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Wieland Der Schmied (opera)
''Wieland der Schmied'' ''(Wieland the Smith''; Slovak:'' Kováč Wieland)'' is an opera in three acts by Ján Levoslav Bella first performed in 1926, to a libretto by Oskar Schlemm based on an original libretto draft by Richard Wagner. The libretto Wagner was motivated by his enthusiasm for the ''Romeo and Juliet'' symphony of Hector Berlioz to create a libretto which might serve for a production at the Paris Opéra, with music perhaps to be written by Berlioz or by himself. The draft, which is mostly in prose, was written between December 1849 and March 1850. It was published as an appendix to Wagner's essay ''The Art-Work of the Future'' as an example of the ideals to which such art-works should aspire - "a glorious Saga which long ago the raw, uncultured Folk of old-time Germany indited for no other reason than that of inner, free, Necessity". However it was never set as an opera by Wagner or any other composer before Bella. The opera Oskar Schlemm adapted Wagner's outli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wieland Der Schmied-manuscript
Wieland is a Germanic name, from ''wela'', "battle", and ''nand'', "brave". The English form is Wayland. * Weyland the Smith, a smith in Germanic mythology Given name *Wieland Wagner (1917–1966), grandson of Richard Wagner Surname *Alon Wieland (1935–2022), American businessman and politician *Christoph Martin Wieland (1733–1813), German poet *Heinrich Otto Wieland (1877–1957), Nobel Prize–winning German chemist *Jan Müller-Wieland (born 1966), German composer *Joe Wieland (born 1990), American baseball player *Johann Wieland (born 1972), Austrian ski mountaineer *Liza Wieland (born 1960), American novelist *Melchior Wieland (c. 1520–1589), Prussian herbalist *Paul Wieland (born 1962), American politician *Rainer Wieland (born 1957), a German politician Other * ''Wieland'' (novel), a 1798 novel by Charles Brockden Brown See also * Wayland (other) * Weyland (other) * Weiland (other) * Wyland (other) Wyland may refer to: * Luke W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretti By Richard Wagner
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1926 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Maiden
The swan maiden is a mythical creature who shapeshifts from human form to swan form. The key to the transformation is usually a swan skin, or a garment with swan feathers attached. In folktales of this type, the male character spies the maiden, typically by some body of water (usually bathing), then snatches away the feather garment (or some other article of clothing), which prevents her from flying away (or swimming away, or renders her helpless in some other manner), forcing her to become his wife. There are parallels around the world, notably the ''Völundarkviða'' and ''Grimms' Fairy Tales'' KHM 193 " The Drummer". There are also many parallels involving creatures other than swans. Legend Typical legend The folktales usually adhere to the following basic plot. A young, unmarried man steals a magic robe made of swan feathers from a swan maiden who comes to bathe in a body of water, so that she will not fly away, and marries her. Usually she bears his children. When the chil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Þiðreks Saga
''Þiðreks saga af Bern'' ('the saga of Þiðrekr of Bern', also ''Þiðrekssaga'', ''Þiðriks saga'', ''Niflunga saga'' or ''Vilkina saga'', with Anglicisations including ''Thidreksaga'') is an Old Norse chivalric saga centering the character it calls Þiðrekr af Bern, who originated as the historical king Theoderic the Great (454–526), but who attracted a great many unhistorical Germanic heroic legends. The text is probably by a Norwegian scholar from the 1200s who translated a lost Low German prose narrative of Theoderic's life, or who compiled it from various German sources, or by an Icelandic scholar from the 1300s. It is a pre-eminent source for a wide range of medieval Germanic legends. Titles The name ''Vilkinasaga'' was first used in Johan Peringskiöld's Swedish translation of 1715. Peringskiöld named it after ''Vilkinaland'', which the saga says was an old name for Sweden and Götaland. Origins The saga contains many narratives found in other medieval tales ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völundarkviða
''Vǫlundarkviða'' (Old Norse: 'The lay of Völund'; modern Icelandic spelling: ''Völundarkviða'') is one of the mythological poems of the ''Poetic Edda''. The title is anglicized in various ways, including ''Völundarkvitha'', ''Völundarkvidha'', ''Völundarkvida'', ''Volundarkvitha'', ''Volundarkvidha'' and ''Volundarkvida''. Manuscripts, origins, and analogues The poem is preserved in its entirety among the mythological poems of the thirteenth-century Icelandic manuscript Codex Regius, and the beginning of the prose prologue is also found in the AM 748 I 4to fragment. The vocabulary and some of the formulaic phrasing of the poem is clearly influenced by West Germanic, with the strongest case being for influence specifically from Old English (a West Germanic dialect). It is thought likely, therefore, that ''Vǫlundarkviða'' was composed in, or otherwise influenced by traditions from, the Norse diaspora in England. This would suggest origins around the tenth or eleventh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
