Why Can't We Live Together
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Why Can't We Live Together
"Why Can't We Live Together" is a song written and recorded by Timmy Thomas in 1972. A chart hit in the following year, it was included on the album '' Why Can't We Live Together''. It was one of the first major hits to feature the use of a rhythm machine. Background Thomas wrote the song after recently moving to Miami, Florida, and hearing Walter Cronkite on the radio reporting on the number of deaths in the Vietnam war. In a later interview, he commented: I said “WHAT?! You mean that many mothers’ children died today? In a war that we can’t come to the table and sit down and talk about this, without so many families losing their loved ones?” I said, “Why can’t we live together?” Bing! That light went off. And I started writing it then. “No more wars, we want peace in this world, and no matter what color, you’re still my brother.” And then after that, put it on this little tape, and went to WEBF, which was a local radio station. And they played local artists ...
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Timmy Thomas
Timothy Earle Thomas (November 13, 1944 – March 11, 2022) was an American R&B singer, keyboardist, songwriter, and record producer, best known for the hit song, "Why Can't We Live Together". Life and career Thomas was born in Evansville, Indiana, on November 13, 1944, one of twelve siblings. He first attracted interest in his work as an accompanist with Donald Byrd and Cannonball Adderley, before working as a session musician in Memphis, Tennessee, and releasing singles on the Goldwax Records label. He had little solo success until he moved to Glades Records in Miami, Florida, and in late 1972 he released "Why Can't We Live Together". The record topped the U.S. ''Billboard'' R&B chart, made the top three on the ''Billboard'' Hot 100, and top 20 in other countries including the United Kingdom where it peaked at number 12 on the UK Singles Chart. This disc sold over two million copies. He was earlier part of a group called Phillip & the Faithfuls, which also included the ...
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British Hit Singles & Albums
''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HiT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as ''British Hit Singles'' and ''British Hit Albums''. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of ''Ripley's Believe It or Not!''. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled ''The Virgin Book of British Hit Singles ...
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Lonnie Smith (organist)
Lonnie Smith (July 3, 1942 – September 28, 2021), styled Dr. Lonnie Smith, was an American jazz Hammond B3 organist who was a member of the George Benson quartet in the 1960s. He recorded albums with saxophonist Lou Donaldson for Blue Note before being signed as a solo act. He owned the label Pilgrimage, and was named the year's best organist by the Jazz Journalists Association nine times. Early life Smith was born in Lackawanna, New York, on July 3, 1942. He was raised by his mother and stepfather, and the family had a vocal group and radio program. He stated that his mother was a major influence on him musically, as she introduced him to gospel, classical, and jazz music. Career Smith was part of several vocal ensembles in the 1950s, including the Teen Kings which included Grover Washington Jr., on sax and his brother Daryl on drums. Art Kubera, the owner of a local music store, gave Smith his first organ, a Hammond B3. George Benson Quartet Smith's affinity for R&B m ...
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About Time (Steve Winwood Album)
''About Time'' is the eighth solo studio album by Steve Winwood, released in 2003. It was his first album since 1997 and it featured a return to a musical style more in line with his earlier work with Traffic. That basic style is emphasized in the three piece set of the band: Hammond Organ, guitar and drums/percussion, joined on various tracks by saxophone, flute and additional percussion characteristic of the Traffic sound. Critical reception Reviewing for AllMusic, critic Stephen Thomas Erlewine wrote of the album "Winwood's voice is now a little rough (which comes as a surprise), it nevertheless fits the scaled-down, relaxed atmosphere. And if individual songs aren't necessarily memorable, they don't necessarily need to be -- the feel is the thing here, and while it isn't first-rate Steve Winwood, it does feel like a welcome update from an old friend, which, after several years of waiting and several uneven records, is enough." Track listing ...
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Steve Winwood
Stephen Lawrence Winwood (born 12 May 1948) is an English musician, singer, and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, guitar, bass, and saxophone. Winwood was an integral member of three seminal musical ensembles of the 1960s and 1970s: the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album ''Arc of a Diver'' and "Valerie" (1982) from ''Talking Back to the Night'' ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album ''Chronicles''). His 1986 album ''Back in the High Life'' marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer ...
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Lucky Peterson
Judge Kenneth Peterson (December 13, 1964 – May 17, 2020), known professionally as Lucky Peterson, was an American musician who played contemporary blues, fusing soul, R&B, gospel and rock and roll. He played guitar and keyboards Keyboard may refer to: Text input * Keyboard, part of a typewriter * Computer keyboard ** Keyboard layout, the software control of computer keyboards and their mapping ** Keyboard technology, computer keyboard hardware and firmware Music * Musi .... Music journalist Tony Russell, in his book ''The Blues - From Robert Johnson to Robert Cray'' has said, "he may be the only blues musician to have had national television exposure in short pants." Biography Peterson's father, bluesman James Peterson, owned a nightclub in Buffalo, New York, Buffalo called The Governor's Inn. The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson's words, "Took me under his w ...
