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Margaret Bent
Margaret Bent CBE , (born Margaret Hilda Bassington; 23 December 1940) is an English musicologist who specializes in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, English masses as well as the works of Johannes Ciconia and John Dunstaple. Biography Bent was educated at the Acton Haberdashers' Aske's School for Girls and Girton College, Cambridge University (where she read music, was organ scholar, and is now an honorary fellow), receiving her BA in 1962 and PhD in 1969. She taught at Cambridge and King's College London after 1963, and became a lecturer at Goldsmiths' College in 1972. In 1975 she was appointed professor at Brandeis University and in 1981 at Princeton University, and served as department chair in both. Bent was president of the American Musicological Society (1984–1986), of which she is now a Corresponding Member. She returned to England in 1992 as senior research fellow at All Souls Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Musicological Society
The American Musicological Society (AMS) is a musicological organization which researches, promotes and produces publications on music. Founded in 1934, the AMS was begun by leading American musicologists of the time, and was crucial in legitimizing musicology as a scholarly discipline. At present, approximately 3000 individual members from forty nations are a part of the Society. Since 1948, the AMS has published the triannual ''Journal of the American Musicological Society''. History The American Musicological Society grew out of a small contingent of the Music Teachers National Association and, more directly, the New York Musicological Society (1930–1934). It was officially founded on 3 June 1934 by the leading American musicologists of the time, George S. Dickinson, Carl Engel, Gustave Reese, Helen Heffron Roberts, Joseph Schillinger, Charles Seeger, Harold Spivacke, Oliver Strunk, and Joseph Yasser. Its first president was Otto Kinkeldey, the first American to receive a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Llewellyn Harrison
Francis Llewellyn Harrison, better known as "Frank Harrison" or "Frank Ll. Harrison" (29 September 1905 – 29 December 1987) was one of the leading musicologists of his time and a pioneering ethnomusicologist. Initially trained as an organist and composer, he turned to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His ''Music in Medieval Britain'' (1958) is still a standard work on the subject, and ''Time, Place and Music'' (1973) is a key textbook on ethnomusicology. Education and early musical career Born in Dublin, Ireland, Harrison was the second son of Alfred Francis Harrison and Florence May, née Nash. The Welsh origin of his second given name, "Llewellyn", derives from his maternal grandmother, a Williams from Anglesey. He became a chorister at St Patrick's Cathedral in 1912 and was educated at the cathedral grammar school (until 1920) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leverhulme Emeritus Fellowship
The Leverhulme Trust () is a large national grant-making organisation in the United Kingdom. It was established in 1925 under the will of the 1st Viscount Leverhulme (1851–1925), with the instruction that its resources should be used to support "scholarships for the purposes of research and education." It is based in London and is a registered charity under English law. Activities Since its foundation in 1925, the Trust has provided funding for research projects, fellowships, studentships, bursaries and prizes; it operates across all the academic disciplines, the intention being to support talented individuals as they realise their personal vision in research and professional training. With annual funding of some £100 million, the Trust is amongst the largest all-subject providers of research funding in the UK. The Trust places special weight on: * the originality of the projects put to them; * the significance of the proposed work; * the ability to judge and take approp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guggenheim Fellowship
Guggenheim Fellowships are grants that have been awarded annually since by the John Simon Guggenheim Memorial Foundation to those "who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts." Each year, the foundation issues awards in each of two separate competitions: * One open to citizens and permanent residents of the United States and Canada. * The other to citizens and permanent residents of Latin America and the Caribbean. The Latin America and Caribbean competition is currently suspended "while we examine the workings and efficacy of the program. The U.S. and Canadian competition is unaffected by this suspension." The performing arts are excluded, although composers, film directors, and choreographers are eligible. The fellowships are not open to students, only to "advanced professionals in mid-career" such as published authors. The fellows may spend the money as they see fit, as the purpose is to give fellows "b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Musical Association
