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We See
''We See'', subtitled ''Thelonious Monk Songbook'', is a live album by soprano saxophonist Steve Lacy, which was recorded in Switzerland in 1992 and first released on the hat ART label in 1993.Jazzlists: Steve Lacy discography
accessed July 13, 2018
The album was rereleased in 2002 with an additional track from the concert.


Reception

The review by Glenn Astarita stated "Essentially, this a relatively straightforward set consisting of moderate to up-tempo swing vamps, accelerated by the saxophonist's gleaming choruses and Monk-like permutations. Lacy and associates perform these works with a deeply personalized and undeniably buoyant demeanor. ... this effort shines fo ...
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Steve Lacy (saxophonist)
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlik ...
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School Days (Steve Lacy Album)
School Days may refer to: Film and fiction * School Days (1920 film), ''School Days'' (1920 film), American comedy starring Larry Semon * School Days (1921 film), ''School Days'' (1921 film), American comedy starring Wesley Barry * School Days (1995 film), ''School Days'' (1995 film), a Taiwan teen drama * School Days (novel), ''School Days'' (novel), 2005 by Robert B. Parker * School Days (visual novel), ''School Days'' (visual novel), a 2005 Japanese video game * ''Chemin d'école'', a novel by Patrick Chamoiseau, published in English as ''School Days'' Music * School Days (album), ''School Days'' (album), a 1976 album by Stanley Clarke * ''School Days'', a 1951 album by Dizzy Gillespie * School Days (Chuck Berry song), "School Days" (Chuck Berry song), 1957 * School Days (1907 song), "School Days" (1907 song), American pop song by Will Cobb and Gus Edwards * "Schooldays", a 1972 song by Gentle Giant from the album ''Three Friends'' * "Schooldays", a 1975 song by The Kinks fr ...
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Steve Lacy (saxophonist) Live Albums
Steve Lacy may refer to: Music *Steve Lacy (saxophonist) (1934–2004), American jazz saxophonist and composer *Steve Lacy (singer) (born 1998), American musician Other occupations *Steve Lacy (coach) (1908–2000), American college sports coach, educator, and political adviser *Steve Lacy (businessman) (born 1954), American magazine and media company executive *Steve Lacy (athlete) Steve Lacy is a two-time American Olympic athlete. He was born and raised in McFarland, Wisconsin. He went to college at the University of Wisconsin–Madison A university () is an institution of higher (or tertiary) education and resear ... ( fl. 1980–1984), American Olympic athlete See also * Stephen Lacey (other) {{hndis, Lacy, Steve ...
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John Betsch
John Betsch (born October 8, 1945) is an American jazz drummer. Biography Betsch was born in Jacksonville, Florida. His family belonged to the African-American upper class; his grandfather was the black millionaire Abraham Lincoln Lewis and his grandmother Mary's ancestors included the English colonist Zephaniah Kingsley and Anna Kingsley, an African princess. His mother was a church organist and pianist, and his older sister Marvyne a soprano singer."Travelogue"
''Jet'', January 28, 1960, p. 40. He began playing drums in the school orchestra at the age of nine.
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Steve Potts (jazz Musician)
Steve Potts (born January 21, 1943 in Columbus, Ohio) is an American jazz saxophonist. Playing mainly alto sax and occasionally soprano, Potts is best known for his 30-year partnership with fellow saxophonist Steve Lacy. A cousin of tenor saxophonist Buddy Tate, Potts studied architecture in Los Angeles and took lessons from saxophonist Charles Lloyd. Afterwards he went to New York where he was student of Eric Dolphy and performed with Roy Ayers, Richard Davis, Joe Henderson, Reggie Workman, and Chico Hamilton. In 1970 he moved to Europe to live in Paris. He performed with Dexter Gordon, Johnny Griffin, Slide Hampton, Mal Waldron, Ben Webster, Hal Singer, Christian Escoudé, Boulou Ferré, and Oliver Johnson. Around 1973 he met Steve Lacy and played in his groups for 30 years. Potts also produced film scores. Discography As leader/co-leader *''Great Day in the Morning'' with Jessye Norman, 1982 *''Cross Roads'', 1979 *''People'', 1986 *'' Flim-Flam'' (hat ART, 198 ...
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Well, You Needn't
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on '' 5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a ve ...
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Ruby, My Dear
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ...
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Monk's Dream (Steve Lacy Album)
''Monk's Dream'' is an album by Steve Lacy and Roswell Rudd released on the Verve label in 2000.Jazzlists: Steve Lacy discography
accessed July 11, 2018
It features performances by Lacy, Rudd, Jean-Jacques Avenel, and 's vocals on two tracks.


Reception

The review by William Ruhlmann awarded the album 4 stars, stating: "Monk's Dream is a warm reunion of old friends, but those friends could have tried a little h ...
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More Monk
''More Monk'' is an album by Steve Lacy. It features solo saxophone performances of eleven tunes written by Thelonious Monk.Jazlists: Steve Lacy discography
accessed February 1, 2019


Recording and music

The album was recorded at Barigozzi Studio, Milan, on April 18–19, 1989. All of the eleven pieces were composed by , and played as solo soprano saxophone performances by Steve Lacy.


Releases and reception

''More Monk'' was released by in 1991. ...
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Only Monk
''Only Monk'' is the third album by Steve Lacy to be released on the Italian Soul Note label (following two releases on the related Black Saint label). It features solo performances of nine tunes written by Thelonious Monk by Lacy. It is the second solo album composed totally of Monk's compositions recorded by Lacy following ''Eronel'' (1979) and follows a tradition established on Lacy's second album '' Reflections'' (1958) and '' Epistrophy'' (1969). Reception The AllMusic review by Scott Yanow awarded the album 4 stars stating "Steve Lacy has long been one of the foremost interpreters of pianist Thelonious Monk's music. This set is a solo soprano saxophone recital in which Lacy digs into nine of Monk's compositions. Most of the interpretations are quite concise, with all but the seven-minute "Work" clocking in at under six minutes. As usual, Lacy shows great respect for the melodies, and his improvisations are built off of the themes rather than just the chord changes. The spar ...
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Evidence (Steve Lacy Album)
''Evidence'' is the fourth album by Steve Lacy and was released on the New Jazz label in 1962. It features performances of four tunes written by Thelonious Monk and two from Duke Ellington by Lacy, Don Cherry, Carl Brown and Billy Higgins. Reception The Allmusic review by Al Campbell awarded the album 4 stars, stating: "Soprano saxophonist Steve Lacy continued his early exploration of Thelonious Monk's compositions on this 1961 Prestige date, Evidence. Lacy worked extensively with Monk, absorbing the pianist's intricate music and adding his individualist soprano saxophone mark to it. On this date, he employs the equally impressive Don Cherry on trumpet, who was playing with the Ornette Coleman quartet at the time, drummer Billy Higgins, who played with both Coleman and Monk, and bassist Carl Brown. Cherry proved capable of playing outside the jagged lines he formulated with Coleman, being just as complimentary and exciting in Monk's arena with Lacy. Out of the six tracks, four ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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