Lonnie Smith (organist)
Lonnie Smith (July 3, 1942 – September 28, 2021), styled Dr. Lonnie Smith, was an American jazz Hammond B3 organist who was a member of the George Benson quartet in the 1960s. He recorded albums with saxophonist Lou Donaldson for Blue Note before being signed as a solo act. He owned the label Pilgrimage, and was named the year's best organist by the Jazz Journalists Association nine times. Early life Smith was born in Lackawanna, New York, on July 3, 1942. He was raised by his mother and stepfather, and the family had a vocal group and radio program. He stated that his mother was a major influence on him musically, as she introduced him to gospel, classical, and jazz music. Career Smith was part of several vocal ensembles in the 1950s, including the Teen Kings which included Grover Washington Jr., on sax and his brother Daryl on drums. Art Kubera, the owner of a local music store, gave Smith his first organ, a Hammond B3. George Benson Quartet Smith's affinity for R&B mi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lackawanna, New York
Lackawanna is a city in Erie County, New York, United States, just south of the city of Buffalo in western New York State. The population was 19,949 at the 2020 census. It is one of the fastest-growing cities in New York, growing in population by 10% from 2010 to 2020. It is part of the Buffalo-Niagara Falls metropolitan area. The city of Lackawanna is in the southwestern part of Erie County. The town's name derives from the Lackawanna Steel Company. During the early 20th century, the Lackawanna steel plant was the largest in the world. Government The city of Lackawanna has a mayor-council form of government. A councilmember is elected from each of the four wards of the city, considered single-member districts. The mayor and council president are elected at-large. Fire and police services are also provided by city-run departments. Because of its resemblance to a popular mid-20th century west coast building type, Lackawanna's burnt-orange city hall is distinctive for pos ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, survivi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song " The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after '' The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ronnie Cuber
Ronald Edward Cuber (December 25, 1941 – October 7, 2022) was an American jazz saxophonist. He also played in Latin, pop, rock, and blues sessions. In addition to his primary instrument, baritone sax, he played tenor sax, soprano sax, clarinet, and flute, the latter on an album by Eddie Palmieri as well as on his own recordings. As a leader, Cuber was known for hard bop and Latin jazz. As a side man, he had played with B. B. King, Paul Simon, and Eric Clapton. Cuber can be heard on '' Freeze Frame'' by the J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith's 1970 Blue Note album ''Drives''. He was also a member of the Saturday Night Live Band. Cuber was in Marshall Brown's Newport Youth Band in 1959, where he switched from tenor to baritone sax. His first notable work was with Slide Hampton (1962) and Maynard Ferguson (1963–1965). Then from 1966 to 1967, Cuber worked with George Benson. He was also a member of the Lee Konitz nonet from ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Melvin Sparks
Melvin Sparks (March 22, 1946 – March 15, 2011) was an American soul jazz, hard bop and jazz blues guitarist. He recorded a number of albums for Prestige Records, later recording for Savant Records. He appeared on several recordings with musicians including Lou Donaldson, Sonny Stitt, Leon Spencer and Johnny Hammond Smith. Career Sparks was born in Houston, Texas, United States, and raised in a musical family. He received his first guitar at age 11. Sparks began working in the rhythm and blues genre as a high school student, first with Hank Ballard and the Midnighters, and then with the Upsetters, a touring band formed by Little Richard, which also backed Jackie Wilson, Curtis Mayfield and Marvin Gaye. Sparks moved to New York City and worked as a session musician for Blue Note and Prestige Records. As part of the burgeoning soul-jazz scene of the late 1960s and early 1970s, Sparks often backed organists like Jack McDuff, Dr. Lonnie Smith, Charles Earland and Leon Spencer. Sp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The George Benson Cookbook
''The George Benson Cookbook'' is the third studio album by jazz/soul guitarist George Benson, and the second to be produced by John Hammond. Background The Hard Bop Homepage says of the album, "This is basically the George Benson quartet, with Smith and Cuber, but trombonist Bennie Green and percussionist Pucho were added on some tracks, giving them a bop flavor that delighted dedicated jazz fans and critics. Benson's quartet was modeled after Jack McDuff's--with baritone saxophonist Ronnie Cuber, organist Lonnie Smith, a powerhouse player who deserved more attention than he ever received, and Jimmy Lovelace or Marion Booker on drums. The sonorous tone of Cuber's baritone gives the quartet a richer, more dense texture than that obtained by McDuff, who used a tenor, but the overall sound is the same. At twenty-five, Ronnie Cuber was an alumnus of Marshall Brown's celebrated Newport Youth Band; he had spent the previous two years with Maynard Ferguson's very loud and brassy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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It's Uptown
''It's Uptown'' is the second studio album by jazz/soul guitarist George Benson. Background George Benson's second album and the first of two to be produced by John Hammond. Recorded after his move to CBS. Track listing 2007 remastered CD / Blu-spec CD bonus tracks Personnel ;The George Benson Quartet *George Benson – guitar, vocals on "Summertime", "A Foggy Day" and "Stormy Weather" *Ronnie Cuber – baritone saxophone *Bennie Green – trombone * Lonnie Smith – organ * Jimmy Lovelace – drums *Ray Lucas – drums (tracks 2, 3) with: *Blue Mitchell Richard Allen "Blue" Mitchell (March 13, 1930 – May 21, 1979) was an American trumpeter and composer who worked in jazz, rhythm and blues, soul, rock and funk. He recorded albums as leader and sideman for Riverside, Mainstream Records, and ... – trumpet (tracks 14–15) * Charlie Persip – drums (tracks 14–15) * Don Hunstein - photography References George Benson albums 1966 albums Columbia Record ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jack McDuff
Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break. Career Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell's group. Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson's group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukes on drums. McDuff recorded many classic albums on Prestige, including his debut solo ''Brother Jack'' in 1960; ''The Honeydripper'' (1961), with tenor saxophonist Jimmy Forrest a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. I ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music co ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |