Wonky (other)
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Wonky (other)
Wonky may refer to: * Wonky (genre), a music genre that appeared before summer 2008 * ''Wonky'' (album), a 2012 album by Orbital * Wonky pop, a loose grouping of musical acts that played what the BBC called "quirky, catchy and credible pop" See also * Wonk (other) * Wonky hole, a submarine freshwater spring on the seabed in the Great Barrier Reef or the Gulf of Carpentaria of Queensland {{disambiguation ...
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Wonky (genre)
Wonky (also known as purple sound or aquacrunk) is a subgenre of electronic music known primarily for its off-kilter or “unstable” beats, as well as its eclectic, colorful blend of genres including hip-hop, electro-funk, 8-bit, jazz fusion, glitch, and crunk. Artists associated with the style include Joker, Rustie, Hudson Mohawke, Zomby, and Flying Lotus. History Wonky initially emerged in 2008 as a colorful, exuberant style drawing on hip hop, synth-funk, glitchy electronica, and more eclectic influences, in contrast with the austere sound of the UK's ongoing dubstep and grime scenes. Other influences included American hip hop producers J Dilla and Madlib, with some artists drawing more explicitly on an instrumental hip-hop sound rather than dubstep. The term "wonky" has been rejected by various artists associated with the style. Characteristics Wonky is known for its off-kilter rhythms and typically features garish synthesizer tones, melodies, and effects. The "unstabl ...
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Wonky (album)
''Wonky'' is the eighth studio album by Orbital, released on their own ACP label (via Warner Music Group/Alternative Distribution Alliance) in the UK on 2 April 2012, and exclusively through iTunes in the United States and Canada on 17 April 2012. The album is their first since the '' Blue Album'' in 2004 and the first since they reformed in 2008. It features vocals from Zola Jesus and Lady Leshurr. ''Wonky'' debuted at number 22 on the UK Albums Chart, selling 8,001 copies in its first week. This was their highest position on the album chart since 2001. Recording Following their reformation and successful comeback shows, Orbital decided that they needed to write new material to include in their live shows. The album was recorded mostly using vintage and analogue synthesizers, primarily the Macbeth M5, Moog Voyager, and Jomox SunSyn as well as a Roland 303, 808, 909, and SH-02, between January and November 2011 in Brighton where the Hartnoll brothers both lived. The recording o ...
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