tibetan painting with a Prajñāpāramitā sūtra at the center of the mandala Prajñāpāramitā ( sa, प्रज्ञापारमिता) means "the Perfection of Wisdom" or "Transcendental Knowledge" in Mahāyāna and Theravāda Buddhism. Prajñāpāramitā refers to a perfected way of seeing the nature of reality, as well as to a particular body of Mahāyāna scriptures (sūtras) which discusses this wisdom. It also refers to the female deity Prajñāpāramitā Devi, a personification of wisdom also known as the "Great Mother" (Tibetan: ''Yum Chenmo''). The word ''Prajñāpāramitā'' combines the Sanskrit words '' prajñā'' "wisdom" (or "knowledge") with ''pāramitā'' "perfection" or " transcendent". Prajñāpāramitā is a central concept in Mahāyāna Buddhism and is generally associated with ideas such as emptiness (''śūnyatā''), 'lack of svabhāva' (essence), the illusory (''māyā'') nature of things, how all phenomena are characterized by "non-arisin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upaya
Upaya (Sanskrit: उपाय, , ''expedient means'', ''pedagogy'') is a term used in Buddhism to refer to an aspect of guidance along the Buddhist paths to liberation where a conscious, voluntary action "is driven by an incomplete reasoning" about its direction. Upaya is often used with ''kaushalya'' (कौशल्य, "cleverness"), ''upaya-kaushalya'' meaning "skill in means". Upaya-kaushalya is a concept emphasizing that practitioners may use their own specific methods or techniques that fit the situation in order to gain enlightenment. The implication is that even if a technique, view, etc., is not ultimately "true" in the highest sense, it may still be an ''expedient'' practice to perform or view to hold; i.e., it may bring the practitioner closer to the true realization in a similar way. The exercise of skill to which it refers, the ability to adapt one's message to the audience, is of enormous importance in the Pali Canon. The Digital Dictionary of Buddhism notes tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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