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Wozzeck (Gurlitt)
''Wozzeck'' (op. 16) is a 1926 German-language opera in 18 scenes and one epilogue by Manfred Gurlitt after the fragmentary ''Woyzeck'' by Georg Büchner. It was premiered 22 April 1926 in Bremen, four months after the better known opera ''Wozzeck'' by Alban Berg had been premiered at the Berlin State Opera on 14 December 1925. The two composers were unaware of each other's projects, being among many artists stimulated by the publication of Büchner's play. Berg, unsettled by his publisher Universal Edition also publishing another opera on the same material so quickly reviewed Gurlitt's piano score, and in a letter to Erich Kleiber noted Gurlitt's work's quality and originality, but found the "broth" watered down. This verdict reflects Berg's own Wagnerian influences, while Gurlitt was nearer to the aesthetics of Paul Hindemith and Kurt Weill.Christopher Hailey ''Alban Berg and His World'' 1400836476 2010 p20 "In a letter to Erich Kleiber he wrote, “I've already had a look at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Gurlitt
Manfred Gurlitt (6 September 1890 – 29 April 1972) was a German opera composer and conductor. He studied composition with Engelbert Humperdinck and conducting with Karl Muck. He spent most of his career in Japan. Life Manfred Ludwig Hugo Andreas Gurlitt was born in Berlin on 6 September 1890Galliano, Luciana "Manfred Gurlitt and the Japanese Operatic Scene, 1939-1972" ''Japan Review'' (2006) 18:215-248, esp. 216 to the art dealer Fritz Gurlitt (1854-1893) and Annarella Gurlitt (1856-1935).Peter Gnoss, "Preface", ''Gurlitt's Wozzeck'' (Vienna: Universal Edition, 2004)available online, accessed 7 March 2014 The Gurlitt family included many who distinguished themselves in the arts. Manfred was the cousin of musicologist Wilibald Gurlitt (1889-1963) and the great-nephew of the composer Cornelius Gurlitt. Another cousin was Hildebrand Gurlitt (1895–1956), an art dealer who was one of a very few authorized by the Nazis to deal in "degenerate art" and whose holdings of art works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Hermann
Roland Hermann (born 17 September 1936; died 17 November 2020) was a German operatic baritone and former professor at the Hochschule für Musik Karlsruhe. A member of the Opernhaus Zürich, he performed leading roles internationally, not only in standard repertoire but also in world premieres and rarely performed works, such as Schoenberg's Moses und Aron. Life Born in Bochum, Hermann studied at the University of Freiburg, the Hochschule für Musik Mainz and the Musikhochschule Frankfurt. He completed his vocal training with Margarete von Winterfeldt, Paul Lohmann and Flaminio Contini. In 1961 he was awarded third prize in the ARD International Music Competition., Index-Band. Hermann made his opera debut as Count Almaviva in Mozart's ''Le nozze di Figaro'' at the Theater Trier in 1967. He became a member of the ensemble of the Opernhaus Zürich in 1968, with guest contracts to the Bavarian State Opera in Munich and the Cologne Opera. He appeared at the Teatro Colón in Bueno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Manfred Gurlitt
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1926 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerd Albrecht
Gerd Albrecht (19 July 1935 – 2 February 2014) was a German conductor. Biography Albrecht was born in Essen, the son of the musicologist Hans Albrecht (1902–1961). He studied music in Kiel and in Hamburg, where his teachers included Wilhelm Brückner-Rüggeberg. He was a first-prize winner at the International Besançon Competition for Young Conductors at age 22. His first post was as a repetiteur at the Stuttgart State Opera. Later, he became Senior Kapellmeister at the Staatstheater Mainz, and '' Generalmusikdirektor'' in Lübeck. He also held posts at the Deutsche Oper Berlin, the Tonhalle-Orchester Zürich and the Hamburg State Opera. His work in contemporary opera included conducting Aribert Reimann's ''Lear'' in both its world premiere and its United States premiere, as well as making the first commercial recording of the opera. His other commercial recordings include Robert Schumann's ''Genoveva'' and ''Manfred'', and the first commercial recording of Hans Wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Endrik Wottrich
Endrik Wottrich (13 October 1964 – 26 April 2017) was a German operatic tenor. Life Born in Celle, Wottrich studied singing with Ingeborg Hallstein and violin in Würzburg. With a scholarship from the Studienstiftung des deutschen Volkes, he continued his vocal training at the Juilliard School in New York City with Daniel Ferro. In September 1992, Wottrich made his stage debut in the role of Cassio in the opera '' Otello'' at the Staatstheater Wiesbaden. There, in the 1992/93 season, he also sang the male, youthfully heroic title role of Mathias Freudhofer in the opera ''Der Evangelimann'' as an alternative cast, whereby his "baritone-core tenor largely effortlessly overcame the heroic hurdles of the title role, but also possessed the necessary lyrical enamel" Furthermore, in the same season he took over the role of Cassio in the Verdi opera '' Otello''. Subsequently he was engaged at the Berlin Staatsoper Unter den Linden from 1993 to 1999. An important role debut for Wot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Scharinger
Anton Scharinger (born 5 March 1961 in Straning-Grafenberg Lower Austria) is an Austrian operatic bass-baritone and academic teacher at the University of Music and Performing Arts Vienna. Life Scharinger first studied with Margarita Heppe in Vienna and graduated from the Musik und Kunst Privatuniversität der Stadt Wien in 1984. As a student, he already distinguished himself as a concert singer. In 1981, he joined the Salzburger Landestheater, where he made his operatic debut as Guglielmo in ''Così fan tutte''. His international career began with further Mozart roles, Papageno, Figaro (conductor: Nikolaus Harnoncourt) and Leporello in ''Don Giovanni''. He also expanded his repertoire with roles in unknown works, such as the Captain in Manfred Gurlitt's ''Wozzeck'' and Count Robinson in ''Il matrimonio segreto''. As a concert soloist, he has performed among others under Riccardo Chailly, William Christie, Christoph von Dohnányi, Antal Doráti, Bernard Haitink, Harnoncourt, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
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Woyzeck
''Woyzeck'' () is a stage play written by Georg Büchner. Büchner wrote the play between July and October 1836, yet left it incomplete at his death in February 1837. The play first appeared in 1877 in a heavily edited version by Karl Emil Franzos, and was first performed at the Residence Theatre in Munich on 8 November 1913. Since then, ''Woyzeck'' has become one of the most influential and most often-performed German plays. Due to its unfinished nature, the play has inspired many diverging adaptations. Composition and textual history Büchner probably began writing the play between June and September 1836. It is loosely based on the true story of Johann Christian Woyzeck, a Leipzig wigmaker who later became a soldier. In 1821, Woyzeck, in a fit of jealousy, murdered Christiane Woost, a 46-year-old widow with whom he had been living; he was later publicly beheaded. Büchner's work remained in a fragmentary state at the time of his early death in 1837. The play was first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
