Wednesbury Museum And Art Gallery
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Wednesbury Museum And Art Gallery
Wednesbury Museum and Art Gallery is a purpose-built Victorian art gallery in Wednesbury in the West Midlands of England. It is notable for its Ruskin Pottery collection and for hosting the first public display of the Stuckism art movement. Building The building was built in 1891 to house a collection of paintings, drawings and watercolours donated by Mrs Mary Ann Richards on behalf of her late husband Edwin, and cost £5821 to build. It was designed by West Bromwich architects Wood and Kendrick, and built by Henry Wilcock of Wolverhampton. Four panels on the building's facade show the heads of Sir Christopher Wren to represent Architecture, Sir Joshua Reynolds for Art, John Flaxman for Sculpture, and Sir Isaac Newton for Science. Two busts sit in recesses above the entrance, of Alderman Williams and Alderman Lloyd, both mayors of Wednesbury and chairmen of the Art Gallery Committee. Following the Second World War, the museum was used by the council as offices, but returned to us ...
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Wednesbury
Wednesbury () is a market town in Sandwell in the county of West Midlands, England. It is located near the source of the River Tame. Historically part of Staffordshire in the Hundred of Offlow, at the 2011 Census the town had a population of 37,817. History Medieval and earlier The substantial remains of a large ditch excavated in St Mary's Road in 2008, following the contours of the hill and predating the Early Medieval period, has been interpreted as part of a hilltop enclosure and possibly the Iron Age hillfort long suspected on the site. The first authenticated spelling of the name was Wodensbyri, written in an endorsement on the back of the copy of the will of Wulfric Spot, dated 1004. Wednesbury ("Woden's borough") is one of the few places in England to be named after a pre-Christian deity. During the Anglo-Saxon period there are believed to have been two battles fought in Wednesbury, in 592 and 715. According to The ''Anglo-Saxon Chronicle'' there was "a great slaugh ...
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Joseph Gibbs (artist)
Joseph Gibbs was a portrait painter who worked in the area around Smethwick, then South Staffordshire (now part of the West Midlands county), England, during the period 1852 to 1907. He exhibited at some Royal Birmingham Society of Artists events. Six of his works (five portraits and a pastoral scene showing two children crossing a river) are in the collection of Wednesbury Museum and Art Gallery: * Mary Ann Richards (painted 1891) * Muriel Dorothy Windle (1898) * Sir James Timmins Chance Sir James Timmins Chance, 1st Baronet (22 March 1814 – 6 January 1902''Oxford Dictionary of National Biography: Chance, James Timmins, first baronet'', by Charles Welch), was an English industrialist, philanthropist, director of the London ... (1902) * Alderman George Bowden, Mayor of Smethwick (1904) * ''Stepping Stones (The Nearest Way Home)'' (1907) * Frederick Talbot, Headmaster of Chance's School, Smethwick References External links * {{DEFAULTSORT:Gibbs, Joseph Engl ...
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Art Museums And Galleries In The West Midlands (county)
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts ...
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Museums In The West Midlands (county)
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 count ...
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Earls Of Shrewsbury
Earl of Shrewsbury () is a hereditary title of nobility created twice in the Peerage of England. The second earldom dates to 1442. The holder of the Earldom of Shrewsbury also holds the title of Earl of Waterford (1446) in the Peerage of Ireland and Earl Talbot (1784) in the Peerage of Great Britain. Shrewsbury and Waterford are the oldest earldoms in their peerages held by someone with no higher title (the oldest earldoms in each peerage being held by the Duke of Norfolk and Duke of Leinster respectively), and as such the Earl of Shrewsbury is sometimes described as the premier earl of England and Ireland. History First creation, 1074 The first creation occurred in 1074 for Roger de Montgomerie, one of William the Conqueror's principal counselors. He was one of the Marcher Lords, with the Earl of Hereford and the Earl of Chester, a bulwark against the Welsh; he was granted great powers, and his territory, which extended from Shropshire (of which Shrewsbury is the county town) ...
