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Wie Bist Du, Frühling, Gut Und Treu, WAB 58
("Springtime, how good and faithful you are"), WAB 58 is a lied composed by Anton Bruckner in 1856 on a text of Oskar von Redwitz. History Bruckner composed the lied on five strophes of Oskar von Redwitz' . He dedicated the work to Friedrich Mayer, prelate of the St. Florian Abbey.C. Van Zwol, p. 716U. Harten, p. 49 Two original manuscripts are stored in the and by the editor Anton Böhn & Sohn in Augsburg. The lied was first published in 1902 by Max Marschalk in ''Die Musik'', Band 1, No. 17. The first public performance occurred during a concert of the ''Wiener Akademischer Wagner-Verein'' on 5 February 1903 by Gisella Seehofer, who then also premiered Bruckner's ''Ave Maria'', WAB 7 and ''Im April''.C. van Zwol, p. 718 In 1930, a facsimile of it was published in Band III/2, pp. 184–188 of the Göllerich/Auer biography. The song is issued in Band XXIII/1, No. 2 of the . Text The song uses strophes 1, 2, 3, 8 & 9 of Oskar von Redwitz' ''Amaranths Waldeslieder' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augsburg
Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ''Regierungsbezirk'' Schwaben with an impressive Altstadt (historical city centre). Augsburg is an urban district and home to the institutions of the Landkreis Augsburg. It is the third-largest city in Bavaria (after Munich and Nuremberg) with a population of 300,000 inhabitants, with 885,000 in its metropolitan area. After Neuss, Trier, Cologne and Xanten, Augsburg is one of Germany's oldest cities, founded in 15 BC by the Romans as Augsburg#Early history, Augusta Vindelicorum, named after the Roman emperor Augustus. It was a Free Imperial City from 1276 to 1803 and the home of the patrician (post-Roman Europe), patrician Fugger and Welser families that dominated European banking in the 16th century. According to Behringer, in the sixteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieder By Anton Bruckner
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For German sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uwe Harten
Uwe Harten (born 16 August 1944) is a German musicologist, who works in Austria. Life Born in , Harten grew up in Hamburg, where he was a boy soprano at the Staatsoper. He took over the roles of a child. In Hamburg he also began his studies of musicology and art history, which he continued in Vienna with Erich Schenk. He gained his doctorate with his study of the Viennese Schumann admirer Carl Debrois van Bruyck. He then worked as a dramaturgical assistant at the Vienna Chamber Opera. Furthermore, he assisted Anthony van Hoboken in the production of his Werkverzeichnis of Joseph Haydn. Since 1972 he has been a member of the at the Österreichische Akademie der Wissenschaften. Since 1974 he has been secretary and member of the board of directors of the Denkmäler der Tonkunst in Österreich. In addition Harten worked as an assistant at the since its foundation in 1978. From 1988 to 2000 he was also its deputy scientific director and participated between 1977 and 2000 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Göllerich
August Göllerich (2 July 185916 March 1923) was an Austrian pianist, conductor, music educator and music writer. He studied the piano with Franz Liszt, who made him also his secretary and companion on concert tours. Göllerich is known for studying the life and work of Anton Bruckner whose secretary and friend he was. He initiated and conducted concerts of Bruckner's music in Linz, and wrote an influential biography. Life Born in Linz, the son of the Wels town secretary and later member of the Reich Council and State Parliament and his wife Maria, née Nowotny, Göllerich grew up in middle-class circumstances. His father was a member of a liberal writers and literary association in Wels. Göllerich attended the Linz Realschule, which he completed with the Matura. He studied mathematics at the University of Vienna, as his father wished. In 1882, he attended the Bayreuth Festival. After his father's death in 1883, he devoted himself entirely to music, studying in Vienna the pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Starting with B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposition (music)
In music, transposition refers to the process or operation of moving a collection of notes ( pitches or pitch classes) up or down in pitch by a constant interval. For example, one might transpose an entire piece of music into another key. Similarly, one might transpose a tone row or an unordered collection of pitches such as a chord so that it begins on another pitch. The transposition of a set ''A'' by ''n'' semitones is designated by ''T''''n''(''A''), representing the addition ( mod 12) of an integer ''n'' to each of the pitch class integers of the set ''A''. Thus the set (''A'') consisting of 0–1–2 transposed by 5 semitones is 5–6–7 (''T''5(''A'')) since , , and . Scalar transpositions In scalar transposition, every pitch in a collection is shifted up or down a fixed number of scale steps within some scale. The pitches remain in the same scale before and after the shift. This term covers both chromatic and diatonic transpositions as follows. Chromatic transpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Im April, WAB 75
' ("In April"), WAB 75 is a lied composed by Anton Bruckner in . History Bruckner composed the lied on a text of Emanuel Geibel during his stay in Linz. He dedicated the lied to his pupil Helene Hofmann, Pauline Hofmann's younger sister.C. Howie, Chapter III, p. 117C. van Zwol, pp. 717-718 The date of composition is uncertain. It was originally supposed that the lied was composed in 1868. Because it was dedicated to "Helene Hofmann", Angela Pachovsky put the date "before 18 September 1865" instead, ''i.e.'', before Helene's wedding with Heinrich Heissler. The manuscript is lost, but a copy is stored in the archive of the St. Florian Abbey. In 1898 the work was issued by Bernhard Herzmansky by Doblinger. The first performance occurred on 5 February 1903 by Gisela Seehofer in a concert of the ''Wiener Akademischer Wagner-Verein'',U. Harten, p. 210 during which Seehofer sung also Bruckner's ''Ave Maria'', WAB 7 and ''Wie bist du, Frühling, gut und treu''. The song is issued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ave Maria, WAB 7
' (Hail Mary), WAB 7, is a setting of the Latin prayer Ave Maria by Anton Bruckner. History When staying in Wels during the summer of 1881 Bruckner met Luise Hochleitner, a singer with a beautiful alto voice.C. van Zwol, p. 269 Bruckner promised to dedicate to her an ''Ave Maria''. The work, which was composed on 5 February 1882, —almost 20 years after his more famous motet— is for alto (or baritone) solo voice and keyboard (organ, piano or harmonium). The original manuscript is lost, but there are fair copies of it at the ''Österreichische Nationalbibliothek'' and the Abbey of Kremsmünster. The work was published in 1902 as an appendix to No. 13 of the ''Neue Musikzeitung'', Stuttgart.C. van Zwol, p. 707 The first public performance occurred during a concert of the ''Wiener Akademischer Wagner-Verein'' on 5 February 1903 by Gisella Seehofer, who then also premiered Bruckner's ''Wie bist du, Frühling, gut und treu'' and ''Im April''.C. van Zwol, p. 718 The motet is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelate
A prelate () is a high-ranking member of the Christian clergy who is an ordinary or who ranks in precedence with ordinaries. The word derives from the Latin , the past participle of , which means 'carry before', 'be set above or over' or 'prefer'; hence, a prelate is one set over others. The archetypal prelate is a bishop, whose prelature is his particular church. All other prelates, including the regular prelates such as abbots and major superiors, are based upon this original model of prelacy. Related terminology In a general sense, a "prelate" in the Roman Catholic Church and other Christian churches is a bishop or other ecclesiastical person who possesses ordinary authority of a jurisdiction, i.e., of a diocese or similar jurisdiction, e.g., ordinariates, apostolic vicariates/ exarchates, or territorial abbacies. It equally applies to cardinals, who enjoy a kind of "co-governance" of the church as the most senior ecclesiastical advisers and moral representatives of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
