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Woods Tea Company
Woods Tea Company is an American folk music group based in Vermont. They perform a wide variety of songs, including sea shanties, folk songs, Irish drinking songs, and Celtic music. The group is known for its energy, musical talent and dry sense of humor between songs. History Woods Tea Company was started in 1981 in Burlington, Vermont, by Bruce Morgan and Rusty Jacobs. The band got its name from a wooden storage box owned by Jacobs that had "Woods Tea Co." printed on its side. Mike Lussen joined the band several years later. Morgan left the band in the early 1990s. Howard Wooden officially joined the band in 1992, and Tom MacKenzie a year later. In 2000, MacKenzie left, and was replaced by Chip Chase. The band became a regular feature at Colgate University, where the students knew the band's material. Between songs, students often shout 'Arrgh!' to poke fun at the group's sea shanties. To honor this, MacKenzie wrote a song called "Aargh!" for the students. The band suffered ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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The Wild Rover
"The Wild Rover" (Roud 1173) is a very popular and well-travelled folk song. Many territories have laid claim to have the original version. History In 2015 the English Folk Song and Dance periodical "Folk Music Journal" vol 10 No 5 had an article by Brian Peters. He claims that the origin of the song was a seventeenth century English Broadside written by Thomas Lanfiere. This evolved into several distinct versions. They have been found in England, Scotland, Ireland and North America. Shortly afterwards it became popular in Australia. The song tells the story of a young man who has been away from his hometown for many years. When he returns to his former alehouse, the landlady refuses him credit, until he presents the gold which he has gained while he has been away. He sings of how his days of roving are over and he intends to return to his home and settle down. Other overview or significant versions According to Professor T. M. Devine in his book ''The Scottish Nation 1700 ...
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This Little Light Of Mine
"This Little Light of Mine" is a popular gospel song of unknown origin. It was often reported to be written for children in the 1920s by Harry Dixon Loes, but he never claimed credit for the original version of the song, and the Moody Bible Institute where he worked said he did not write it. It was later adapted by Zilphia Horton, amongst many other activists, in connection with the civil rights movement. History The origin of the song is unclear, but the phrase "This little light of mine" appears published in poetry by 1925 by Edward G. Ivins, a writer in Montana. In 1931, the song is mentioned in a Los Angeles newspaper as " Deaconess Anderson's song". In 1932, the song was mentioned in a 1932 Missouri newspaper. In 1933, the song was mentioned in newspapers as being sung by a chorus at an African Methodist Episcopal conference in Helena, Montana and then various other churches around the United States later that year. In June 1934 John Lomax and Alan Lomax recorded the ...
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Devil's Dream
"The Devil's Dream" is an old fiddle tune of unknown origins. Played as either a jig or a reel, it is attested to as a popular tune from at least 1834 in New England. It also appears in a folk tale from central England dated to c. 1805. ''The Devil's Dream'' is, and has been since its introduction, a popular tune with fiddlers and dancers and has been recorded numerous times. Recordings The earliest known recordings of the tune include records by John Witzmann (in 1906 with the Victor Dance Orchestra and again in 1920), Harold Veo (1917), George Stehl (1920), William B. Houchens (February 1923), Jasper Bisbee (November 1923) and Tommy Dandurand (March 1927). Pop culture It is used by Bernard Herrmann as one of the principal themes in the film score to the movie ''The Devil and Daniel Webster'' to represent the plight of the New Hampshire farmers. Mentioned in Michael Martin Murphey's song ''Cherokee Fiddle'', popularized by Johnny Lee. The song was also featured on the con ...
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There Were Roses
"There Were Roses" is an Irish folk song based on a true story. It was written by the Northern Ireland folk singer and songwriter Tommy Sands. It was first recorded in 1985 by Robbie O'Connell, Mick Moloney and Jimmy Keane as the title track of their first joint album titled ''There Were Roses'' and incorrectly credited to "Moloney, O'Connell & Keane" on the Green Linnet label. Tommy Sands had also recorded his own song and it was the opening track of his 1985 album ''Singing of the Times''. Context "There Were Roses" has been described as one of the best songs ever written about the Irish conflict known as The Troubles.Dna Users, Biography of Tommy Sands
The song recounts the true story of two men, "Allan Bell" from Benagh, a

Finnegan's Wake
"Finnegan's Wake" is an Irish-American comic ballad, first published in New York in 1864. Various 19th-century variety theatre performers, including Dan Bryant of Bryant's Minstrels, claimed authorship but a definitive account of the song's origin has not been established. An earlier popular song, John Brougham's "A Fine Ould Irish Gintleman," also included a verse in which an apparently dead alcoholic was revived by the power of whiskey. In more recent times, "Finnegan's Wake" was a staple of the Irish folk-music group the Dubliners, who played it on many occasions and included it on several albums, and is especially well known to fans of the Clancy Brothers, who performed and recorded it with Tommy Makem. The song has been recorded by Irish-American Celtic punk band Dropkick Murphys. Summary In the ballad, the hod-carrier Tim Finnegan, born "with a love for the liquor", falls from a ladder, breaks his skull, and is thought to be dead. The mourners at his wake become rowdy, a ...
