Warwick Fyfe
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Warwick Fyfe
Warwick Olney Fyfe (born 27 September 1969, in Canberra) is an Australian operatic heldenbaritone who has an international career. Winner of the Helpmann Award for Best Male in an Operatic Feature Role for his performance as Alberich in Opera Australia's 2013 Bi-Centenary Cycles of ''Der Ring des Nibelungen'' at the State Theatre (Melbourne), State Theatre in Melbourne. In August 2017 a career highlight was singing Klingsor in a concert performance of Richard Wagner's ''Parsifal'' starring Jonas Kaufmann with Opera Australia at the Sydney Opera House. Career Fyfe is an alumnus of the Victoria College of the Arts (Melbourne University) Opera Studio and a Winston Churchill Fellow. On graduation he was a member of the Victoria State Opera, and the Opera Australia Young Artist Programs. He subsequently had a long association with Opera Australia as a senior principal artist. Internationally, he has worked with New Zealand Opera, English Touring Opera Company, Welsh National Opera, Vi ...
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Canberra
Canberra ( ) is the capital city of Australia. Founded following the federation of the colonies of Australia as the seat of government for the new nation, it is Australia's largest inland city and the eighth-largest city overall. The city is located at the northern end of the Australian Capital Territory at the northern tip of the Australian Alps, the country's highest mountain range. As of June 2021, Canberra's estimated population was 453,558. The area chosen for the capital had been inhabited by Indigenous Australians for up to 21,000 years, with the principal group being the Ngunnawal people. European settlement commenced in the first half of the 19th century, as evidenced by surviving landmarks such as St John's Anglican Church and Blundells Cottage. On 1 January 1901, federation of the colonies of Australia was achieved. Following a long dispute over whether Sydney or Melbourne should be the national capital, a compromise was reached: the new capital would be buil ...
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Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ...
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Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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New Zealand Opera
New Zealand Opera is New Zealand's only full-time professional opera company, formed in 2000 from the merger of companies in Auckland and Wellington (and later Christchurch). New Zealand Opera is headquartered in Parnell, Auckland, stages several productions a year, runs educational programmes, and supports early-career opera singers with the Dame Malvina Major Foundation. History The company was formed in 2000 when Opera New Zealand (the name adopted by Auckland Opera in 1995) and The National Opera of Wellington (formerly Wellington City Opera) decided to merge into one organisation for financial reasons. It launched on 15 October 1999 as ''The National Business Review'' New Zealand Opera (the ''National Business Review'' had paid $1,000,000 for naming rights for the next three years); the NBR sponsorship ceased in 2014 and its name became NZ Opera. A further merger with Southern Opera in Christchurch in 2012 allowed the company to maintain a nation-wide presence and stage ...
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