William Rignold
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William Rignold
William Rignold (1836–1904) was an English actor. Rignold began acting as a teenager, together with his brother George. Biography William Rignold was the first son of the actor William Ross Rignold (1813–1883) and his wife, the actress Patricia Blaxland (1800–1888). A second son, George, also entered the theatrical profession.Foulkes, Richard, "Rignold, George Richard (1839–1912)"Oxford Dictionary of National Biography'' Oxford University Press, Sept 2004; online edn, Jan 2008, accessed 7 June 2009 Both the brothers were brought up as musicians, and William was a capable violinist, but they both forsook music for the stage in their late teens. In 1860 Rignold had a leading role in ''The Dead Heart'' at the Theatre Royal, Bristol, and the following year he was judged "very amusing as a foppish man of the world" in ''The Romance of a Poor Young Man'' at the same theatre. His brother George was also a member of the company at the Theatre Royal. In the production of ''A Mid ...
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William Rignold
William Rignold (1836–1904) was an English actor. Rignold began acting as a teenager, together with his brother George. Biography William Rignold was the first son of the actor William Ross Rignold (1813–1883) and his wife, the actress Patricia Blaxland (1800–1888). A second son, George, also entered the theatrical profession.Foulkes, Richard, "Rignold, George Richard (1839–1912)"Oxford Dictionary of National Biography'' Oxford University Press, Sept 2004; online edn, Jan 2008, accessed 7 June 2009 Both the brothers were brought up as musicians, and William was a capable violinist, but they both forsook music for the stage in their late teens. In 1860 Rignold had a leading role in ''The Dead Heart'' at the Theatre Royal, Bristol, and the following year he was judged "very amusing as a foppish man of the world" in ''The Romance of a Poor Young Man'' at the same theatre. His brother George was also a member of the company at the Theatre Royal. In the production of ''A Mid ...
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The Merry Wives Of Windsor
''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle, in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in ''Henry IV, Part 1'' and '' Part 2''. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics. Tradition has it that ''The Merry Wives of Windsor'' was written at the request of Queen Elizabeth I. After watching ''Henry IV Part I'', she asked Shakespeare to write a play depicting Falstaff in love. Char ...
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Courtice Pounds
Charles Courtice Pounds (30 May 1861 Gänzl, Kurt"Pounds of Pyes, or mea culpa No. 2" Kurt Gänzl's blog, 4 May 2018. Note that hibirth registrationis in central London in the third quarter of 1861 – 21 December 1927), better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company and his later roles in Shakespeare plays and Edwardian musical comedies. As a young member of D'Oyly Carte, Pounds played tenor leads in the Gilbert and Sullivan operas in New York and on tour in Britain and continental Europe from 1881 to 1887. After being promoted to principal tenor at the Savoy Theatre, he created the principal tenor roles in ''The Yeomen of the Guard'' (1888), ''The Gondoliers'' (1889), '' The Nautch Girl'' (1891) and ''Haddon Hall'' (1892), and played other principal roles. After leaving D'Oyly Carte in 1895, Pounds became a prominent performer during the tra ...
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George Grossmith, Jr
George Grossmith Jr. (11 May 1874 – 6 June 1935) was an English actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in ''Haste to the Wedding'' (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert. Grossmith soon became an audience favourite playing "dude" roles. Early appearances in musicals included George Edwardes's hit ''A Gaiety Girl'' in 1893, and ''Go-Bang'' and ''The Shop Girl'' in 1894. In 1895, Grossmith left the musical stage, instead appearing in straight comedies, but after a few years he returned to performing in musicals and Victorian burlesques. Early in the new century, he had a string of successes in musicals for Edwardes, including ''The Toreador'' (1 ...
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Hayden Coffin
Charles Hayden Coffin (22 April 1862 – 8 December 1935) was an English actor and singer known for his performances in many famous Edwardian musical comedies, particularly those produced by George Edwardes. Hayden achieved fame as Harry Sherwood in '' Dorothy'' (1886), which became the longest-running piece of musical theatre in history up to that time; other similar roles followed. In 1893, he joined the company of George Edwardes and starred in a series of extraordinarily successful musical comedies, including '' A Gaiety Girl'' (1893), '' An Artist's Model'' (1895), ''The Geisha'' (1896), '' A Greek Slave'' (1898), ''San Toy'' (1899), ''A Country Girl'' (1903), '' Veronique'' (1904), ''The Girl Behind the Counter'' (1906), ''Tom Jones'' (1907) and '' The Quaker Girl'' (1910). In his later years, Coffin found success in Shakespearean roles such as Feste in ''Twelfth Night'' (1912), and in musicals, a few films and other works, such as the classic comedy ''The School for S ...
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Rutland Barrington
Rutland Barrington (15 January 1853 – 31 May 1922) was an English singer, actor, comedian and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades. He also wrote at least a dozen works for the stage. After two years with a comic touring company, Barrington joined Richard D'Oyly Carte's opera company and, over the next two decades, created a number of memorable comic opera roles, including Captain Corcoran in ''H.M.S. Pinafore'' (1878), the Sergeant of Police in ''The Pirates of Penzance'' (1880), and Pooh Bah in ''The Mikado'' (1885), among many others. Failing in an 1888 attempt to become a theatrical manager, Barrington refocused his energies on acting and occasional playwriting. Beginning in 1896 and continuing for ten years, Barrington played in a series of very successful musical comedies under the management of George Edwarde ...