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The Cat Came Back
"The Cat Came Back" is a comic song written by Harry S. Miller in Christmas 1893. It has since entered the folk tradition and been recorded under variations of the title—"But the Cat Came Back", "And the Cat Came Back", etc. It is also a popular children's song. Theme The song is humorous in nature, telling a silly tale about "ole Mister Johnson" who had an "ole yaller cat" that he did not want, and which kept coming back when he tried to get rid of it: But the cat came back, he couldn't stay no long-er, Yes the cat came back de very next day, the cat came back—thought she were a goner, But the cat came back for it wouldn't stay away. Throughout the song, Mr. Johnson tries disposing of the animal in a variety of perilous ways. In one verse, he gives it to someone riding in a balloon, a trip that ends when the balloon drops far away with the person's whereabouts unknown. In another, a neighbor tries shooting the cat with a shotgun, but accidentally blows himself up inst ...
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The Dutchman
"The Dutchman" is a song written by Michael Peter Smith in 1968 and popularized by Liam Clancy, Brendan Grace and Steve Goodman. At the time Smith wrote the song, he had never visited the Netherlands. The song is about an elderly couple living in Amsterdam, Margaret and the title character. The unnamed Dutchman is senility, senile, and Margaret cares for him with a sadness over what has happened to him over the years. It is a story of unconditional love. One of the most notable and successful versions was recorded by Irish comedian and entertainer Brendan Grace. Covers While Goodman's cover version of "The Dutchman" is one of the best known, along with a cover by Irish artists Liam Clancy and Tommy Makem, the song has been covered by many other artists as well, including Bernard Wrigley, John Gorka, Suzy Bogguss, Norm Hacking, Anne Hills, John McDermott (singer), John McDermott (No. 18 Canada), The Kingston Trio, The New Kingston Trio, The Shaw Brothers, Gamble Rogers, Tom Russell ...
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The Boxer
"The Boxer" is a song written by Paul Simon and recorded by the American music duo Simon & Garfunkel from their fifth studio album, '' Bridge over Troubled Water'' (1970). Produced by the duo and Roy Halee, it was released as a standalone single on March 21, 1969, but included on the album nine months later (at the time, songs that had been released this far ahead were rarely included on the next studio album). The song is a folk rock ballad that variously takes the form of a first-person lament as well as a third-person sketch of a boxer. The lyrics are largely autobiographical and partially inspired by the Bible, and were written during a time when Simon felt he was being unfairly criticized. The song's lyrics discuss poverty and loneliness. It is particularly known for its plaintive refrain, in which they sing 'lie-la-lie', accompanied by a heavily reverbed snare drum. "The Boxer" was the follow-up to one of the duo's most successful singles, "Mrs. Robinson". It peaked at ...
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Three Fishers
"The Three Fishers" is a poem and a ballad written in 1851."Three Fishers Went Sailing" (1857) — A Victorian parlour song sung by Derek B. Scott
from The Victorian Web (accessed April 1, 2011)
The original poem was written by poet, , and Anglican Charles Kingsley. It was first set to music by English
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Sea Shanties
A sea shanty, chantey, or chanty () is a genre of traditional Folk music, folk song that was once commonly sung as a work song to accompany rhythmical labor aboard large Merchant vessel, merchant Sailing ship, sailing vessels. The term ''shanty'' most accurately refers to a specific style of work song belonging to this historical Musical repertoire, repertoire. However, in recent, popular usage, the scope of its definition is sometimes expanded to admit a wider range of repertoire and characteristics, or to refer to a "maritime work song" in general. From Latin ''cantare'' via French ''chanter'', the word ''shanty'' emerged in the mid-19th century in reference to an appreciably distinct genre of work song, developed especially on merchant vessels, that had come to prominence in the decades prior to the American Civil War although found before this. Shanty songs functioned to synchronize and thereby optimize labor, in what had then become larger vessels having smaller crews and o ...
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