Walter Bishop, Jr.
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Walter Bishop, Jr.
Walter Bishop Jr. (October 4, 1927 – January 24, 1998) was an American jazz pianist. Early life Bishop was born in New York City on October 4, 1927.Greene, Philip; Kernfeld, Barr"Bishop, Walter Jr." ''The New Grove Dictionary of Jazz'' (2nd edition). Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved February 18, 2016. Subscription required. He had at least two sisters, Marian and Beverly. His father was composer Walter Bishop Sr. In his teens, Bishop Jr.'s friends included future jazz musicians Kenny Drew, Sonny Rollins, and Art Taylor. He was brought up in Harlem. He left high school to play in dance bands in the area. In 1945–47 he was in the Army Air Corps. During his military service in 1947 Bishop was based near St Louis and met touring bebop musicians. Later life and career Later in 1947, he returned to New York. That year (or 1949) he was part of drummer Art Blakey's band for 14 weeks and recorded with them. Bishop developed his bebop play ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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The Juilliard School
The Juilliard School ( ) is a private performing arts conservatory in New York City. Established in 1905, the school trains about 850 undergraduate and graduate students in dance, drama, and music. It is widely regarded as one of the most elite drama, music, and dance schools in the world. History Early years: 1905-1946 In 1905, the Institute of Musical Art, Juilliard's predecessor institution, was founded by Frank Damrosch, the godson of Franz Liszt and head of music education for New York City Department of Education, New York City's public schools, on the premise that the United States did not have a premier music school and too many students were going to Europe to study music. In 1919, a wealthy textile merchant named Augustus Juilliard died and left the school in his will the largest single bequest for the advancement of music at that time. In 1968, the school's name was changed from the Juilliard School of Music to The Juilliard School to reflect its broadened missi ...
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Jimmy Garrison
James Emory Garrison (March 3, 1934 – April 7, 1976) was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967. Career Garrison was raised in both Miami and Philadelphia where he learned to play bass. Garrison came of age in the 1950s Philadelphia jazz scene, which included fellow bassists Reggie Workman and Henry Grimes, pianist McCoy Tyner and trumpeter Lee Morgan. Between 1957 and 1962, Garrison played and recorded with trumpeter Kenny Dorham; clarinetist Tony Scott; drummer Philly Joe Jones; and saxophonists Bill Barron, Lee Konitz, and Jackie McLean, as well as Curtis Fuller, Benny Golson, Lennie Tristano, and Pharoah Sanders, among others. In 1961, he recorded with Ornette Coleman, appearing on Coleman's albums '' Ornette on Tenor'' and '' The Art of the Improvisers''. He also worked with Walter Bishop, Jr. and Cal Massey during the early years of his career. He formally joined Coltrane's quartet in 1962, ...
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Hank Mobley
Henry "Hank" Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others. Early life and education Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. He described himself as coming from a musical family and spoke of his uncle playing in a jazz band. As a child, Mobley played piano. When he was 16, an illness kept him in the house for several months. His grandmother though ...
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New York City Cabaret Card
The New York City Cabaret Identification Card was a permit required of all workers, including performers, in nightclubs in New York City from Prohibition to 1967. Its administration was fraught with politics, and some artists' cards were revoked on specious grounds. For many performers, the revocation of their cabaret cards resulted in the loss of their livelihood. Those of Chet Baker, Charlie Parker, Thelonious Monk, Jackie McLean, Elmo Hope, Billy Higgins and Billie Holiday were suspended because of drug charges, Lenny Bruce's for his reputed obscenity. Burlesque dancer Sally Rand challenged the refusal to issue her a cabaret card, which was refused based on her alleged scanty attire. A judge overturned the decision as an "arbitrary and an unjustified act" but noted that the cabaret regulations took effect only after a card had been issued to a performer and warned her that her privileges could be revoked if she did not follow regulations. J. J. Johnson challenged the withholdin ...
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Minton's Playhouse
Minton's Playhouse is a jazz club and bar located on the first floor of the Cecil Hotel at 210 West 118th Street in Harlem, Manhattan, New York City. It is a registered trademark of Housing and Services, Inc. a New York City nonprofit provider of supportive housing. The door to the actual club itself is at 206 West 118th Street where there is a small plaque. Minton's was founded by tenor saxophonist Henry Minton in 1938. Minton's is known for its role in the development of modern jazz, also known as bebop, where in its jam sessions in the early 1940s, Thelonious Monk, Bud Powell, Kenny Clarke, Charlie Christian, Charlie Parker and Dizzy Gillespie pioneered the new music. Minton's thrived for three decades until its decline near the end of the 1960s, and its eventual closure in 1974. After being closed for more than 30 years, the newly remodeled club reopened on May 19, 2006, under the name Uptown Lounge at Minton's Playhouse. However, the reopened club was closed again in 2010. ...
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Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage ...
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Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ...
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Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ...
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Harlem
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street (Manhattan), 155th Street on the north; Fifth Avenue on the east; and 110th Street (Manhattan), Central Park North on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King, Jr., Boulevard (Manhattan), Martin Luther King Jr. Boulevard, Central Park, and 96th Street (Manhattan), East 96th Street. Originally a Netherlands, Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish American, Jewish and Italian American, Italian Americans in the 19th century, but African-American residents began to ...
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Art Taylor
Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who "helped define the sound of modern jazz drumming".Watrous, Peter (February 7, 1995)"Art Taylor, 65, Jazz Drummer Who Inspired Young Musicians" ''The New York Times''. Career As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor's Wailers.Feather, Leonard & Gitler, Ira (2007), ''The Biographical Encyclopedia of Jazz'', p. 637. Oxford University Press. Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 1957 ...
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