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Trial By Jury
A jury trial, or trial by jury, is a legal proceeding in which a jury makes a decision or findings of fact. It is distinguished from a bench trial in which a judge or panel of judges makes all decisions. Jury trials are used in a significant share of serious criminal cases in many but not all common law judicial systems. The majority of common law jurisdictions in Asia (such as Singapore, India, Pakistan and Malaysia) have abolished jury trials on the grounds that juries are susceptible to bias. Juries or lay judges have also been incorporated into the legal systems of many civil law countries for criminal cases. Only the United States makes routine use of jury trials in a wide variety of non-criminal cases. Other common law legal jurisdictions use jury trials only in a very select class of cases that make up a tiny share of the overall civil docket (like malicious prosecution and false imprisonment suits in England and Wales), but true civil jury trials are almost entirely ...
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Constance Collier
Constance Collier (born Laura Constance Hardie; 22 January 1878 – 25 April 1955) was an English stage and film actress and acting coach. She wrote hit plays and films with Ivor Novello and she was the first person to be treated with insulin in Europe. Early life and stage career Born Laura Constance Hardie in Windsor, Berkshire to Auguste Cheetham Hardie and Eliza Georgina Collier, Constance Collier made her stage debut at the age of three, when she played Fairy Peasblossom in ''A Midsummer Night's Dream''. In 1893, at the age of 15, she joined the Gaiety Girls, the famous dance troupe based at the Gaiety Theatre in London. In 1905, Collier married English actor Julian Boyle (stage name Julian L'Estrange). She soon became so tall that she towered over all the other dancers. In addition, she had an enormous personality and considerable determination. On 27 December 1906, Sir Herbert Beerbohm Tree's extravagant revival of ''Antony and Cleopatra'' opened at His Majesty's ...
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The Critic (play)
''The Critic: or, a Tragedy Rehearsed'' is a satire by Richard Brinsley Sheridan. It was first staged at Drury Lane Theatre in 1779. It is a burlesque on stage acting and play production conventions, and Sheridan considered the first act to be his finest piece of writing. One of its major roles, Sir Fretful Plagiary, is a comment on the vanity of authors, and in particular a caricature of the dramatist Richard Cumberland who was a contemporary of Sheridan. Based on George Villiers' '' The Rehearsal'', it concerns misadventures that arise when an author, Mr Puff, invites Sir Fretful Plagiary and the theatre critics Dangle and Sneer to a rehearsal of his play '' The Spanish Armada'', Sheridan's parody of the then-fashionable tragic drama. In 1911, Herbert Beerbohm Tree mounted a star-studded production of ''The Critic'' at Her Majesty's Theatre starring George Alexander, Cecil Armstrong, Beatrice Ferrar, Arthur Bourchier, C. Hayden Coffin, Kenneth Douglas, Lily Elsie, Winifre ...
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Richard Brinsley Sheridan
Richard Brinsley Butler Sheridan (30 October 17517 July 1816) was an Irish satirist, a politician, a playwright, poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as ''The Rivals'', ''The School for Scandal'', ''The Duenna'' and ''A Trip to Scarborough''. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780–1806), Westminster (1806–1807), and Ilchester (1807–1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide. Early life Sheridan was born in 1751 in Dublin, Ireland, where his family had a house on then fashionable Dorset Street. His mother, Frances Sheridan, was a playwright and novelist. She had two plays produced in London in the early 1760s, though she is best known for her novel ''The Memoirs of Miss Sidney Biddulph'' (1761). His father, Thomas Sheridan, was for a while an actor-manager at ...
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Henry V (play)
''Henry V'' is a history play by William Shakespeare, believed to have been written near 1599. It tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. In the First Quarto text, it was titled ''The Cronicle History of Henry the fift'', and ''The Life of Henry the Fifth'' in the First Folio text. The play is the final part of a tetralogy, preceded by '' Richard II'', ''Henry IV, Part 1'', and '' Henry IV, Part 2''. The original audiences would thus have already been familiar with the title character, who was depicted in the ''Henry IV'' plays as a wild, undisciplined young man. In ''Henry V'', the young prince has matured. He embarks on an expedition to France and, his army badly outnumbered, defeats the French at Agincourt. Characters * Chorus The English * King Henry V * Duke of Gloucester – Henry's brother * Duke of Bedford – Henry's brother * Duke of Clarence – He ...
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Cox And Box
''Cox and Box; or, The Long-Lost Brothers'', is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce '' Box and Cox'' by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two lodgers, one who works at night and one who works during the day. When one of them has the day off, they meet each other in the room and tempers flare. Sullivan wrote this piece five years before his first opera with W. S. Gilbert, '' Thespis''. The piece premiered in 1866 and was seen a few times at charity benefits in 1867. Once given a professional production in 1869, it became popular, running for 264 performances and enjoying many revivals and further charity performances. During the 20th century, it was frequently played by the D'Oyly Carte Opera Company in an abridged version, as a curtain raiser for the shorter Gilbert and Sullivan operas. It has been played by numerous pr ...
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