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Santana (band)
Santana is an American rock band formed in San Francisco in 1966 by American guitarist Carlos Santana. The band has undergone multiple recording and performing line-ups in its history, with Santana the only consistent member. After signing with Columbia Records, the band's appearance at the Woodstock Festival in 1969 increased their profile and went on to record the commercially successful and critically-acclaimed albums ''Santana'' (1969), ''Abraxas'' (1970), and ''Santana III'' (1971). These were recorded by the group's "classic" line-up, featuring Gregg Rolie, Michael Carabello, Michael Shrieve, David Brown, and José "Chepito" Areas. Hit songs of this period include "Evil Ways", "Black Magic Woman", "Oye Como Va", and the instrumental " Samba Pa Ti". Following a change in line-up and musical direction in 1972, the band experimented with elements of jazz fusion on '' Caravanserai'' (1972), ''Welcome'' (1973), and ''Borboletta'' (1974). Santana reached a new peak of commerc ...
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Too Legit To Quit
''Too Legit to Quit'' is the fourth studio album by Hammer (after removing M.C. from his name), released on October 29, 1991. Produced by Hammer and Felton Pilate, the album was released via Capitol Records and EMI Records. ''Too Legit to Quit'' has been certified silver in the UK by the British Phonographic Industry, and triple platinum in the US by the Recording Industry Association of America. The album sold more than 5 million copies. Promotion and tour The marketing campaign for ''Too Legit To Quit'' was the largest in the history of Capitol Records at the time, as the label invested $1 million in advertising, and the multi-million dollar music video for the title track remains one of the most expensive ever made. Hammer set out on a world tour for ''Too Legit to Quit'', but the stage show had become as lavish as his lifestyle. Too Legit to Quit World Tour began with two sold out concerts in March 1992, at the 50,000 capacity Tokyo Dome. Capitol Records was prepare ...
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MC Hammer
Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American rapper, dancer, record producer and entrepreneur. He is known for hit songs such as "U Can't Touch This", "2 Legit 2 Quit" and "Pumps and a Bump", flashy dance movements, extravagant choreography and his eponymous Hammer pants. Remembered for a rapid rise to fame, Hammer has also been an entrepreneur and celebrity spokesperson. A multi-award winner, Hammer is considered a "forefather" and pioneering innovator of pop rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album. After being labeled a sellout, and with the changing landscape of hip hop music, Hammer attempted to appeal to the rise of gangsta rap. However, due to overexposure and critical backlash, his popularity waned by the mid-1990s (which led to a highly publicized bankruptcy beginning in 1996). Along with a Mattel doll and othe ...
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Maria Muldaur
Maria Muldaur (born Maria Grazia Rosa Domenica D'Amato; September 12, 1942) is an American folk and blues singer who was part of the American folk music revival in the early 1960s. She recorded the 1973 hit song "Midnight at the Oasis" and has recorded albums in the folk, blues, early jazz, gospel, country, and R&B traditions. She was the wife of musician Geoff Muldaur and is the mother of singer-songwriter Jenni Muldaur. Biography Muldaur was born in Greenwich Village, New York City, where she attended Hunter College High School. Muldaur cites as early musical influences classic country music by Kitty Wells, Hank Williams, Hank Snow, Hank Thompson, Ernest Tubb, and Bob Wills and the Texas Playboys; early rhythm and blues artists like Chuck Willis, Little Richard, Ruth Brown, Fats Domino, and Muddy Waters; Alan Freed "rock 'n' roll" shows; and doo-wop groups such as The Platters and The Five Satins. Muldaur began her career in the early 1960s as Maria D'Amato, performing w ...
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Joan Osborne
Joan Elizabeth Osborne (born July 8, 1962) is an American singer, songwriter, and interpreter of music, having recorded and performed in various popular American musical genres including rock, pop, soul, R&B, blues, and country. She is best known for her recording of the Eric Bazilian-penned song " One of Us" from her debut album, ''Relish'' (1995). Both the single and the album became worldwide hits and garnered a combined seven Grammy Award nominations. Osborne has toured with Motown sidemen the Funk Brothers and was featured in the documentary film about them, ''Standing in the Shadows of Motown'' (2002). Biography Originally from Anchorage, Kentucky, a suburb of Louisville, Osborne moved to New York City in the late 1980s to study filmmaking at New York University, where she had classes with legendary documentarian George Stoney, among others. Osborne was paying her own way through college and taking time off to earn money for another semester when, by chance, she sang a ...
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Live Aid
Live Aid was a multi-venue benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984. Billed as the "global jukebox", Live Aid was held simultaneously at Wembley Stadium in London, attended by about 72,000 people, and John F. Kennedy Stadium in Philadelphia, attended by 89,484 people. On the same day, concerts inspired by the initiative were held in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest satellite link-ups and television broadcasts of all time; an estimated audience of 1.9 billion, in 150 nations, watched the live broadcast, nearly 40 percent of the world population. The impact of Live Aid ...
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