|
Women Of The Bauhaus
The Bauhaus was seen as a progressive academic institution, as it declared equality between the sexes and accepted both male and female students into its programs. During a time when women were denied admittance to formal art academies, the Bauhaus provided them with an unprecedented level of opportunity for both education and artistic development, though generally only in weaving and other fields considered at the time to be appropriate for women. The Bauhaus was founded by the architect Walter Gropius in 1919 and operated until 1933. The school's main objective was the unification of the arts. The Bauhaus taught a combination of fine arts, craft and industrial arts, and design theory in order to produce artists that were equipped to create both practical and aesthetically pleasing works to cater to an increasingly industrialized world. The school had a significant impact on the development of art, architecture, graphic design, interior design, industrial design and typography. Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oskar Schlemmer Webereiklasse Auf Der Bauhaustreppe 1927
Oskar may refer to: * oskar (gene), the Drosophila gene * Oskar (given name) Oscar or Oskar is a masculine given name of Irish origin. Etymology The name is derived from two elements in Irish: the first, ''os'', means "deer"; the second element, ''car'', means "loving" or "friend", thus "deer-loving one" or "friend of deer" ..., masculine given name See also * Oscar (other) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedl Dicker-Brandeis
Frederika "Friedl" Dicker-Brandeis (30 July 1898, in Vienna – 9 October 1944, in Auschwitz-Birkenau), was an Austrian artist and educator murdered by the Nazis in the Auschwitz-Birkenau extermination camp. Biography Frederika Dicker was born in Vienna on 30 July 1898, into a poor Jewish family. Her father was a shop-assistant; her mother, Karolina, died in 1902. She married Pavel Brandeis in 1936 and used the hyphenated surname after that. Dicker-Brandeis was a student of Johannes Itten at his private school in Vienna, and later followed Itten to study and teach at the Weimar Bauhaus. She was involved in the textile design, printmaking, bookbinding, and typography workshops there from 1919-1923. After leaving the Bauhaus, she worked as an artist and textile designer in Berlin, Prague, and Hronov. Dicker-Brandeis wrote to a friend in 1940: In World War II Dicker-Brandeis and her husband, Pavel Brandeis, were deported to the Terezín "model ghetto" on December 17, 1942. During h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Scheper-Berkenkamp
Lou Scheper-Berkenkamp née Hermine Luise Berkenkamp (15 May 1901 – 11 April 1976) was a German painter, colour designer, the avant-garde author of children's books, fairy-tale illustrator and costume designer. Early life Lou Scheper-Berkenkamp was born in Wesel and was the daughter of Adalbert Berkenkamp (1868-1947) and his wife Laura Johanna Katharina Darmstädter (1872-1956). She had two brothers Alfred (1896-1917) and Walter (1910-1994). Her father and her uncle Heinrich, managed the paper and paper bag factory in Wesel which had been founded by her grandfather Heinrich Berkenkamp in 1865. Lou Scheper-Berkenkamp graduated from elementary school, then attended a grammar school for four years and went on to attend the Viktoria-Schule in Essen, a girls' grammar school with progressive teaching. Through the art teacher Margarete Schall (1896-1939) her talent for colours and painting was discovered. Hermine Louise Berkenkamp originally wanted to study medicine or German philolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lilly Reich
Lilly Reich (16 June 1885 – 14 December 1947) was a German designer of textiles, furniture, interiors, and exhibition spaces. She was a close collaborator with Ludwig Mies van der Rohe for more than ten years during the Weimar period in the 1920s and early 1930s. Reich was an important figure in the early Modern Movement in architecture and design. Her fame was posthumous, as the significance of her contribution to the work of Mies van der Rohe and others with whom she collaborated only became clear through the research of later historians of the field. Biography Reich was born in Berlin on 16 June 1885. In 1908, she put her embroidery training to use when she went to Vienna to work for the Wiener Werkstätte (Vienna Workshop) of Josef Hoffmann, a visual arts production company of designers, artists, and architects. She returned to Berlin by 1911. There she began to design furniture and clothing. She also worked as a shop window decorator at this time. The following year s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Moholy
Lucia Moholy (née Schulz; 18 January 1894 — 17 May 1989) was a photographer and publications editor. Her photos documented the architecture and products of the Bauhaus, and introduced their ideas to a post-World War II audience. However Moholy was seldom credited for her work, which was often attributed to her husband László Moholy-Nagy or to Walter Gropius. Early years Lucy Schulz grew up in a nonpracticing Jewish family in a "German-speaking enclave" of Prague, where her father had his law practice, in the Austrian part of Austria-Hungary. Her own diaries from that period, include a drawing from 10 May 1907 of gifts her father brought back to Lucy, her brother Franz, mother and grandmother from his trips. Through these diaries written in her teen years, we know she corresponded with pen pals in the United States in English, and read Thomas Mann, and Leo Tolstoy. As tensions rose in 1914 and the events that led to World War ], then twenty-year old Shultz, who may have bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitty Van Der Mijll Dekker
Catharine Louise "Kitty" van der Mijll Dekker (1908-2004) was a Dutch textile artist. She studied at the Bauhaus and her designs are still being produced. Early life and education Mijll Dekker was born on 22 February 1908 in Yogyakarta Dutch East Indies. In 1916 the family returned to the Netherlands. Around 1922 Mijll Dekker studied drawing at the Royal Academy of Art, The Hague and from 1926 through 1927 she studied at Hornsey College of Art in London. From 1927 through 1929 she studied interior design with . From 1929-1932 she studied at Walter Gropius' Bauhaus in Dessau, Germany. Gropius allowed both men and women into his art school, but relegated women to a workshop where they studied crafts, mainly weaving. Her teachers at the Bauhaus included Anni Albers, Otti Berger, Wassily Kandinsky, Paul Klee, Lilly Reich, Oskar Schlemmer, and Gunta Stölzl. Career From 1932 through 1966 Mijll Dekker owned a commercial hand weaving mill '' Handweverij en Ontwerpatelier K.v.d. Mijll D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grete Heymann-Loebenstein
Margarete Heymann (August 10, 1899 – 11 November 1990), also known as Margarete Heymann-Löbenstein, Margarete Heymann-Marks, and Grete Marks, was a German ceramic artist of Jewish origin and a Bauhaus student. In 1923 she founded the Haël Workshops for Artistic Ceramics at Marwitz that she had to close in 1933 and settled in Jerusalem. She moved to Britain in 1936 and continued her work, becoming world famous as “Greta Pottery”. Her finest work is considered to be from her working period in Germany. Life and work Heymann was born in 1899. She studied at the Cologne School of Arts and at Dusseldorf Academy before entering the Bauhaus School of Arts in Weimar in November 1920. In 1923, she founded the Haël Workshops for Artistic Ceramics at Marwitz with her husband Gustav Loebenstein and his brother Daniel, where she manufactured her Modern ceramic designs. The company employed 120 people and exported its works to London and America. In August 1928, Gustav Loebenstei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Henri
Florence Henri (28 June 1893 – 24 July 1982) was a surrealist artist; primarily focusing her practice on photography and painting, in addition to pianist composition. In her childhood, she traveled throughout Europe, spending portions of her youth in Paris, Vienna, and the Isle of Wight. She studied in Rome, where she would encounter the Futurists, finding inspiration in their movement. From 1910 to 1922, she studied piano in Berlin, under the instruction of Egon Petri and Ferrucio Busoni. She would find herself landlocked to Berlin during the first World War, supporting herself by composing piano tracks for silent films. She returned to Paris in 1922, to attend the Académie André Lhote, and would attend until the end of 1923. From 1924 to 1925, she would study under painters Fernand Léger and Amédée Ozenfant at the Académie Moderne. Henri's most important artistic training would come from the Bauhaus in Dessau, in 1927, where she studied with masters Josef Albers and Lá ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reich Chamber Of Culture Act
''Reich'' (; ) is a German noun whose meaning is analogous to the meaning of the English word "realm"; this is not to be confused with the German adjective "reich" which means "rich". The terms ' (literally the "realm of an emperor") and ' (literally the "realm of a king") are respectively used in German in reference to empires and kingdoms. The ''Cambridge Advanced Learner's Dictionary'' indicates that in English usage, the term " the Reich" refers to "Germany during the period of Nazi control from 1933 to 1945". The term ''Deutsches Reich'' (sometimes translated to "German Empire") continued to be used even after the collapse of the German Empire and the abolition of the monarchy in 1918. There was no emperor, but many Germans had imperialistic ambitions. According to Richard J. Evans: The continued use of the term 'German Empire', ''Deutsches Reich,'' by the Weimar Republic ... conjured up an image among educated Germans that resonated far beyond the institutional structu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dörte Helm
Dorothea "Dörte" Helm, also ''Dörte Helm-Heise'' (3 December 1898 – 24 February 1941) was a German Bauhaus artist, painter and graphic designer. Life Dörte Helm was a daughter of the classical philologist Rudolf Helm (1872–1966) and his Jewish wife Alice Caroline, b. Bauer (1873–1947). After completing her education at the Urban girls school in Berlin-Steglitz, the family followed her father to Rostock in 1910, who had held a professorship at the University of Rostock since 1907. Dörte Helm attended here until 1913 the Lyceum and then for two years the School of Applied Arts. From 1915 to 1918 three years followed at the Kunsthochschule Kassel, among others in the modeling class of :de:Carl Hans Bernewitz and as a student of :de:Ernst Odefey, she also gave drawing lessons in a daughter's home. Helm studied 1918/1919 at the Academy of Fine Arts in Weimar in the graphics class with Walther Klemm. 1919 followed the change to the State Bauhaus Weimar as an apprentice in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertrud Grunow
Gertrud Grunow (8 July 1870 – 11 June 1944) was a German musician and educationalist who formulated theories on the relationships between sound, colour and movement and was a specialist in vocal pedagogy. She taught courses in the "theory of harmonisation" at the Bauhaus in Weimar, where she was the school's first woman teacher and the only woman teacher during the school's Weimar years. Life and Work Grunow was born in Berlin, Germany 8 July 1870. She began exploring the relationships between sound, colour and movement as early as 1914 and gave her first lectures on her theories in Berlin in 1919.Bauhaus100. Gertrud Grunow . Retrieved 30 November 2018 Later that year she was invited by the Swiss painter and designer |
