Wir Pflügen Und Wir Streuen
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Wir Pflügen Und Wir Streuen
"Wir pflügen und wir streuen" (We plough and sow) is a sacred song about thanksgiving for harvest, with text by Matthias Claudius. It was first published in 1783 as ''Das Bauernlied'' (The peasants' song). It became a hymn, with melodies by Johann André and Johann Abraham Peter Schulz. It appears in the current German Protestant hymnal ''Evangelisches Gesangbuch'' as EG 508 with the latter melody, and is used mostly for the German Erntedankfest. Jane Montgomery Campbell translated it to English in 1861 as " We plough the fields and scatter". History The poem appeared first in 1783 as part of an article by Claudius in the fourth volume of '. Titled ''Paul Erdmanns Fest'', it describes a fictional rural harvest festival. As its highlight, a song is performed, alternating a cantor and the choir of the other peasants who sing a refrain. The early version began with a line "Im Anfang war’s auf Erden", describing the beginning according to the Book of Genesis 1:2. It had 16 stan ...
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Matthias Claudius
Matthias Claudius (15 August 1740 – 21 January 1815) was a German poet and journalist, otherwise known by the pen name of “Asmus”. Life Claudius was born at Reinfeld, Holstein, Reinfeld, near Lübeck, and studied at Jena. He spent the greater part of his life in the town of Wandsbek (quarter), Wandsbeck, where he earned his first literary reputation by editing from 1771 to 1775, a newspaper called ''Der Wandsbecker Bote'' (The Wandsbeck Messenger) (''Wandsbeck'' until the year 1879 still written with "ck". Today only with "k".), in which he published a large number of prose essays and poems. They were written in pure and simple German, and appealed to the popular taste; in many there was a vein of extravagant humour or even burlesque, while others were full of quiet meditation and solemn sentiment. In his later days, perhaps through the influence of Friedrich Gottlieb Klopstock, Klopstock, with whom he had formed an intimate acquaintance, Claudius became strongly pietistic, ...
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Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ...
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18th-century Hymns In German
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ...
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