Wär Gott Nicht Mit Uns Diese Zeit
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Wär Gott Nicht Mit Uns Diese Zeit
"" (; "Were God not with us at this time") is a Lutheran hymn, with words written by Martin Luther based on the Psalm 124. The hymn in three stanzas of seven lines each was first published in 1524. It was translated to English and has appeared in 20 hymnals. The hymn formed the base of several compositions, including chorale cantatas by Buxtehude and Bach. History Luther wrote "" as a paraphrase of Psalm 124 in three stanzas of seven lines each. It was first printed in 1524 in Johann Walter's ''Eyn geystlich Gesangk Buchleyn''. It was translated to English and has appeared in 20 hymnals. Lyrics Melodies and settings When the hymn was first published in 1524 in the ''Eyn geystlich Gesangk Buchleyn'', it was associated with a hymn tune in Doric mode, Zahn No. 4434, which was also used for "Wo Gott der Herr nicht bei uns hält", a paraphrase of the same psalm by Justus Jonas in eight stanzas. Luther had a tendency to retain traditional texts and melodies. In 1537, the ...
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List Of Hymns By Martin Luther
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year ( Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''Achtliederbuch'', in Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn ' ("A spiritual song booklet"), sometimes called First Wittenberg Hymnal and ' (Choir hymnal), was the first German hymnal for choir, published in Wittenberg in 1524 by Johann Walter ...
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Wär Gott Nicht Mit Uns Diese Zeit, BWV 14
Johann Sebastian Bach composed the church cantata (Were God not with us at this time), 14, in Leipzig in 1735 for the fourth Sunday after Epiphany and first performed it on 30 January 1735, a few weeks after his ''Christmas Oratorio''. The cantata, in Bach's chorale cantata format, is based on Martin Luther's hymn "Wär Gott nicht mit uns diese Zeit". Its text paraphrases Psalm 124, focussing on the thought that the believers' life depends on God's help and is lost without it. Bach composed the cantata as a late addition to his chorale cantata cycle of 1724/25. In 1725, Easter had been early and therefore no fourth Sunday after Epiphany happened. The text was possibly prepared already at that time. Ten years later, Bach wrote an advanced unusual chorale fantasia as the first section of it, combining elements of a motet with complex counterpoint. The hymn tune is played by instruments, freeing the soprano to interact with the lower voices. In the inner movements, sung by three so ...
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Hymn Tunes
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as ''Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with ''Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new hymn ...
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Lutheran Hymns Based On Psalms
Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation. The reaction of the government and church authorities to the international spread of his writings, beginning with the ''Ninety-five Theses'', divided Western Christianity. During the Reformation, Lutheranism became the state religion of numerous states of northern Europe, especially in northern Germany, Scandinavia and the then-Livonian Order. Lutheran clergy became civil servants and the Lutheran churches became part of the state. The split between the Lutherans and the Roman Catholics was made public and clear with the 1521 Edict of Worms: the edicts of the Diet (assembly), Diet condemned Luther and officially banned citizens of the Holy Roman Empire from defending or propagating his ideas, subjecting advocates ...
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16th-century Hymns In German
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Bertelsmann
Bertelsmann SE & Co. KGaA () is a German private multinational conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates, and is also active in the service sector and education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG, Arvato, the Bertelsmann Printing Group, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains primarily controlled by the Mohn family. History 1835 to 1933 The nucleus of the corporation is the ''C. Bertelsmann Verlag'', a publishing house established on July 1, 1835 by ...
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Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ...
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Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ...
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BWV2a
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which h ...
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Kleine Ausgabe – Nach Der Von Wolfgang Schmieder Vorgelegten 2
Kleine is a German and Dutch surname meaning "small". Notable people with the surname include: * Andrea Kleine (born 1970), American writer, choreographer, and performance artist * Christian Kleine (born 1974), German musician and DJ * Cindy Kleine (born ), American film director, producer and video artist * George Kleine (1864–1931), American film producer and pioneer * Hal Kleine (1923–1957), American baseball pitcher * Joe Kleine (born 1962), American basketball player * Lil' Kleine (born 1994), stage name of Jorik Scholten (born 1994), Dutch rapper * Megan Kleine (born 1974), American swimmer * Piet Kleine (born 1951), Dutch speed skater * Robert Kleine (born 1941), American Michigan State Treasurer * Theodor Kleine (1924–2014), German sprint canoer * Thomas Kleine (born 1977), German football defender and manager See also * Klein (surname) * Kleijn Kleijn is a Dutch surname meaning "small". The ij digraph is often replaced with a "y" (''Kleyn'').
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Zahn 4441a
Zahn is a German and Ashkenazi Jewish surname. Notable persons with the surname include: *Albert Zahn, folk artist from Wisconsin, decorated the Albert Zahn House with carvings. * Anthony Zahn (born 1976), American cyclist * Ernst Zahn (1867–1952), Swiss writer *Friedrich Wilhelm Zahn (1845–1904), German pathologist *Geoff Zahn (born 1945), American baseball player *Gordon Zahn (1918–2007), American sociologist and pacifist *Helmut Zahn (1916–2004), German chemist *Joachim Zahn (1914–2002), German automotive executive *Johann Zahn (1641–1707), German canon who wrote on the camera obscura and who invented an early camera *Johannes Zahn (1817–1895), German musicologist and theologian who developed a taxonomy of Lutheran hymns and melodies *Karl Hermann Zahn (1865–1940), German botanist * Margaret A. Zahn, American sociologist and criminologist *Otto J. Zahn (1872–1965), American politician *Paula Zahn (born 1956), American newscaster *Peter von Zahn, (1913–2001), Ge ...
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List Of Chorale Harmonisations By Johann Sebastian Bach
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the '' Three Wedding Chorales'' collection ...
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