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What You Hear Is What You Get - Live At Carnegie Hall
''What You Hear Is What You Get – Live at Carnegie Hall'' is a live album by Ike & Tina Turner released on United Artists Records in 1971. Recording and release ''What You Hear Is What You Get – Live at Carnegie Hall'' is a live recording of Ike & Tina Turner's doubleheader at the Carnegie Hall in New York City on April 1, 1971. The second show carried on into the early hours of April 2. Musician Fats Domino was the opening act. In addition to Ike Turner-penned songs, the album includes interpretations of songs from Otis Redding, Sly Stone and the Family Stone, the Rolling Stones and their latest hit at the time, "Proud Mary" by Creedence Clearwater Revival. The album was released three months after the concert in July 1971. It reached No. 7 on the ''Billboard'' Soul LPs chart and No. 25 on the Top LPs chart. It was certified Gold by the RIAA in 1972. ''What You Hear Is What You Get – Live at Carnegie Hall'' was the subject of the TV special ''Faberge Album of the Month'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Recording Certification
Music recording certification is a system of certifying that a music Sound recording, recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ikettes
The Ikettes, originally The Artettes, were a trio (sometimes quartet) of female backing vocalists for the Ike & Tina Turner Revue. Despite their origins, the Ikettes became successful artists in their own right. In the 1960s they had hits such as "I'm Blue (The Gong-Gong Song)" and "Peaches 'N' Cream." In 2017, ''Billboard'' ranked "I'm Blue (The Gong-Gong Song)" No. 63 on its list of 100 Greatest Girl Group Songs of All Time. The group started as “The Artettes”, the backing group of Art Lassiter. The first official incarnation of The Ikettes was composed of Delores Johnson, Eloise Hester and Josie Jo Armstead. The most popular line-up consisted of Robbie Montgomery, Venetta Fields, and Jessie Smith. It was this trio that later morphed into The Mirettes. As the 1960s progressed, the Ikettes became known for their sexy onstage appearance; minidresses, long hair and high-energy dance routines that mirrored their mentor Tina Turner. "They represent me, and in my act they gotta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ooh Poo Pah Doo
"Ooh Poo Pah Doo" is a song written and performed by Jessie Hill. It was arranged and produced by Allen Toussaint. The single reached No. 3 on the ''Billboard'' R&B chart and No. 28 on the Hot 100 in 1960. Ike & Tina Turner versions Ike & Tina Turner recorded a live version of the song which was released as "Ooh Poop A Doo" by Warner Bros. in 1964. It was included on their 1967 album '' The Ike & Tina Turner Show – Vol. 2.'' They recorded a studio version of "Ooh Poo Pah Doo" for their 1970 album '' Workin' Together''. It was released as a single in May 1971 following their hit single "Proud Mary". The single reached No. 31 on the ''Billboard'' R&B chart and No. 60 on the Hot 100 chart. It peaked at No. 37 on the ''Cash Box'' Top 100 and No. 22 on Cash Box's R&B chart. Reception ''Billboard'' (May 8, 1971): "The dynamic duo add a new touch to the old favorite–new lyric and performance, loaded with Hot 100 and soul chart potency. Wild vocal workout." ''Cash Box'' (May 8, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everyday People
"Everyday People" is a 1968 song composed by Sly Stone and first recorded by his band, Sly and the Family Stone. It was the first single by the band to go to number one on the Soul singles chart and the U.S. ''Billboard'' Hot 100 chart. It held that position on the Hot 100 for four weeks, from February 9 to March 8, 1969, and is remembered as one of the most popular songs of the 1960s. ''Billboard'' ranked it as the No. 5 song of 1969. Overview The song is one of Sly Stone's pleas for peace and equality between differing races and social groups, a major theme and focus for the band. The Family Stone featured Caucasians Greg Errico and Jerry Martini in its lineup, as well as females Rose Stone and Cynthia Robinson; making it an early major integrated band in rock history. Sly and the Family Stone's message was about peace and equality through music, and this song reflects the same. Unlike the band's more typically funky and psychedelic records, "Everyday People" is a mid-tempo n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piece Of My Heart
"Piece of My Heart" is a romantic soul love song written by Jerry Ragovoy and Bert Berns, originally recorded by Erma Franklin in 1967. Franklin's single peaked in December 1967 at number 10 on the ''Billboard'' Hot Rhythm & Blues Singles chart in the United States. The song came to greater mainstream attention when Big Brother and the Holding Company (featuring Janis Joplin on lead vocals) covered the song in 1968 and had a much bigger hit with it, after which Franklin's version was nominated for the Grammy Award for Best Female R&B Vocal Performance. The song has since been remade by several singers, including Dusty Springfield also in 1968, Faith Hill in 1994 and duet version by Melissa Etheridge and Joss Stone in 2005. In 2004, the Big Brother and the Holding Company version was ranked No. 353 on ''Rolling Stone'' list of the 500 Greatest Songs of All Time. The song is also included among The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Erma Franklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BGO Records
BGO Records (Beat Goes On) is a British record label specializing in classic rock, blues, jazz, and folk music. In 1965, Andy Gray opened Andys Records and set up a market stall in Bury St Edmunds, Suffolk. Year by year he opened up more shops. In 1987, he started the BGO label, together with Mike Gott. Gott left the label in 2004 to set up his own label, Gott Discs. However Gott returned to BGO in late 2008. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References External links * British record labels British jazz record labels Reissue record labels Record labels established in 1987 Rock record labels Blues record labels Jazz record labels Folk record labels {{UK-record-label-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Records
EMI Records (formerly EMI Records Ltd.) is a multinational record label owned by Universal Music Group. It originally founded as a British flagship label by the music company of the same name in 1972, and launched in January 1973 as the successor to its Columbia and Parlophone record labels. The label was later launched worldwide. It has a branch in India called "EMI Records India", run by director Mohit Suri. In 2014, Universal Music Japan revived the label in Japan as the successor to EMI Records Japan. In June 2020, Universal revived the label as the successor to Virgin EMI, with Virgin Records now operating as an imprint of EMI Records. History An EMI Records Ltd. legal entity was created in 1956 as the record manufacturing and distribution arm of EMI in the UK. It oversaw EMI's various labels, including The Gramophone Co. Ltd., Columbia Graphophone Company, and Parlophone Co. Ltd. The global success that EMI enjoyed in the 1960s exposed the fact that the company had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of the three main music industry trade magazines in the United States, along with '' Billboard'' and '' Cashbox''. It was founded in 1946 under the name ''Music Vendor'', but in 1964 it was changed to ''Record World'', under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. Many music industry personalities, writers, and critics began their careers there in the early 1970s to 1980s. History Growth ''Record World'' has been considered the hipper, faster-moving music industry publication, in contrast to the stodgier ''Billboard'' and ''Cashbox'', its sister magazine. ''Music Vendor'', as it was then known, published its first music chart for the week ending October 4, 1954. A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine. Rock bands frequented '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a job ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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