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Western Union Telegraph Building
The Western Union Telegraph Building was a building at Dey Street and Broadway in the Financial District of Manhattan in New York City. The Western Union Building was built with ten above-ground stories rising . The structure was originally designed by George B. Post, with alterations by Henry Janeway Hardenbergh. It is considered one of the first skyscrapers in New York City. Western Union decided to construct the building in 1872 after outgrowing a previous space at 145 Broadway. Post was selected as the winner of an architectural design competition, and the building was completed in February 1875. At the time of its completion, it was one of the tallest structures in New York City, behind only Trinity Church, the New York Tribune Building, and the Brooklyn Bridge towers. The original design contained eleven stories including the ground story. It contained a three-story mansard roof and a clock tower whose pinnacle gave the building its 230-foot height. The interior in ...
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195 Broadway
195 Broadway, also known as the Telephone Building, Telegraph Building, or Western Union Building, is an early skyscraper on Broadway in the Financial District of Manhattan, New York City. It was the longtime headquarters of AT&T as well as Western Union. It occupies the entire western side of Broadway from Dey Street to Fulton Street. The site was formerly occupied by the Western Union Telegraph Building. The current 29-story, building was commissioned after AT&T's 1909 acquisition of Western Union. It was constructed from 1912 to 1916 under the leadership of Theodore Newton Vail, to designs by William W. Bosworth, although one section was not completed until 1922. It was the site of one end of the first transcontinental telephone call, the first intercity Picturephone call, and the first transatlantic telephone call. Though AT&T's headquarters relocated to 550 Madison Avenue in 1984, 195 Broadway remains in use as an office building . Bosworth's design was heavily Greek ...
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Sanborn Manhattan V
Sanborn may refer to: Places In the United States: *Sanborn, California *Sanborn, Iowa * Sanborn, Minnesota *Sanborn, Nebraska *Sanborn, New York * Sanborn, North Dakota * Sanborn, Ashland County, Wisconsin, a town * Sanborn (community), Wisconsin, an unincorporated community *Sanborn County, South Dakota * Lake Sanborn, a lake in Minnesota * Sanborn Township, Michigan Other uses * Sanborn (surname) *Sanborn maps Sanborn maps are detailed maps of U.S. cities and towns in the 19th and 20th centuries. Originally published by The Sanborn Map Company (Sanborn), the maps were created to allow fire insurance companies to assess their total liability in urbaniz ..., maps of U.S. cities and towns in the 19th and 20th centuries, published by The Sanborn Map Company * Grupo Sanborns, a large restaurant chain in Mexico, owned by business magnate Carlos Slim Helú See also * Sandbourne {{disambiguation, geo ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectura ...
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Column
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression (physical), compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a Capital (architecture), capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a ''Post (structural), post''. Supports with a rectangular or other non-round section are usually called ''pier (architecture), piers''. For the purpose of wind engineering, wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support Beam (structure), beams or arches on which the upper parts of walls or ceilings res ...
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Articulation (architecture)
Articulation, in art and architecture, is a method of styling the joints in the formal elements of architectural design. Through degrees of articulation, each part is united with the whole work by means of a joint in such a way that the joined parts are put together in styles ranging from exceptionally distinct jointing to the opposite of high articulation—fluidity and continuity of joining. In highly articulated works, each part is defined precisely and stands out clearly. The articulation of a building reveals how the parts fit into the whole by emphasizing each part separately. Continuity and fusion The opposite of distinct articulation is continuity and fusion which reduces the separateness of the parts. Distinct articulation emphasizes the "strategic break" while the articulation of continuity concentrates on smooth transitions. Continuity (or fusion) reduces the independence of the elements and focuses on the largest element of the whole, while reducing focus ...
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List Of Tallest Buildings In New York City
New York City, the most populous city in the United States, is home to over 7,000 completed high-rise buildings of at least , of which at least 95 are taller than . The tallest building in New York is One World Trade Center, which rises . The 104-story skyscraper also stands as the tallest building in the United States, the tallest building in the Western Hemisphere, and the seventh-tallest building in the world. At , Central Park Tower is the second-tallest completed building in the city. It has the highest roof of any building outside Asia, and is the tallest residential building in the world. The third-tallest completed building in the city is 111 West 57th Street. Rising to , it is the world's most slender skyscraper. The fourth-tallest is One Vanderbilt. At , it is the tallest office building in Midtown. The fifth-tallest is 432 Park Avenue at . At , the 102-story Empire State Building in Midtown Manhattan, which was finished in 1931, stood as the tallest bui ...
