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Xavier Darasse
François Xavier Darasse (3 September 1934 – 24 November 1992) was a French organist, musicologist, composer, and pedagogue. The (Organs of Toulouse) festival organise the ''International Xavier Darasse Organ Competition'' every three years in his honour. He was titular organist of the Basilica of Saint-Sernin in his hometown, Toulouse. Life Darasse was born in Toulouse (Haute-Garonne) into a family of musicians (his mother, Renée-Marie Darasse-Laroyenne, was an organist) in 1964 and is a namesake of Saint Francis Xavier. He was a student of Maurice Duruflé, Rolande Falcinelli, Jean Rivier and Olivier Messiaen at the Conservatoire de Paris. In parallel with his career as a concert organist, he was a professor at the and then at the Conservatoire de Lyon, the organ class of the latter being "relocated" to Toulouse. His repertoire extended from early music to contemporary repertoire. In 1976, after a serious road accident, during which he lost his right arm (which he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Louvier
Alain Louvier (born 13 September 1945) is a French composer of contemporary classical music. Biography Born in Paris, Louvier studied from 1953 to 1967 at the headed by Marcel Landowski, then from 1967 to 1970 at the Conservatoire de Paris with Henriette Puig-Roget, Olivier Messiaen, Tony Aubin, Robert Veyron-Lacroix, Norbert Dufourcq and Manuel Rosenthal. In 1968, he won the 161st and last annual Prix de Rome for musical composition. He then headed the École Nationale de Musique of Boulogne-Billancourt. From 1986 to 1991, he was the director of the Conservatoire de Paris. From 1991 to 2009, he taught music analysis and orchestration at the CNSMDP (Conservatoire) in Paris. From 2009 until 2013, he was again director of the Boulogne-Billancourt Conservatory Louvier has composed pieces for piano, harpsichord, chamber music and orchestra. He is particularly known for his invention of a new piano technique (also used on organ and harpsichord) centered around the "aggressors": the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Jean-Pierre Guézec
Jean-Pierre Guézec (19 August 1934 – 9 March 1971) was a French composer. Life Born in Dijon, Guézec studied music at the Conservatoire de Paris with Darius Milhaud, Jean Rivier and Olivier Messiaen. He also worked with Iannis Xenakis. His very personal language is influenced by the techniques of modern painting, in particular those of Mondrian and Vasarely. His research led him to compose works in which the contrasts of sound materials and a very original sense of colour dominate, as evidenced by the title of his works. From 1969 to 1971, he held an analysis class at the Conservatoire de Paris until his early death at the age of 36 in Paris. Xenakis dedicated his 1971 composition ''Charisma'' to Guézec. Awards * Musical composition prize of the 1963 Tanglewood Music Center. * Grand Prix for the symphonic promotion of the SACEM in 1968 Principal compositions * Concert for main violin and 14 instruments (1960) * ''Concert en 3 parties'', for percussion and 10 musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Quintet
A brass quintet is a five-piece musical ensemble composed of Brass instrument, brass instruments. The instrumentation for a brass quintet typically includes two Trumpet, trumpets or Cornet, cornets, one French horn, one trombone or euphonium/baritone horn, and one tuba or bass trombone. Musicians in a brass quintet may often play multiple instruments. Trumpet players for instance may double on Piccolo trumpet, piccolo trumpets and Flugelhorn, flugelhorns. There can be variation in instrumentation depending on the type of quintet. In some quintets, the horn is replaced by an additional trombone. Euphonium may also be substituted for the trombone part. While the tuba is considered a standard, the range and style of many pieces lend themselves to being played with bass trombone as the lowest-pitched instrument. Additionally, some pieces call for the use of percussion instruments, particularly the snare drum, tambourine, or timpani. History The earliest brass chamber music was writte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Tisné
Antoine Tisné (29 July 1932 – 19 July 1998) was a French composer. Life Born in Lourdes, Tisné began his musical studies at the Tarbes Conservatory. He entered the Conservatoire de Paris in 1952 in a music writing class. He was then a student of Georges Hugon in harmony and Noël Gallon and Jean Rivier in fugue and counterpoint, then had Darius Milhaud and André Jolivet as his teachers. He won a Second Grand Prix de Rome in 1962. Principal music inspector at the Ministry of Cultural Affairs between 1967 and 1992, then music inspector in charge of the municipal conservatories of the City of Paris, Tisné composed more than three hundred works ranging from pieces for solo instrument to the symphony orchestra. His works are recorded in France by MFA, REM, Calliope. He was an Officer of the National Order of Merit, a Commandeur of the Ordre des Arts et des Lettres and was decorated with the Ordre des Palmes académiques. Among other awards, he has received the Copley Foundati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis De Pablo
Luis de Pablo Costales (28 January 1930 – 10 October 2021) was a Spanish composer belonging to the generation that Cristóbal Halffter named ''the Generación del 51''. Mostly self-taught as a composer and influenced by Maurice Ohana and Max Deutsch, he co-founded ensembles for contemporary music, and organised concert series for it in Madrid. He published translations of notable texts about composers of the Second Viennese School, such as Hans Heinz Stuckenschmidt's biography of Arnold Schoenberg and the publications of Anton Webern. He wrote music in many genres, including film scores such as Erice's ''The Spirit of the Beehive'', and operas including ''La señorita Cristina''. He taught composition not only in Spain, but also in the U.S. and Canada. Among his awards is the Premio Nacional de Música. Life Luis de Pablo was born in Bilbao. After losing his father in the Spanish Civil War, he went with his mother and siblings to live in Madrid from age six. Although he start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Boisseau
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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