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Will Yow Walke The Woods Soe Wylde
"Will Yow Walke the Woods soe Wylde" is the title of a song from the Tudor era, popularly believed to have been a favourite of Henry VIII. The complete text of the song has not survived, but contained the short refrain: :'Shall I go walk the wood so wild, wandering, wandering, here and there'. The melody of the song can be found in several compositions of the period, and would appear to have been popular with composers, perhaps because of its sprightly melody in the Lydian mode, or because it evoked a pastoral mood in the minds of contemporary listeners. Variations The song gave rise to two important keyboard works of the late Tudor era: * The first was by William Byrd. Byrd constructed 14 variations on the melody, starting with a simple 'rustic' presentation of the theme with a drone accompaniment and concluding with a richly polyphonic final variation. Byrd's composition appears in several manuscripts including two of the most important collections of keyboard music of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Orlando Gibbons
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By William Byrd
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Elizabeth I
Elizabeth I (7 September 153324 March 1603) was Queen of England and Ireland from 17 November 1558 until her death in 1603. Elizabeth was the last of the five House of Tudor monarchs and is sometimes referred to as the "Virgin Queen". Elizabeth was the daughter of Henry VIII and Anne Boleyn, his second wife, who was executed when Elizabeth was two years old. Anne's marriage to Henry was annulled, and Elizabeth was for a time declared illegitimate. Her half-brother Edward VI ruled until his death in 1553, bequeathing the crown to Lady Jane Grey and ignoring the claims of his two half-sisters, the Catholic Mary and the younger Elizabeth, in spite of statute law to the contrary. Edward's will was set aside and Mary became queen, deposing Lady Jane Grey. During Mary's reign, Elizabeth was imprisoned for nearly a year on suspicion of supporting Protestant rebels. Upon her half-sister's death in 1558, Elizabeth succeeded to the throne and set out to rule by good counsel. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lachrimae, Or Seaven Teares
''Lachrimæ or seaven teares figured in seaven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts'' is a collection of instrumental music composed by John Dowland. It was published by John Windet in 1604. It consists of a set of seven slow pieces which the composer calls tears ("teares" in Early Modern spelling) plus other pieces including some livelier numbers. The title page of ''Lachrimæ'' is adorned with a Latin epigram: ''"Aut Furit, aut Lachrimat, quem non Fortuna beavit"'' ("He whom Fortune has not blessed either rages or weeps"). Dowland points out in his dedication that there are different types of tears. “The teares which Musicke weeps” can be pleasant; “neither are teares shed always in sorrow but sometime in joy and gladnesse”. Instrumentation As the title page suggests, the music is scored for five viols, or alternatively violins (that is, members of the violin family), and lute. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Devereux, 2nd Earl Of Essex
Robert Devereux, 2nd Earl of Essex, KG, PC (; 10 November 1565 – 25 February 1601) was an English nobleman and a favourite of Queen Elizabeth I. Politically ambitious, and a committed general, he was placed under house arrest following a poor campaign in Ireland during the Nine Years' War in 1599. In 1601, he led an abortive ''coup d'état'' against the government of Elizabeth I and was executed for treason. Early life Devereux was born on 10 November 1565 at Netherwood near Bromyard, in Herefordshire, the son of Walter Devereux, 1st Earl of Essex, and Lettice Knollys. His maternal great-grandmother Mary Boleyn was a sister of Anne Boleyn, the mother of Queen Elizabeth I, making him a first-cousin-twice-removed of the Queen. He was brought up on his father's estates at Chartley Castle, Staffordshire, and at Lamphey, Pembrokeshire, in Wales. His father died in 1576, and the new Earl of Essex became a ward of Lord William Cecil of Burghley House. In 1577, he was admitt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dowland
John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", "Flow my tears", " I saw my Lady weepe", " Now o now I needs must part" and " In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Career and compositions Very little is known of John Dowland's early life, but it is generally thought he was born in London; some sources even put his birth year as 1563. Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin, but no corroborating evidence has ever been found either for that or for Thomas Fuller's claim that he was born in Westminster. There is, however, one very clear piece of evidence pointing to Dublin as his place of origin: he dedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Gibbons
Orlando Gibbons ( bapt. 25 December 1583 – 5 June 1625) was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625. As a result, Gibbons's ''oeuvre'' was not as large as that of his contemporaries, like the elder William Byrd, but he made considerable contributions to many genres of his time. He is often seen as a transitional figure from the Renaissance to the Baroque periods. Gibbons was born into a musical family where his father was a wait, his brothers—Edward, Ellis and Ferdinand—were musicians and Orlando was expected to follow the tradition. It is not known under whom he studied, although it may have been with Edward or Byrd, but he almost certainly studied the keyboard in his youth. Irrespective of his education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Virginal Book
The ''Fitzwilliam Virginal Book'' is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now housed in the Fitzwilliam Museum at Cambridge. The word virginals does not necessarily denote any specific instrument and might refer to anything with a keyboard. History It was given no title by its copyist and the ownership of the manuscript before the eighteenth century is unclear. At the time ''The'' ''Fitzwilliam Virginal Book'' was put together most collections of keyboard music were compiled by performers and teachers: other examples include ''Will Forster's Virginal Book'', ''Clement Matchett's Virginal Book'', and ''Anne Cromwell's Virginal Book''. It is possible that the complexities of typesetting music precluded the printing of much keyboard music durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
