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Whisper Not (song)
"Whisper Not" is a composition by Benny Golson. It is in a minor key and contains a shout chorus (a special chorus between the final solo and the closing head). Golson's account of writing the piece is that "I wrote it in Boston at George Wein's Storyville club when I was with Dizzy Gillespie's big band. I wrote that tune in 20 minutes." Some sources indicate that the first recording was by Gillespie, while others indicate that trumpeter Lee Morgan was first. It quickly became popular with other musicians: Thad Jones and Morgan recorded their own versions before its composer had the chance to record it with his own group.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire'', p. 459. Oxford University Press. Golson's early version was on his 1957 album '' Benny Golson's New York Scene''. By 1960, John S. Wilson, critic at ''The New York Times'', had labelled the song, together with another Golson composition, " I Remember Clifford", "an established part of the jazz re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Post-1950 Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work. Modal jazz recordings, such as Miles Davis's ''Kind of Blue'', became popular in the late 1950s. Popular modal standards include Davis's "All Blues" and "So What" (both 1959), John Coltrane's " Impressions" (1963) and Herbie Hancock's " Maiden Voyage" (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966). In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anita O'Day & The Three Sounds
''Anita O'Day & the Three Sounds'' is an album by vocalist Anita O'Day and The Three Sounds recorded for the Verve label in late 1962. Retrieved January 23, 2018. Reception The review by Bruce Eder stated: "This strange (and strangely compelling) album is the most controversial of all O'Day's Verve Records releases, popular among O'Day's hardcore fans for the showcase that the Three Sounds' near-minimalist accompaniment affords her singing ... while O'Day sings five songs. She is amazingly restrained and low-key throughout most of her work here ... she seems uninspired in terms of any inventiveness, with long stretches of silence where one would have ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Morgan Sextet
''Lee Morgan Sextet'' (also known as ''Lee Morgan Volume 2: Sextet'') is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1957. It was recorded on December 2, 1956 and features performances by Morgan, Hank Mobley, Kenny Rodgers, Horace Silver, Paul Chambers and Charlie Persip. The Allmusic review by Scott Yanow calls the album "An above-average hard bop set". Track listing # " Whisper Not" ( Golson) - 7:20 # "Latin Hangover" (Golson, arr. Marshall) - 6:43 # "His Sister" (Marshall, arr. Golson) - 6:32 # "Slightly Hep" (Golson, arr. Marshall) - 6:27 # "Where Am I?" (Golson, arr. Marshall) - 5:49 # "D's Fink" (Marshall, arr. Golson) - 7:41 Personnel * Lee Morgan - trumpet * Hank Mobley - tenor saxophone * Kenny Rodgers - alto saxophone * Horace Silver - piano * Paul Chambers Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Mobley
Henry "Hank" Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others. Early life and education Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. He described himself as coming from a musical family and spoke of his uncle playing in a jazz band. As a child, Mobley played piano. When he was 16, an illness kept him in the house for several months. His grandmother though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extensions (Ahmad Jamal Album)
''Extensions'' is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1965 and released on the Argo label.Ahmad Jamal discography accessed May 18, 2012 Critical reception awarded the album 3 stars.Allmusic Reviewaccessed May 18, 20121 Track listing # "Extensions" (Ahmad Jamal) – 13:10 # "Dance to the Lady" () – 5:50 # "This Terr ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Jamal
Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, bandleader and educator. For six decades, he has been one of the most successful small-group leaders in jazz. Biography Early life Jamal was born Frederick Russell Jones in Pittsburgh, Pennsylvania, on July 2, 1930. He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was doing on the piano. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he describes as greatly influencing him. His Pittsburgh roots have remained an important part of his identity ("Pittsburgh meant everything to me and it still does," he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At The Black Hawk 3
''At the Black Hawk 3'' is a live album by drummer Shelly Manne's group Shelly Manne & His Men, recorded at the Black Hawk in San Francisco, California, in 1959 and released on the Contemporary label.Contemporary Records discography accessed May 18, 2015 The album was the third volume of four originally released in 1960. In 1991, the albums were re-released on CD with bonus tracks along with a fifth volume of unreleased recordings, and a ''Complete Live at the Black Hawk'' box set was released in 2010. Reception The review by |
Shelly Manne
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Family and origins Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Bryant Plays
''Ray Bryant Plays'' is an album recorded by American jazz pianist Ray Bryant recorded in 1959 for the Signature label. accessed April 26, 2017 Reception awarded the album 3 stars calling it "a strong sampling of Ray Bryant's accessible playing during his early period".Track listing # "Delauney's Dilemma" () – 2:35 # " |
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