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Wilber Sweatman
Wilbur Coleman Sweatman (February 7, 1882 – March 9, 1961) was an American ragtime and dixieland jazz composer, bandleader and clarinetist. Sweatman was one of the first African-American musicians to have fans nationwide. He was also a trailblazer in the racial integration of musical groups.Berresford, Mark. ''That's got'em: the life and music of Wilbur C. Sweatman'', University of Mississippi Press, 2010 Early life Sweatman was born February 7, 1882 in Brunswick, Missouri to parents Matilda and Coleman Sweatman. Wilbur's father ran a barbershop in the riverside town to provide for his family, which also included daughters Eva and Lula. His mother was apparently of mixed racial background as she and the children were listed as mulatto on some census reports. While Wilbur was still a toddler his father abandoned the family, moving to St. Joseph, Missouri, and starting a new family. His mother persevered, continuing to operate the barbershop as well as taking in boarders. Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brunswick, Missouri
Brunswick is a rural city in Chariton County, Missouri, United States. Its population was 801 at the 2020 census. Brunswick, by official state proclamation, is the Pecan Capital of Missouri. The Missouri Farmers Association ( MFA Incorporated) was founded in Brunswick in 1914. History For thousands of years varying cultures of indigenous peoples settled by the Missouri River. At the time of European contact, historical tribes in the area included the Missouri, Osage, Kaw, Otoe and others. In 1723 Etienne de Veniard, Sieur de Bourgmont built Fort Orleans near here, established on the Missouri River near the mouth of the Grand River. It was occupied 1723-1726 as the first multi-year European fort and settlement in present-day Missouri. It was to be a trading centerpiece of ''La Louisiane,'' the new territory claimed by the French. Following the Louisiana Purchase and the end of the French colonial period the area saw a large influx of immigrants from the U.S., especially K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cozy Cole
William Randolph "Cozy" Cole (October 17, 1909 – January 9, 1981) was an American jazz drummer who worked with Cab Calloway and Louis Armstrong among others and led his own groups. Life and career William Randolph Cole was born in East Orange, New Jersey, United States. His first music job was with Wilbur Sweatman in 1928. In 1930, he played for Jelly Roll Morton's Red Hot Peppers, recording an early drum solo on "Load of Cole". He spent 1931–33 with Blanche Calloway, 1933–34 with Benny Carter, 1935–36 with Willie Bryant, 1936–38 with Stuff Smith's small combo, and 1938–42 with Cab Calloway. In 1942, he was hired by CBS Radio music director Raymond Scott as part of network radio's first integrated orchestra. After that he played with Louis Armstrong's All Stars. Cole performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Lewis (musician)
Theodore Leopold Friedman (June 6, 1890 – August 25, 1971), known as Ted Lewis, was an American entertainer, bandleader, singer, and musician. He fronted a band and touring stage show that presented a combination of jazz, comedy, and nostalgia that was a hit with the American public before and after World War II. He was known by the moniker "Mr. Entertainment" or Ted "Is Everybody Happy?" Lewis. He died of lung failure in August 1971. Early life Born in Circleville, Ohio, Lewis was one of the first Northern musicians to start imitating the New Orleans jazz musicians who came up to New York in the teens. He first recorded in 1917 with Earl Fuller's Jazz Band, who were attempting to copy the sound of the city's newest sensation, the Original Dixieland Jass Band. At the time, Lewis did not seem to be able to do much on the clarinet other than trill. (Promoting one recording the Victor catalog stated: "The sounds as of a dog in his dying anguish are from Ted Lewis' clarinet".) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ASCAP
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pathé Records
Pathé Records was an international record company and label and producer of phonographs, based in France, and active from the 1890s through the 1930s. Early years The Pathé record business was founded by brothers Charles and Émile Pathé, then owners of a successful bistro in Paris. In the mid-1890s, they began selling Edison and Columbia phonographs and accompanying cylinder records. Shortly thereafter, the brothers designed and sold their own phonographs. These incorporated elements of other brands. Soon after, they also started marketing pre-recorded cylinder records. By 1896 the Pathé brothers had offices and recording studios not only in Paris, but also in London, Milan, and St. Petersburg. Pathé cylinders and discs In 1894, the Pathé brothers started selling their own phonographs. The earliest Pathé offerings were phonograph cylinders. Pathé manufactured cylinder records until approximately 1914. In addition to standard size cylinder records (), Pathé produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Creole Orchestra
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC Shakespeare - Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Dixieland Jass Band
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Origins In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by tromb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Peyton
Dave Peyton (19 August 1889 – 30 April 1955) was an American songwriter, pianist, arranger, orchestra leader, and music critic columnist for the ''Chicago Defender''. Peyton first began as a pianist in the trio of Wilbur Sweatman, along with George Reeves, where he played from 1908 to 1912. Following this Peyton led his own ensembles in various theaters in Chicago. His sidemen included Charlie Allen, George Mitchell, Bob Shoffner, Reuben Reeves, Kid Ory, Bud Scott, Jasper Taylor, Jimmy Bertrand, Baby Dodds, Preston Jackson, Darnell Howard, Jerome Don Pasquall, and Lee Collins. While he only recorded under his own name once (with Richard M. Jones, on piano in ''Baby o’ Mine'' (1935, Decca 7115) or ''Joe Louis Chant''), his orchestra also recorded in 1928 under Fess Williams's name (''Dixie Stomp''/''Drifting and Dreaming'', Voc. 15690). In the 1930s he led an orchestra at the Regal Theater, and from the mid-1930s until late-1940s played as a soloist in bars and nigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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