The Royal Musical Association (RMA) is a British scholarly society and charity. Founded in 1874, the Association claims to be the second oldest musicological society in the world, after that of the Netherlands. Activities include organizing and sponsoring academic conferences in the United Kingdom, and making awards for outstanding scholarship, notably the annual Dent Medal. History The society was founded by Sir John Stainer and was originally titled the Musical Association with a subtitle 'the investigation and discussion of subjects connected with the Art and Science of Music'. Sir Frederick Ouseley, Stainer's teacher, was the first president. The Association was registered as a company in 1904 and as a charity in 1965. The Association was renamed the Royal Musical Association in 1944 following the orders of King George VI. Publications The Association publishes the ''Journal of the Royal Musical Association''. Before 1987, the ''Journal'' was known as the ''Proceedings of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paleography
Palaeography ( UK) or paleography ( US; ultimately from grc-gre, , ''palaiós'', "old", and , ''gráphein'', "to write") is the study of historic writing systems and the deciphering and dating of historical manuscripts, including the analysis of historic handwriting. It is concerned with the forms and processes of writing; not the textual content of documents. Included in the discipline is the practice of deciphering, reading, and dating manuscripts, and the cultural context of writing, including the methods with which writing and books were produced, and the history of scriptoria. The discipline is one of the auxiliary sciences of history. It is important for understanding, authenticating, and dating historic texts. However, it generally cannot be used to pinpoint dates with high precision. Application Palaeography can be an essential skill for historians and philologists, as it tackles two main difficulties. First, since the style of a single alphabet in each given langu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Ficta
''Musica ficta'' (from Latin, "false", "feigned", or "fictitious" music) was a term used in European music theory from the late 12th century to about 1600 to describe pitches, whether notated or added at the time of performance, that lie outside the system of ''musica recta'' or ''musica vera'' ("correct" or "true" music) as defined by the hexachord system of Guido of Arezzo. Modern use Today, the term is often loosely applied to all unnotated inflections (whether they are actually ''recta'' or ''ficta'' notes; see below) that must be inferred from the musical context and added either by an editor or by performers themselves. However, some of the words used in modern reference books to represent ''musica ficta'', such as "inflection", "alteration", and "added accidentals" lie outside the way many Medieval and Renaissance theorists described the term. Historical sense and relation to hexachords Throughout the period that incorporated ''musica ficta'', singers sight read melodies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman De Fauvel
The ''Roman de Fauvel'' is a 14th-century French allegorical verse romance of satirical bent, generally attributed to , a clerk at the French royal chancery. The original narrative of 3,280 octosyllabics is divided into two books, dated to 1310 and 1314 respectively, during the reigns of Philip IV and Louis X. In 1316–7 Chaillou de Pesstain produced a greatly expanded version. The romance features Fauvel, a fallow-colored horse who rises to prominence in the French royal court, and through him satirizes the self-serving hedonism and hypocrisy of men, and the excesses of the ruling estates, both secular and ecclesiastical. The antihero's name can be broken down to mean "false veil", and also forms an acrostic ''F-A-V-V-E-L'' with the letters standing for the human vices: Flattery, Avarice, Vileness, Variability (Fickleness), Envy, and Laxity. The romance also gave birth to the English expression "curry fauvel", the obsolete original form of " curry favor". The work is re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume De Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and ''trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student. Machaut compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De Vitry
Philippe de Vitry (31 October 1291 – 9 June 1361) was a French composer-poet, bishop and music theorist in the style of late medieval music. An accomplished, innovative, and influential composer, he was widely acknowledged as a leading musician of his day, with Petrarch writing a glowing tribute, calling him: "... the keenest and most ardent seeker of truth, so great a philosopher of our age." The important music treatise ''Ars nova notandi'' (1322) is usually attributed to Vitry. It is thought that very little of Vitry's compositions survive; though he wrote secular music, only his sacred works are extant. Life and career Details of his early life are vague. While some medieval sources claim that he was born in the Champagne region, more recent research indicates that he may have originated in Vitry-en-Artois near Arras.Anne Walters Robertson, "Which Vitry? The Witness of the Trinity Motet from the ''Roman de Fauvel''" in ''Hearing the Motet: Essays on the Motet of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