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Carl Condit
Carl Wilbur Condit (Cincinnati, Ohio, September 29, 1914 – January 4, 1997) was an American historian of urban and architectural history, a writer, professor, and teacher."Condit, Carl W(ilbur) (1914–1997)," ''The Hutchinson Unabridged Encyclopedia with Atlas and Weather Guide'' (Abington, UK: 2016) (online) He was professor at Northwestern University 1945–82. He wrote numerous books and articles on the history of American building, especially Chicago, Cincinnati, and the Port of New York. He founded the History of Science Department at Northwestern University, where he taught for over 30 years. His research specialty was the architecture of Chicago, Illinois, and he lived in Chicago most of his life, having moved there in 1945 in order to study its urban and technological development. Cincinnati: Upbringing and education Condit was born in Cincinnati, Ohio, on 29 September 1914. His parents were Arthur Condit and Gertrude Pletz Condit. He enjoyed drawing when he was young ...
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Sarah Landau
Dr. Sarah Bradford Landau (born 1935) is a noted architectural historian who taught for many years in the Department of Art History at New York University. Landau earned her B.F.A. at the University of North Carolina (1957). She earned her M.A. (1959) and Ph.D. (1978) at New York University, where she was a student of Henry-Russell Hitchcock. Landau has been active in historic preservation and served as a commissioner on the New York City Landmarks Preservation Commission from 1987 to 1996. Landau has won numerous awards including the American Institute of Architects The American Institute of Architects (AIA) is a professional organization for architects in the United States. Headquartered in Washington, D.C., the AIA offers education, government advocacy, community redevelopment, and public outreach to s ... International Architecture Book Award (1997), the Victorian Society in America Book Award (1997), the Lucy G. Moses Award for Preservation Leadership, New York L ...
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The Aldine
''The Aldine'' was a monthly arts magazine published in New York in the 1800s. History ''The Aldine'' was published by Sutton Browne & Company starting in 1868 as ''The Aldine Press'', which was shortened in 1871. Subtitles included ''A typographic art journal'' from 1871 to 1873, and ''The art journal of America'' from 1874 to 1879. Richard Henry Stoddard was the editor-in-chief from 1871 to 1875. The magazine contained high quality engravings of works by Thomas Moran and other Hudson River School painters. It also featured many reproductions of works by popular European academic artists such as Gustave Dore and William-Adolphe Bouguereau. According to art historian Janice Simon, the "extensive accounts of what the editors deemed the nation's most picturesque and sublime regions...branded ''The Aldine'' as a formidable competitor to ''Appleton's Journal'' and its publication of 1872, '' Picturesque America''."Simon, Janice Consuming Pictures: The Aldine, The Art Journal of Am ...
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New York City Landmarks Preservation Commission
The New York City Landmarks Preservation Commission (LPC) is the New York City agency charged with administering the city's Landmarks Preservation Law. The LPC is responsible for protecting New York City's architecturally, historically, and culturally significant buildings and sites by granting them landmark or historic district status, and regulating them after designation. It is the largest municipal preservation agency in the nation. , the LPC has designated more than 37,000 landmark properties in all five boroughs. Most of these are concentrated in historic districts, although there are over a thousand individual landmarks, as well as numerous interior and scenic landmarks. Mayor Robert F. Wagner Jr. first organized a preservation committee in 1961, and the following year, created the LPC. The LPC's power was greatly strengthened after the Landmarks Law was passed in April 1965, one and a half years after the destruction of Pennsylvania Station. The LPC has been involved ...
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French Renaissance Architecture
French Renaissance architecture is a style which was prominent between the late 15th and early 17th centuries in the Kingdom of France. It succeeded French Gothic architecture. The style was originally imported from Italy after the Hundred Years' War by the French kings Charles VII, Louis XI, Charles VIII, Louis XII and François I. Several notable royal châteaux in this style were built in the Loire Valley, notably the Château de Montsoreau, the Château de Langeais, the Château d'Amboise, the Château de Blois, the Château de Gaillon and the Château de Chambord, as well as, closer to Paris, the Château de Fontainebleau. This style of French architecture had two distinct periods. During the first period, between about 1491 and 1540, the Italian style was copied directly, often by Italian architects and craftsmen. In the second period, between 1540 and the end of the Valois dynasty in 1589, French architects and craftsmen gave the style a more distinctive and original ...
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Beaux-Arts Architecture
Beaux-Arts architecture ( , ) was the academic architectural style taught at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century. It drew upon the principles of French neoclassicism, but also incorporated Renaissance and Baroque elements, and used modern materials, such as iron and glass. It was an important style in France until the end of the 19th century. History The Beaux-Arts style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI. French architectural styles before the French Revolution were governed by Académie royale d'architecture (1671–1793), then, following the French Revolution, by the Architecture section of the Académie des Beaux-Arts. The Academy held the competition for the Grand Prix de Rome in architecture, which offered prize winners a chance to study the classical architecture of antiquity in Rome. The formal neoclass ...
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