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XP8
XP8 was an Italian electronic group. The band started in 2001 as a trio, composed of Marco Visconti, Marko Resurreccion, and singer Paul Toohill. History The group self-released an album, ''Forgive'' on MP3.com. When they signed to the Polish label Black Flames Records, their album was released as ''Forgive ' in May 2004. An EP of new material, ''RE_Productions'', was released five months later. In 2005, the band released their second album, ''Hrs:Min:Sec'', on the German label Infacted Recordings. The album peaked at #3 on the German Alternative Charts (DAC). Toohill left the band in 2007, to work on his solo project, Generator. He is also the main singer for a Nitzer Ebb tribute band called "Muscle And Hate". Their third album, ''The Art of Revenge'', was released in January 2008 on Infacted. It was also licensed to Sigsaly Transmissions for North America and Gravitator Records for Russia the same year. A music video, the band's first, was produced for the album's title track. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xp8 2011
XP8 was an Italian electronic group. The band started in 2001 as a trio, composed of Marco Visconti, Marko Resurreccion, and singer Paul Toohill. History The group self-released an album, ''Forgive'' on MP3.com. When they signed to the Polish label Black Flames Records, their album was released as ''Forgive ' in May 2004. An EP of new material, ''RE_Productions'', was released five months later. In 2005, the band released their second album, ''Hrs:Min:Sec'', on the German label Infacted Recordings. The album peaked at #3 on the German Alternative Charts (DAC). Toohill left the band in 2007, to work on his solo project, Generator. He is also the main singer for a Nitzer Ebb tribute band called "Muscle And Hate". Their third album, ''The Art of Revenge'', was released in January 2008 on Infacted. It was also licensed to Sigsaly Transmissions for North America and Gravitator Records for Russia the same year. A music video, the band's first, was produced for the album's title track. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mortiis
Mortiis is an electronic band from Notodden, Norway fronted by Håvard Ellefsen, who is also known as the namesake of the band. The name is a misspelling of the word "mortis", which is the pronunciation used by the band. Mortiis started as the solo project of Ellefsen as a means to convey a story. This aspect was lost over time and Mortiis slowly formed into a band. Ellefsen previously played bass in the black metal band Emperor (1991–1992), prior to forming this project in 1993. The time he spent in his previous band laid the groundworks for mixing black metal elements with various electronic genres, with these being touched upon across each "era" of the band. History Era I The title of ''Era I'' was never intentional. It came about in 2001 when Mortiis was set to release ''The Smell of Rain'', which was such a departure from his earlier records that he wanted to brand it in a way to signify this. All works previous to ''The Smell of Rain'' were thereafter referred to as ''Er ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wave-Gotik-Treffen
The Wave-Gotik-Treffen (WGT; ) is an annual world festival for "dark" music and "dark culture" in Leipzig, Germany. 150+ bands and artists from various backgrounds (gothic rock, gothic metal, EBM, industrial, noise, darkwave, neo-folk, neo-classical, medieval, experimental, deathrock and punk music being examples) play at several venues throughout the city over four days on Whitsuntide. The festival also features multiple all-night dance club parties, several fairs with medieval, gothic, and related merchandise, a variety of cultural exhibitions and performances, large themed picnics, and a number of unofficial fringe events. With 18,000 to 20,000 regular attendants, the WGT is one of the largest events of the gothic, cybergoth, steampunk, and rivethead subcultures worldwide. History A first attempt at a ''Treffen'' was made in 1987 in Potsdam. However, as the laws of the German Democratic Republic made this kind of event illegal, only a few hundred visitors attended. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Electronic Music Groups
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop Groups
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
