Will Todd
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Will Todd
Will Todd (b 14 January 1970) is an English musician and composer. He is a pianist, who performs regularly with others in his own works. Biography and work Todd was born in County Durham, attended Durham School and joined the choir of St Oswald's Church, Durham under its choirmaster David Higgins. He went on to study music at the University of Bristol. He is a pianist and regularly performs with his trio, and this played a large role in one of his best-known works, his ''Mass in Blue''. ''Mass in Blue'' (originally entitled Jazz Mass) was commissioned bHertfordshire Chorusand first performed at the Cambridge Corn Exchange in July 2003 with Will Todd at the piano. Todd's wife, Bethany Halliday, performed the soprano solo alongside the Blue Planet Orchestra and Hertfordshire Chorus, conducted by David Temple. His work ''The Blackened Man'' won second prize in the ''International Verdi Opera Competition'' in 2002 and was later staged at the 2004 Buxton Festival. ''The Screams o ...
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County Durham
County Durham ( ), officially simply Durham,UK General Acts 1997 c. 23Lieutenancies Act 1997 Schedule 1(3). From legislation.gov.uk, retrieved 6 April 2022. is a ceremonial county in North East England.North East Assembly â€About North East England. Retrieved 30 November 2007. The ceremonial county spawned from the historic County Palatine of Durham in 1853. In 1996, the county gained part of the abolished ceremonial county of Cleveland.Lieutenancies Act 1997
. Retrieved 27 October 2014.
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Welsh National Opera
Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by ''The New York Times'' as "one of the finest operatic ensembles in Europe". For most of its existence the company lacked a permanent base in Cardiff, but in 2004 it moved into the new Wales Millennium Centre, Cardiff Bay. The company tours nationally and internationally, giving more than 120 performances annually, with a repertoire of eight operas each year, to a combined audience of more than 150,000 people. Its most frequent venues other than Cardiff are Llandudno in Wales and Bristol, Birmingham, Liverpool, Milton Keynes, Oxf ...
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Emma Johnson (clarinettist)
Emma Johnson (born 20 May 1966) is a British clarinettist, who was appointed MBE for services to music in 1996. In 1984, she won the ''BBC Young Musician of the Year'' competition, playing one of Crusell's clarinet concertos in the televised final, and won the Bronze Award representing Britain in the subsequent European Young Musician Competition. She also won the Young Concert Artists International Auditions in 1991 which led to her New York City recital debut at Carnegie hall. She has become one of the UK's biggest selling classical artists, having sold over half a million discs sold worldwide. Career Emma Johnson was born on 20 May 1966 in Barnet in Hertfordshire. She attended Newstead Wood School for Girls, Orpington and Sevenoaks School, learning the clarinet with John Brightwell. She joined the National Youth Orchestra of Great Britain at the age of 15. In 1984, she won the BBC Young Musician of the Year title, performing Crusell's Second Concerto with the BBC Philharmon ...
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Fairhaven Singers
The Fairhaven Singers is a chamber choir based in Cambridge, UK, directed by Ralph Woodward. The choir is a mixed ensemble of about 48 amateur singers singing choral repertoire from the 15th century to the present. Among the major works it has performed are Bach's ''St John Passion'' and ''St Matthew Passion'', Mozart's ''Requiem'', Brahms' ''Requiem'', and James MacMillan's ''Seven Last Words from the Cross''. It has commissioned and premiered new works from composers that have included Jonathan Dove, Will Todd, Bob Chilcott, Carl RĂĽtti and Cecilia MacDowall. It performs mainly in Cambridge, most often in Trinity College Chapel, St John's College Chapel and Queens' College Chapel. It has also appeared at Snape Maltings Concert Hall, Suffolk, including concerts at the Aldeburgh Festival and Britten's War Requiem at the Britten Festival; at Ely Cathedral; at venues in London, including St Martin-in-the-Fields and St John's Smith Square; and at concert venues in Europe, including ...
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Chichester Cathedral
Chichester Cathedral, formally known as the Cathedral Church of the Holy Trinity, is the seat of the Anglican Bishop of Chichester. It is located in Chichester, in West Sussex, England. It was founded as a cathedral in 1075, when the seat of the bishop was moved from Selsey.Tim Tatton-Brown and John Crook, ''The English Cathedral'', New Holland (2002), Chichester Cathedral has fine architecture in both the Norman and the Gothic styles, and has been described by the architectural critic Ian Nairn as "the most typical English Cathedral". Despite this, Chichester has two architectural features that are unique among England's medieval cathedrals—a free-standing medieval bell tower (or campanile) and double aisles.Alec Clifton-Taylor, ''The Cathedrals of England'', Thames & Hudson (1967) The cathedral contains two rare medieval sculptures, and many modern art works including tapestries, stained glass and sculpture, many of these commissioned by Walter Hussey (Dean, 1955–77). ...
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Matthew Arnold
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the celebrated headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. Matthew Arnold has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. He was also an inspector of schools for thirty-five years, and supported the concept of state-regulated secondary education. Early years He was the eldest son of Thomas Arnold and his wife Mary Penrose Arnold (1791–1873), born on 24 December 1822 at Laleham-on-Thames, Middlesex. John Keble stood as godfather to Matthew. In 1828, Thomas Arnold was appointed Headmaster of Rugby School, where the family took up residence, that year. From 1831, Arnold was tutored by his clerical uncle, John Buckland, in Laleham. I ...
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Dover Beach
"Dover Beach" is a lyric poem by the English poet Matthew Arnold. It was first published in 1867 in the collection ''New Poems''; however, surviving notes indicate its composition may have begun as early as 1849. The most likely date is 1851.Allott, 1965, p. 240. The title, locale and subject of the poem's descriptive opening lines is the shore of the English ferry port of Dover, in Kent, facing Calais, in France, at the Strait of Dover, the narrowest part () of the English Channel, where Arnold spent his honeymoon in 1851. Many of the beaches in this part of England are made up of small stones or pebbles rather than sand, and Arnold describes the sea ebbing over the stones as a "grating roar". Analysis In Stefan Collini's opinion, "Dover Beach" is a difficult poem to analyze, and some of its passages and metaphors have become so well known that they are hard to see with "fresh eyes". Arnold begins with a naturalistic and detailed nightscape of the beach at Dover in which aud ...
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Kitty Genovese
In the early hours of March 13, 1964, Kitty Genovese, a 28-year-old bartender, was raped and stabbed outside the apartment building where she lived in the Kew Gardens neighborhood of Queens in New York City, New York, United States. Two weeks after the murder, ''The New York Times'' published an article erroneously claiming that 38 witnesses saw or heard the attack, and that none of them called the police or came to her aid. The incident prompted inquiries into what became known as the bystander effect, or "Genovese syndrome", and the murder became a staple of U.S. psychology textbooks for the next four decades. However, researchers have since uncovered major inaccuracies in the ''New York Times'' article. Police interviews revealed that some witnesses had attempted to call the police. Reporters at a competing news organization discovered in 1964 that the ''Times'' article was inconsistent with the facts, but they were unwilling at the time to challenge ''Times'' editor Abe R ...
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Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musi ...
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Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which like the accordion and mouth organs (both Eastern and ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ...
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