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Woof (label)
Woof Records is a British independent record label founded by English musicians Tim Hodgkinson and Bill Gilonis in London in 1980. Background Tim Hodgkinson and Bill Gilonis began experimenting with tape collages in 1979 and recorded ''I Do – I Do – I Don't – I Don't'', an 18-minute collection of songs. Hodgkinson and Gilonis then created Woof Records to release the title on a 7-inch EP in 1980. They continued to release titles on the label, subject to the restriction that at least one of them had to play on, engineer, or produce each record. Between 1980 and 1994, 15 titles were released on the label. Releases * WOOF 001, Bill Gilonis, Tim Hodgkinson, ''I Do – I Do – I Don't – I Don't'', (7", EP), 1980 * WOOF 002, The Work, "I Hate America", (7", Single, Cle), 1981 * WOOF 003, The Work, ''Slow Crimes'', (LP), 1982 * WOOF 005, The Work, ''The Worst of Everywhere'', (Cass, Album, C-9), 1982 * WOOF 006, The Lowest Note on the Organ, ''The Lowest Note on the Organ'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Independent Record Label
An independent record label (or indie label) is a record label that operates without the funding or distribution of major record labels; they are a type of small- to medium-sized enterprise, or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network (WIN). Many of the labels started as producers and distributors of specific genres of music, such as jazz music, or represent something new and non-mainstream, such as Elvis Presley in the early days. Indies release rock, soul, R&B, jazz, blues, gospel, reggae, hip hop, and world music. Music appearing on indie labels is often referred to as indie music, or more specifically by genre, such as indie hip-hop. Overview Independent record labels are small companies that produce and distribute records. They are not affiliated with or funded by the three major records labels. According to Sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Hodgkinson
Timothy "Tim" George Hodgkinson (born 1 May 1949) is an English experimental music composer and performer, principally on reeds, lap steel guitar, and keyboards. He first became known as one of the core members of the British avant-rock group Henry Cow, which he formed with Fred Frith in 1968. After the demise of Henry Cow, he participated in numerous bands and projects, eventually concentrating on composing contemporary music and performing as an improviser. Biography Tim Hodgkinson was born in Salisbury, Wiltshire in England on 1 May 1949, and was educated at Winchester College and Trinity College, Cambridge. He graduated in social anthropology from Cambridge in 1971, but chose to pursue a musical career instead. His interest in anthropology, however, remained and he drew on it later during a series of study trips to Siberia. Henry Cow While still at university, Hodgkinson and fellow student Fred Frith formed the seminal avant-rock group Henry Cow in 1968. Hodgkinson remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Gilonis
Bill Gilonis (born 1958) is an English guitarist and composer. He co-founded the gritty experimental rock group The Work in 1980 with Tim Hodgkinson. The group was active intermittently until 1993, recording four albums and touring extensively, including in Russia, Japan Finland, Yugoslavia and Switzerland. Gilonis has also worked as a producer, sound engineer and/or musician with (among others): Robert Wyatt, News from Babel (Chris Cutler, Lindsay Cooper, Zeena Parkins, Dagmar Krause), David Thomas, Peter Blegvad, Ut, Lindsay Cooper Film Music Group, Hail and The Hat Shoes (with Catherine Jauniaux, Tom Cora, Charles Hayward, and others). Other projects include: writing and recording the music for Frida Béraud's one-woman theatre piece, "Aus den Haaren gezogen"; a collaboration with Anja Burse on Wild Thing, an audio-visual installation piece; and a multi-media piece for the Val de Travers exhibition about Absinthe in Neuchatel, Switzerland (with Luigi Archetti, Jeroen Viss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Work (band)
The Work were an English post-punk rock group, founded in 1980 by multi-instrumentalist/composer Tim Hodgkinson and guitarist/composer Bill Gilonis, with bass guitarist Mick Hobbs and drummer Rick Wilson. The band toured Europe in 1981 and 1982, and recorded their first album, ''Slow Crimes'' in 1982. After a tour of Japan later that year and releasing '' Live in Japan'', the band split up. In 1989, the Work reformed to record ''Rubber Cage'' and performed throughout Europe between 1989 and 1994, releasing another album, ''See'' in 1992. A live album, ''The 4th World'', recorded in Germany in 1994, was released in 2010. History Ex-Henry Cow co-founder Tim Hodgkinson began recording with Bill Gilonis in 1979. They experimented with tape collages which led to the creation of an independent record label, Woof Records and a band. Enlisting the services of Mick Hobbs and Rick Wilson they formed the Work, a post-punk rock group. In 1981, the Work made their first recording, an EP ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slow Crimes
