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List Of Post-1950 Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work. Modal jazz recordings, such as Miles Davis's ''Kind of Blue'', became popular in the late 1950s. Popular modal standards include Davis's "All Blues" and "So What" (both 1959), John Coltrane's " Impressions" (1963) and Herbie Hancock's " Maiden Voyage" (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966). In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis By Palumbo
The mile, sometimes the international mile or statute mile to distinguish it from other miles, is a British imperial unit and United States customary unit of distance; both are based on the older English unit of length equal to 5,280 English feet, or 1,760 yards. The statute mile was standardised between the British Commonwealth and the United States by an international agreement in 1959, when it was formally redefined with respect to SI units as exactly . With qualifiers, ''mile'' is also used to describe or translate a wide range of units derived from or roughly equivalent to the Roman mile, such as the nautical mile (now exactly), the Italian mile (roughly ), and the Chinese mile (now exactly). The Romans divided their mile into 5,000 Roman feet but the greater importance of furlongs in Elizabethan-era England meant that the statute mile was made equivalent to or in 1593. This form of the mile then spread across the British Empire, some successor states of which conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freedom Jazz Dance
''Freedom Jazz Dance'' is an album by Ethnic Heritage Ensemble, a jazz band formed by percussionist Kahil El'Zabar, who is joined by trombonist Joseph Bowie, saxophonist Ernest Dawkins and special guest guitarist Fareed Haque. It was recorded in 1999 and released on Delmark. Reception In her review for AllMusic, Stacia Proefrock states: "The four men create a fine balance, with the percussive elements of El'Zabar and the other players providing a strongly Africanized structure upon which to hang the music, while the horns and Fareed Haque's guitar playing pull the sound back in the direction of jazz." ''The Penguin Guide to Jazz'' says: "The addition of Haque gives the band yet another sound, even while working off the same formula of two horns and a drum.. The result is arguably the best EHE album to date." In a review for ''JazzTimes'' Christopher Potter states: "Augmented by guitarist Fareed Haque, ''Freedom Jazz Dance'' elevates the Ensemble's usual two-horns-and-drums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Girl From Ipanema
"Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel. The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album ''Getz/Gilberto'' (recorded in March 1963, released in March 1964), which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the ''Billboard'' Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world. Numerous recordings have been used i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desafinado
"Desafinado" (a Portuguese word, usually rendered into English as "Out of Tune", or as "Off Key") is a 1959 bossa nova song and jazz standard composed by Antônio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. Background "Desafinado" was originally a response to critics who claimed that bossa nova was a new genre for singers who can't sing. The English language lyrics were written by Jon Hendricks and "Jessie Cavanaugh" (a pseudonym used by The Richmond Organisation). Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. Chart performance The version by Stan Getz and Charlie Byrd (from the album ''Jazz Samba'') was a major hit in 1962, reaching number 15 and number 4 on ''Billboard''′s pop and easy-listening charts, respectively; their definitive rendering also reached number 11 in the UK. Ella Fitzgerald's version made number 38. Accolades The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summer Samba
"Summer Samba" (also known as "So Nice" or its original Portuguese title, "Samba de Verão") is a 1964 bossa nova and jazz standard song by Brazilian composer Marcos Valle, with English-language lyrics by Norman Gimbel; the original Portuguese lyrics are by Paulo Sérgio Valle, the composer's brother.Marcos Valle on AllBrazilianMusic.com Walter Wanderley Trio 
The song was first popularized by the Walter Wanderley Trio [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcos Valle
Marcos may refer to: People with the given name ''Marcos'' *Marcos (given name) Sports ;Surnamed * Dayton Marcos, Negro league baseball team from Dayton, Ohio (early twentieth-century) * Dimitris Markos, Greek footballer * Nélson Marcos, Portuguese footballer * Randa Markos, Iraqi-Canadian female mixed martial artist ;Nicknamed * Marcos Joaquim dos Santos (born 1975), Brazilian footballer known as ''Marcos'' * Marcos de Paula (born 1983), Brazilian footballer known as ''Marcos'' playing for ''A.C. ChievoVerona'' * Marcos Alonso Peña (born 1959), Spanish footballer known as ''Marcos'' ;Named * Marcos Ambrose, Australian racing driver currently competing in ''NASCAR'' * Marcos Baghdatis, Cypriot tennis player * Marcos Hernández (swimmer), Cuban freestyle swimmer * Marcos Pizzelli, Brazilian-Armenian footballer * Marcos (footballer, born 1973), Brazilian football goalkeeper * Marcos García Barreno, Spanish footballer * Marcos Mazzaron, Brazilian cyclist * Marcos Carneiro de Mendo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getz/Gilberto
''Getz/Gilberto'' is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" ("The Girl from Ipanema") and "Corcovado". The artwork was done by artist Olga Albizu. ''Getz/Gilberto'' is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba. ''Getz/Gilberto'' is considered the record that popularized bossa nova worldwide and was one of the best-selling jazz albums of all time, over a million copies. It was included in ''Rolling Stone''s and ''Vibe'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film ''Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Carlos Jobim
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
João Gilberto
João Gilberto (born João Gilberto Prado Pereira de Oliveira – ; 10 June 1931 – 6 July 2019) was a Brazilian guitarist, singer and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called "father of bossa nova"; in his native Brazil, he was referred to as ''"O Mito"'' ("The Legend"). Early life João Gilberto was born in Juazeiro, Bahia, the son of Joviniano Domingos de Oliveira, a wealthy merchant, and Martinha do Prado Pereira de Oliveira. He lived in his native city until 1942, when he began to study in Aracaju, Sergipe, returning to Juazeiro in 1946. At the age of 14, Gilberto got his first guitar from his grandfather despite disapproval from Gilberto's father. Still in Juazeiro, he formed his first band, called "Enamorados do Ritmo". Gilberto moved to Salvador, Bahia, in 1947. During his three years in the city, he dropped out of his studies to dedicate himself exclusively to music and at the age of 18 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
