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Was Soll Ich Aus Dir Machen, Ephraim, BWV 89
Johann Sebastian Bach composed the church cantata (What shall I make of you, Ephraim), 89, in Leipzig for the 22nd Sunday after Trinity and first performed it on 24 October 1723. History and words Bach wrote the cantata in his first year in Leipzig for the 22nd Sunday after Trinity. The prescribed readings for the Sunday were from the Epistle to the Philippians, thanks and prayer for the congregation in Philippi (), and from the Gospel of Matthew, the parable of the unforgiving servant (). The unknown poet of the cantata text stressed the opposites of the gospel, God's justice versus unjust men. The text begins with a related quotation from the prophet Hosea, . The next two movements, recitative and aria, reflect the sinful condition of man, another set of recitative and aria deals with God's mercy. The closing chorale is stanza 7 of "" by Johann Heermann (1630), to the melody of "Auf meinen lieben Gott", which Bach would treat completely one year later in his chorale can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hosea
In the Hebrew Bible, Hosea ( or ; he, הוֹשֵׁעַ – ''Hōšēaʿ'', 'Salvation'; gr, Ὡσηέ – ''Hōsēé''), son of Beeri, was an 8th-century BCE prophet in Israel and the nominal primary author of the Book of Hosea. He is the first of the Twelve Minor Prophets, whose collective writings were aggregated and organized into a single book in the Jewish Tanakh by the Second Temple period, forming the last book of the Nevi'im; but which writings are distinguished as individual books in Christianity. Hosea is often seen as a "prophet of doom", but underneath his message of destruction is a promise of restoration. The Talmud claims that he was the greatest prophet of his generation. The period of Hosea's ministry extended to some sixty years, and he was the only prophet of Israel of his time who left any written prophecy. Name The name ''Hosea'' (meaning 'salvation', 'he saves' or 'he helps'), seems to have been common, being derived from a related verb meaning ''sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and ''hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wo Soll Ich Fliehen Hin, BWV 5
Johann Sebastian Bach composed the church cantata (Where shall I flee), 5, in Leipzig for the 19th Sunday after Trinity Sunday, Trinity and first performed it on 15 October 1724. The Chorale cantata (Bach), chorale cantata is based on the hymn "" by Johann Heermann. History and words Bach wrote the cantata in his second year in Leipzig for the List of church cantatas by liturgical occasion#19th Sunday after Trinity (Trinity XIX), 19th Sunday after Trinity and first performed it on 15 October 1724. It is part of his Bach's second cantata cycle, second annual cycle of cantatas, a cycle of chorale cantatas. The prescribed readings for the Sunday were from Paul the Apostle, Paul's Epistle to the Ephesians – "put on the new man, which after God is created" () – and from the Gospel of Matthew, Healing the paralytic at Capernaum (). The cantata text is based on the hymn in eleven stanzas "" by Johann Heermann, published in 1630, which is recommended for the Sunday in the ''Dresdne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata (Bach)
There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his chorale cantata cycle. The eldest known cantata by Bach, an early version of ''Christ lag in Todes Banden'', BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was ''Wie schön leuchtet der Morgenstern'', BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a dozen further chorale cantatas and other cantatas that were added to his chorale cantata cycle. Lutheran hymns, also known as chorales, have a prominent place in the liturgy of that denomination. A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auf Meinen Lieben Gott
"" ("In God, My Faithful God", literally: In my dear God trust is a Lutheran hymn from the 17th century. Several hymns are sung to the same hymn tune, including "", and it was set in compositions. The hymn was translated into English as "In God, My Faithful God". It is part of modern hymnals and songbooks. History In 1607, "" was printed in ''766 Geistliche Psalmen'' in Nürnberg. The publication does not name a text author for the hymn. In a 1611 hymnal, the hymn "Auf Jesum Christ steht all mein Thun" appears as a text written by Sigismund Weingärtner, an author about whom little is known. For the next hymn, "", no author name is given: it has been assumed that Weingärtner wrote this text too. The beginning is "", expressing trust in God even in anxiety and distress. A modified version of Zahn No. 2160, the melody of "Venus du und dein Kind" (Venus, you and your child), a 1574 secular song by Jacob Regnart, appeared in 1609 with the "Auf meinen lieben Gott" text (Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wo Soll Ich Fliehen Hin
"" (Where should I flee) is a hymn in seven stanzas by the German Baroque poet, Lutheran minister and hymn-writer Johann Heermann. It was first published in 1630 during the Thirty Years' War. It is a penitential hymn for Lent. History Heermann, the hymn's poet, was influenced by the tract (Book of the German poetry) by Martin Opitz's, published in 1624, which defended German poetry and set guidelines on how German poetry should be composed. Heermann lived in Köben, Silesia, when he wrote the hymn, an area which suffered under the war. The town was plundered four times. Several times, he lost his possessions and had to flee for his life. Nonetheless, in 1630 in Breslau (now Wrocław, Poland), Silesia, he published a volume of hymns, ''Devoti musica cordis, Hauss-und Herz-Musica'' (Latin, German: "music for a devout heart, house and heart music"), including "". The volume also contained the Passion hymn "". These hymns have been described as "the first in which the correct and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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