When It Was Done
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When It Was Done
''When It Was Done'' is an album by Brazilian keyboardist Walter Wanderley featuring performances recorded in 1968 and released on the CTI Records, CTI label.CTI Records discography
accessed February 13, 2012


Reception

The Allmusic by Richard S. Ginell stated "The Wanderley sound is more carefully terraced than ever on this strikingly packaged album".Ginell, R. S
Allmusic Review
accessed February 13, 2012


Track listing

# "Open Your Arms (Let Me Walk Right In)" (Raymond B. Evans) – 2:39 # "Surfboard (Antônio Carlos Jobim song), Surfboard" (Antônio Carlos Jobim) – 2:35 # "Baiao Da Garoa" (Lui ...
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Walter Wanderley
Walter Wanderley (born Walter Jose Wanderley Mendonça, May 12, 1932 – September 4, 1986) was a Brazilian organist and pianist, best known for his lounge music, lounge and bossa nova music and for his instrumental version of the song ''Summer Samba'' which became a worldwide hit. Biography Wanderley was born in Recife, Brazil. Already famous in his native country by the late 1950s, he became an internationally renowned star in the mid-1960s through his collaboration with the singer Astrud Gilberto. He recorded six albums on the Verve Records, Verve label between 1966 and 1968. Three of those albums, ''Rain Forest (Walter Wanderley album), Rain Forest'', ''Cheganca'' and Astrud Gilberto's ''A Certain Smile, A Certain Sadness'', were with a trio consisting of Wanderley, Claudio Slon (drums) and Jose Marino (bass) and were produced in the United States by Creed Taylor, who initially brought the trio to the U.S. to record at the persuasion of Tony Bennett. Wanderley's U.S. recor ...
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José Carlos Capinam
José Carlos Capinam (born 19 February 1941), better known as Capinam or Capinan, is a Brazilian lyricist and poet. He was active in Brazil's tropicália movement in the 1960s, and he wrote lyrics for various tropicália musicians. Biography Born in Esplanada, Bahia, Brazil, at 19 years of age, Capinam moved to Salvador, Bahia and attended the Federal University of Bahia where he studied law. At university, he was a member of the União Nacional dos Estudantes (National Student Union), and he befriended musicians Gilberto Gil (who was studying business) and Caetano Veloso (who was studying philosophy). The 1964 military coup d'état forced him to leave Salvador, and he relocated to São Paulo. In São Paulo he worked on poems for his first book, ''Inquisitórial''. Eventually he returned to Salvador, this time to study medicine. In 2000, he composed the opera ''Rei Brasil 500 Anos'' with Fernando Cerqueira and Paul Gold, to celebrate the 500th anniversary of Brazil's discovery. ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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English Horn
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'am ...
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Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in T ...
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Donald Ashworth
Donald William Ashworth (born March 16, 1931) is a musician who was a member of ''The Tonight Show Band'' for thirty years before retiring in 1995. Ashworth played woodwind instruments with the group starting from Johnny Carson's first week as host of ''The Tonight Show'' in October 1962 (when the band was referred to generically as ''The NBC Orchestra'') until his final show on May 22, 1992. For its first 10 years, Carson's ''Tonight Show'' was based in New York City with occasional trips to Burbank, California; in May 1972, Ashworth moved from New York City to Southern California when the show moved permanently to Burbank. He was often seen on the show when Carson played "Stump the Band", where studio audience members asked the band to try to play obscure songs given only the title. ''The Tonight Show'' had a live band for nearly all of its existence, and Ashworth played under three different band leaders: Skitch Henderson (who had previously led the band during ''Tonight Sta ...
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Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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John Glasel
Joseph Samuel Glasel (born 1930, Manhattan, New York) known professionally as Johnny Glasel, was an American jazz trumpeter. Glasel played with Bob Wilber in the 1940s. He attended the Yale School of Music in the 1950s, then played in the New Haven Symphony Orchestra and chamber music ensembles in performances with jazz musicians. In New York City, he was a member of a Glenn Miller tribute band led by Ray McKinley. He performed in orchestras on Broadway and at Radio City Music Hall. He released several albums during the 1950s and 1960s. In addition to his work with Gil Evans (most notably on '' Into the Hot''), he recorded extensively as a pop session musician and often did so uncredited. He is known to have played with John Denver and Astrud Gilberto. Glasel became president of Local 802 of the New York City Musicians' Union early in the 1980s, maintaining the position until 1992. He was secretary of Health Care for All/NJ and was appointed by Gov. Jon Corzine to serve on the ...
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Marvin Stamm
Marvin Louis Stamm (born May 23, 1939) is an American jazz trumpeter. Career Stamm was born in Memphis, Tennessee, United States. Stamm began on trumpet at age twelve. He attended North Texas State University, where he was a member of the One O'Clock Lab Band. He was a member of Stan Kenton's Mellophonium Orchestra from 1961 to 1963, then worked with Woody Herman from 1965 to 1966. Following this he was with The Thad Jones/Mel Lewis Orchestra from 1966 to 1972 and with Benny Goodman from 1974 to 1975. In the 1970s, he began a decades-long career as a prolific studio and session musician. In the studio he has recorded with Paul McCartney, Average White Band, Bill Evans, Quincy Jones, Donald Fagen, Oliver Nelson, Duke Pearson, Wes Montgomery, Freddie Hubbard, Stanley Turrentine, Grover Washington, Jr., Patrick Williams, Michel Legrand, Lena Horne, Frank Foster, Paul Desmond, Frankie Valli, Deodato, Les DeMerle, and George Benson. He played the flugelhorn solo on "Uncle Alber ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ...
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