''Slow Crimes'' is a 1982 studio album by English post-punk rock group the Work. It is their debut album and was recorded between September 1981 – January 1982 in London, Switzerland and Belgium. It was released on LP in April 1982 by Woof Records in the United Kingdom, and follows on from "I Hate America" / "Fingers & Toes" / "Duty", their first single recorded and released in 1981. ''Slow Crimes'' was reissued in 1992 on CD by Megaphone Records in the United States with four extra tracks: the three tracks from the band's first single, plus "Houdini", originally released in 1982 on the '' Recommended Records Sampler''. Reception In a review in AllMusic, Rick Anderson described ''Slow Crimes'' as avant-garde in a "very distinctively British way". He said Tim Hodgkinson's "warbly, watery, unsteady" vocals define the album's mood, while Catherine Jauniaux's voice is "good, squeaky fun". Anderson liked "Balance" with its "frenetic polka-like punkiness", and called "Brickyard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Jauniaux
Catherine Jauniaux is a Belgian avant-garde singer. She has been described as a "one-woman-orchestra", a "human sampler", and "one of the best kept secrets in the world of improvised music". Her solo album, ''Fluvial'' (1983) is regarded as one of her most accomplished works. She was married to the late American experimental cellist and composer Tom Cora. Biography Catherine Jauniaux began her career as an actress in Belgium at the age of 15. During the late 1970s and early 1980s, she sang with several experimental rock groups, including Aksak Maboul and The Work. In 1983 she teamed up with The Work's Tim Hodgkinson (ex- Henry Cow) in London to record her first solo album, ''Fluvial''. Jauniaux and Hodgkinson wrote most of the tracks for the album, which are "imagined folk songs" that include elements of "contemporary art song, African singing, Native American legends, and alien nursery rhymes". The album centres on Jauniaux's voice with additional instrumentation by Hodgki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Frith
Jeremy Webster "Fred" Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including ''Traffic Continues'' (1996, performed 1998 by Frith and Ensemble Modern) and ''Freedom in Fragments'' (1993, performed 1999 by Rova Saxophone Quartet). Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics. He is the subject of Nicolas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Improvisations
''Live Improvisations'' is a 1992 collaborative live album of improvised music by English experimental musicians Fred Frith and Tim Hodgkinson. It was recorded in May 1990 in England and was released on Woof Records in the United Kingdom and Megaphone Records in the United States. Background Fred Frith and Tim Hodgkinson's first performance together was when they supplied music for a dance recital in 1968 while they were students at Cambridge University. They had never played together before and Frith said " imhad an alto sax, and I had my violin, and we just improvised this ghastly screaming noise for about half an hour." Surprised by their performance, and to keep the momentum going, Frith and Hodgkinson formed a band, which went on to become the English avant-rock group Henry Cow. Reception Writing in a review at AllMusic, Rick Anderson described the improvisations of Frith and Hodgkinson on this album as "cacophonic", but added that "none of it is ugly; in fact, much of it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Each In Our Own Thoughts
''Each in Our Own Thoughts'' is a 1994 solo album by English experimental music composer and performer Tim Hodgkinson from Henry Cow. It is his second solo album, after ''Splutter'' (1985), and comprises six unreleased pieces composed by Hodgkinson between 1976 and 1993. They were recorded in 1993 and co-released in 1994 on Compact Disc, CD by Woof (label), Woof Records in the United Kingdom and Megaphone Records in the United States. Content ''Each in Our Own Thoughts'' consists of three instrumental pieces and three songs. The music varies from contemporary classical music to avant-rock: there is a string quartet ("String Quartet 1"), two works for small ensembles ("A Hollow Miracle" and "Palimpsest"), a piece for Sampler (musical instrument), samples and multiple horns ("From Descartes' Dreams"), a piece for MIDI-instruments ("Numinous Pools for Mental Orchestra"), and an unrecorded Henry Cow number from 1976 ("Hold to the Zero Burn, Imagine"). Hodgkinson composed the music for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock's Backpages
Rock's Backpages is an online archive of music journalism, sourced from contributions to the music and mainstream press from the 1950s to the present day. The articles are full text and searchable, and all are reproduced with the permission of the copyright holders. The database was founded in 2000 by British music journalist Barney Hoskyns. As of November 2018 its database contains over 37,000 articles, including interviews, features and reviews, which covered popular music from blues and soul up to the present date. . Rock's Backpages. Rock's Backpages also features over 600 audio interviews with musicians from Jimi Hendrix and Johnny Cash to Kate Bush and Kurt Cobain. The articles are sourced from magazines including '' |
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