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Earls Talbot
Earl Talbot is a title that has been created twice in the Peerage of Great Britain. This branch of the Talbot family descends from the Hon. Sir Gilbert Talbot (died 1518), third son of John Talbot, 2nd Earl of Shrewsbury. His great-great-great-grandson, the Right Reverend William Talbot, was Bishop of Oxford, of Salisbury and of Durham. His eldest son Charles Talbot was a prominent lawyer and politician. In 1733, he was raised to the Peerage of Great Britain as Lord Talbot, Baron of Hensol, in the County of Glamorgan, and then served as Lord High Chancellor of Great Britain from 1733 to 1737. He was succeeded by his eldest son, the second Baron. He served as Lord Steward of the Household from 1761 to 1782. In 1761, he was created Earl Talbot and in 1780, Baron Dynevor, of Dynevor in the County of Carmarthen, in the Peerage of Great Britain. The earldom was created with normal remainder to the heirs male of his body, while the barony was created with remainder to his daughter ...
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Ingestre Hall
Ingestre Hall is a Grade II* 17th-century Jacobean mansion situated at Ingestre, near Stafford, Staffordshire, England. Formerly the seat of the Earls Talbot and then the Earls of Shrewsbury, the hall is now owned by Sandwell Metropolitan Borough Council and is in use as a residential arts and conference centre. History Ingestre is mentioned in the Domesday Book. During the reign of Henry II the manor was owned by the de Mutton family. During the reign of Edward III the house passed to the Chetwynd family, through the marriage of heiress Isabel de Mutton and Sir John Chetwynd. Their descendants were raised to the peerage in 1733 as Baron Talbot and later in the century as Earl Talbot. The imposing mansion was built in red brick, on the site of an earlier manor house, in 1613 for Sir Walter Chetwynd, (High Sheriff of Staffordshire in 1607). A later Walter Chetwynd, his grandson, was created Viscount Chetwynd in 1717. The daughter and heiress of the 2nd Viscount married Hon ...
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Tate
Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Digital, Culture, Media and Sport. The name "Tate" is used also as the operating name for the corporate body, which was established by the Museums and Galleries Act 1992 as "The Board of Trustees of the Tate Gallery". The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the cu ...
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Bill Viola
Bill Viola ( , ; born 1951) is an American contemporary video artist whose artistic expression depends upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness. Early life and education Viola grew up in Queens, New York, and Westbury, New York. He attended P.S. 20, in Flushing, where he was captain of the TV Squad. On vacation in the mountains with his family, he nearly drowned in a lake, an experience he describes as "… the most beautiful world I've ever seen in my life" and "without fear," and "peaceful." In 1973 Viola graduated from Syracuse University with a BFA in experimental studies. He studied in the College of Visual and Performing Arts, including the Synapse experimental program, which evolved into CitrusTV. Career Viola's first job after graduation was as a video technician at the Everson Museum of Art in Syracuse. From 1973 to 1980, he studi ...
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National Museums Liverpool
National Museums Liverpool, formerly National Museums and Galleries on Merseyside, comprises several museums and art galleries in and around Liverpool, England. All the museums and galleries in the group have free admission. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport and an exempt charity under English law. In the 1980s, local politics in Liverpool was under the control of the Militant group of the Labour Party. In 1986, Liverpool's Militant councillors discussed closing down the city's museums and selling off their contents, in particular their art collections. To prevent this from happening the Conservative government nationalised all of Liverpool's museums under the ''Merseyside Museums and Galleries Order 1986'' which created a new national trustee body ''National Museums and Galleries on Merseyside''.Suzanne MacLeod, ''Museum Architecture: A New Biography'', p31. It changed its name to National Museums Liverpool in ...
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2003 Stuck In Wednesbury (1)
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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Art UK
Art UK is a cultural, education charity in the United Kingdom, previously known as the Public Catalogue Foundation. Since 2003, it has digitised more than 220,000 paintings by more than 40,000 artists and is now expanding the digital collection to include UK public sculpture. It was founded for the project, completed between 2003 and 2012, of obtaining sufficient rights to enable the public to see images of all the approximately 210,000 oil paintings in public ownership in the United Kingdom. Originally the paintings were made accessible through a series of affordable book catalogues, mostly by county. Later the same images and information were placed on a website in partnership with the BBC, originally called ''Your Paintings'', hosted as part of the BBC website. The renaming in 2016 coincided with the transfer of the website to a stand-alone site. Works by some 40,000 painters held in more than 3,000 collections are now on the website. The catalogues and website allow readers t ...
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