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Women In Musicology
Women in musicology describes the role of women professors, scholars and researchers in postsecondary education musicology departments at postsecondary education institutions, including universities, colleges and music conservatories. Traditionally, the vast majority of major musicologists and music historians have been men. Nevertheless, some women musicologists have reached the top ranks of the profession. Carolyn Abbate (born 1956) is an American musicologist who did her PhD at Princeton University. She has been described by the ''Harvard Gazette'' as "one of the world's most accomplished and admired music historians"."Abbate named University Professor" ''Harvard Gazette'', 20 November 2013. Accessed 10 December 2014 |
Rosetta Reitz
Rosetta Reitz (September 28, 1924 – November 1, 2008) was an American feminist and jazz historian who searched for and established a record label producing 18 albums of the music of the early women of jazz and the blues.Martin, Douglas"Rosetta Reitz, Champion of Jazz Women, Dies at 84" ''The New York Times'', November 14, 2008. Accessed November 19, 2008. Life and career Reitz was born in Utica, New York on September 28, 1924. She attended the University of Buffalo for one year and the University of Wisconsin–Madison for two years. After leaving college, she moved to Manhattan and worked at the Gotham Book Mart, later opening the Four Seasons, a bookstore in Greenwich Village she operated from 1947-1956.Reinholz, Mary. "Rosetta Reitz, 84, jazz historian, feminist writer", 'The Villager (Manhattan), The Villager'', November 12–18, 2008. Throughout her varied career she worked as a stockbroker, owner of a greeting card business, a college professor and a food columnist for '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gender
Gender is the range of characteristics pertaining to femininity and masculinity and differentiating between them. Depending on the context, this may include sex-based social structures (i.e. gender roles) and gender identity. Most cultures use a gender binary, in which gender is divided into two categories, and people are considered part of one or the other (boys/men and girls/women);Kevin L. Nadal, ''The SAGE Encyclopedia of Psychology and Gender'' (2017, ), page 401: "Most cultures currently construct their societies based on the understanding of gender binary—the two gender categorizations (male and female). Such societies divide their population based on biological sex assigned to individuals at birth to begin the process of gender socialization." those who are outside these groups may fall under the umbrella term ''non-binary''. Some societies have specific genders besides "man" and "woman", such as the hijras of South Asia; these are often referred to as ''third gende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara L
Barbara L (1947–1977) was an American Quarter Horse that raced during the early 1950s and often defeated some of the best racehorses of the time. She earned $32,836 () on the race track in 81 starts and 21 wins, including six wins in stakes races. She set two track records during her racing career. After retiring from racing in 1955, she went on to become a broodmare and had 14 foals, including 11 who earned their Race Register of Merit with the American Quarter Horse Association (AQHA). Her offspring earned more than $200,000 in race money. She died in 1977 and was inducted into the AQHA's American Quarter Horse Hall of Fame in 2007. Early life Barbara L was foaled in 1947, a bay daughter of a Thoroughbred stallion named Patriotic and a Quarter Horse broodmare named Big Bess. She was registered with the AQHA as number 146,954. Her sire, or father, was a grandson of Man o' War, while her dam, or mother, descended from the Quarter Horse Peter McCue. Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maud Cuney Hare
Maud Cuney Hare (''née'' Cuney, February 16, 1874–February 13 or 14, 1936) was an American pianist, musicologist, writer, and African-American activist in Boston, Massachusetts in the United States. She was born in Galveston, the daughter of famed civil rights leader Norris Wright Cuney, who led the Texas Republican Party during and after the Reconstruction Era, and his wife Adelina (née Dowdie), a schoolteacher. In 1913 Cuney-Hare published a biography of her father. Essentially part of the second generation after emancipation, Cuney Hare studied at the New England Conservatory of Music in Boston and became an accomplished pianist. She lived in Jamaica Plain, a neighborhood of Boston, most of her adult life. A musicologist, she collected music from across the South and Caribbean in her study of folklore, and was the first to study Creole music. She is most remembered for her final work, ''Negro Musicians and Their Music'' (1936), which documents the development of African-Ame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ursula Günther
Ursula Günther (15 June 1927 – 20 or 21 November 2006) was a German musicologist specializing in the fourteenth and early fifteenth centuries and the music of Giuseppe Verdi. She coined the term , to categorize the rhythmically complex music that followed . Life Ursula Günther was born Ursula Rösse in Hamburg.*Hans Heinrich Eggebrecht, "Günther, Ursula". In The ''New Grove Dictionary of Music and Musicians,'' second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001). After studying piano with D. Kraus and H. E. Riebensahm and music theory with H. Stahmer in Hamburg, she graduated with a music teacher's degree in 1947. From 1948 she studied music with Heinrich Husmann at the University of Hamburg along with other subjects such as art history, German and Romance Literature, philosophy, psychology, and phonetics. In 1957 at Hamburg she wrote a thesis under the tutelage of Heinrich Besseler on the change in style of the French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Frühauf
Tina Frühauf (born 23 September 1972 in Essen, Germany) is a German-American musicologist. She is adjunct associate professor at Columbia University in New York and serves on the doctoral faculty of the Graduate Center, CUNY. She is Executive Director of Répertoire International de Littérature Musicale. In January 2023, Frühauf was named director of the Barry S. Brook Center for Research and Documentation at the CUNY Graduate Center. Tina Frühauf serves on the board of the DAAD Alumni Association of the US Frühauf's teaching and research draw upon diverse methods and perspectives in scholarship to forge a broad and interdisciplinary musicology centered around history, performance, and ethnography. She is particularly interested in the interstices between music and religion. The study of Jewish music in modernity has provided a primary focus for research for two decades, and has provided the context for her more recent ventures into new fields of inquiry, that is music and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzanne Cusick
Suzanne G. Cusick (born 1954) is a music historian and musicologist living in and working in New York City, where she is a Professor of Music at the Faculty of Arts and Science at the New York University. Her specialties are the music of seventeenth-century Italy, feminist approaches to music history and criticism, and queer studies in music. Cusick has been in charge of editing ''Women and Music. A Journal of Gender and Culture'', the first journal which focusses on the relationship of gender and sexuality to musical culture. Her book ''Francesca Caccini at the Medici Court: Music and the Circulation of Power'' () was published by the University of Chicago Press in 2009, for which she received the 2010 book prize of the Society for the Study of Early Modern Women. This book deals with the life and works of Francesca Caccini while in the employment of the Medici court. Suzanne Cusick was made an honorary member of the American Musicological Society in November 2014. See also *W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Bent
Margaret Bent CBE , (born Margaret Hilda Bassington; 23 December 1940) is an English musicologist who specializes in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, English masses as well as the works of Johannes Ciconia and John Dunstaple. Biography Bent was educated at the Acton Haberdashers' Aske's School for Girls and Girton College, Cambridge University (where she read music, was organ scholar, and is now an honorary fellow), receiving her BA in 1962 and PhD in 1969. She taught at Cambridge and King's College London after 1963, and became a lecturer at Goldsmiths' College in 1972. In 1975 she was appointed professor at Brandeis University and in 1981 at Princeton University, and served as department chair in both. Bent was president of the American Musicological Society (1984–1986), of which she is now a Corresponding Member. She returned to England in 1992 as senior research fellow at All Souls Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ita Beausang
Ita Margaret Beausang (née Hogan) (born 18 October 1936) is an Irish musicologist and educator. In 1962 she completed the first PhD thesis in musicology to have been written in Ireland. She specialises in Irish music of the Classical period, and in female Irish composers. Career Beausang was born in Cork and studied with Aloys Fleischmann at University College Cork, graduating as BMus (1956) and MA (1958) before she completed the first Irish PhD thesis in musicology on "Anglo-Irish Music, 1780–1830" (1962). With some adaptations, this was the basis of her book ''Anglo-Irish Music, 1780–1830'' (Cork University Press, 1966; published under her maiden name Ita Margaret Hogan). From 1954 to 1960, she taught at the Cork School of Music. After her marriage and move to Dublin in 1960, she worked as a research assistant on the Royal Irish Academy's ''A New History of Ireland'' (Oxford University Press), again working with Fleischmann, during 1973–1974. In 1986, she was appointe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eva Badura-Skoda
Eva Badura-Skoda (née Halfar; 15 January 1929 – 8 January 2021) was a German-born Austrian musicologist. Biography Born in Munich, Eva Halfar studied at the Vienna Conservatory and took courses in musicology, philosophy, and art history at the universities of Heidelberg, Vienna (Erich Schenk), and Innsbruck (Ph.D., 1953, with the thesis ''Studien zur Geschichte des Musikunterrichtes in Österreich im 16., 17. und 18. Jahrhundert''). In 1951 she married Paul Badura-Skoda, with whom she collaborated on the volumes ''Mozart-Interpretation'' (Vienna, 1957; English transl., 1961; 2nd edition, rev., 1996) and ''Bach-Interpretation'' (Laaber, 1990; English transl., 1992). The couple had four children, including the pianist Michael Badura-Skoda (1964–2001); they separated later. In 1962 and 1963 she led summer seminars at the Salzburg Mozarteum. In 1964 she was the Brittingham visiting professor at the University of Wisconsin, where she served as professor of musicology from 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Song
An art song is a Western vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire").Meister, ''An Introduction to the Art Song'', pp. 11–17. An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many pieces of vocal music are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not. Other factors help define art songs: *Songs that are part of a staged work (such as an aria from an opera or a song from a musical) are not usually considered art songs.Kimball, p. xiv However, some Baroque arias that "appear with great frequ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
