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Women's International Art Club
The Women's International Art Club, briefly known as the Paris International Art Club, was founded in Paris in 1900. The club was intended to "promote contacts between women artists of all nations and to arrange exhibitions of their work", and until it dissolved in 1976 it provided a way for women to exhibit their art work. The first exhibition of the club was held in Paris in 1900, and another at the Grafton Galleries in London in the same year. Members of the club included Elisabeth Frink, Gwen John and Orovida Pissarro. History The Paris International Art Club was founded in Paris in 1900, and changed its name to the Women's International Art Club in the same year. The first exhibition of the club was held at the Grafton Galleries in Bond Street, London, in 1900, and was followed by a second show at the same gallery in March and April 1901. Annual exhibitions were held in London until the club dissolved in 1976. Some smaller exhibitions were also held in other parts of Britai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grafton Galleries
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery. History The date of foundation of the Grafton Galleries is not certain; some sources give 1873, when it had an address in Liverpool. The gallery was incorporated in London on 16 June 1891, and opened in February 1893, first at 8 Grafton Street, and later, from 1896, in Bond Street. The manager was Francis Gerard Prange. From 1905 or earlier, Roger Fry was an advisor to the gallery; he asked William Rothenstein to advise him on exhibition content. Exhibitions The first London exhibition of the Grafton Galleries opened on 18 February 1893; the last was probably in 1930. The most celebrated exhibitions held there were Paul Durand-Ruel's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elinor Bellingham-Smith
Elinor Bellingham-Smith (28 December 1906 – 4 November 1988) was a British painter of landscapes and still life. Her paintings are in the collections of Tate, Museums Sheffield, the Government Art Collection, Arts Council Collection and other museums and galleries. Early life Elinor Bellingham-Smith was born in London on 28 December 1906 to Guy and Ellen (Nell) Buxton Bellingham-Smith, who were married in 1901. Her father collected drawings and prints and published a catalog of his collection of Old Master drawings and those of Evelyn L. Englehearts and Thomas R. Berney. was a registrar, surgeon and obstetrician at Guy's Hospital. The painter Hugh Bellingham-Smith was her uncle. She had an older brother and sister. Bellingham-Smith was a proficient ballet dancer and pianist. She gave up dancing, though, following an injury. Bellingham-Smith studied at the Slade School of Fine Art beginning in 1928. In 1931 she finished her studies at the Slade and married the English painter R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Organisations Based In The United Kingdom
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Artist Groups And Collectives
International is an adjective (also used as a noun) meaning "between nations". International may also refer to: Music Albums * ''International'' (Kevin Michael album), 2011 * ''International'' (New Order album), 2002 * ''International'' (The Three Degrees album), 1975 *''International'', 2018 album by L'Algérino Songs * The Internationale, the left-wing anthem * "International" (Chase & Status song), 2014 * "International", by Adventures in Stereo from ''Monomania'', 2000 * "International", by Brass Construction from ''Renegades'', 1984 * "International", by Thomas Leer from ''The Scale of Ten'', 1985 * "International", by Kevin Michael from ''International'' (Kevin Michael album), 2011 * "International", by McGuinness Flint from ''McGuinness Flint'', 1970 * "International", by Orchestral Manoeuvres in the Dark from '' Dazzle Ships'', 1983 * "International (Serious)", by Estelle from '' All of Me'', 2012 Politics * Political international, any transnational organization of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethel Walker
Dame Ethel Walker (9 June 1861 – 2 March 1951) was a Scottish painter of portraits, flower-pieces, sea-pieces and decorative compositions. From 1936, Walker was a member of The London Group. Her work displays the influence of Impressionism, Puvis de Chavannes, Gauguin and Asian art. Walker achieved considerable success throughout her career, becoming the first female member elected to the New English Art Club in 1900. Walker's works were exhibited widely during her lifetime, at the Royal Academy, the Royal Society of Arts and at the Lefevre Gallery. She represented Britain at the Venice Biennale four times, in 1922, 1924, 1928 and 1930. Although Walker proclaimed that 'there is no such thing as a woman artist. There are only two kinds of artist — bad and good', she was elected Honorary President of the Women's International Art Club in 1932. Soon after her death, she was the subject of a major retrospective at the Tate in 1951 alongside Gwen John and Frances Hodgkins. Walker is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Redpath
Anne Redpath (1895–1965) was a Scottish artist whose vivid domestic still lifes are among her best-known works. Life Redpath's father was a tweed designer in the Scottish Borders. She saw a connection between his use of colour and her own. "I do with a spot of red or yellow in a harmony of grey, what my father did in his tweed." The Redpaths moved from Galashiels to Hawick when Anne was about six. After Hawick High School, she went to Edinburgh College of Art in 1913. Post-graduate study led to a scholarship which allowed her to travel on the Continent in 1919, visiting Bruges, Paris, Florence and Siena. The following year, 1920, she married James Michie, an architect, and they went to live in Pas-de-Calais where her first two sons were born; the eldest of whom is the painter and sculptor Alastair Michie. In 1924, they moved to the South of France, and in 1928, had a third son: now David Michie the artist. In 1934, she returned to Hawick. Redpath was soon exhibiting in Edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Krasner
Lenore "Lee" Krasner (born Lena Krassner; October 27, 1908 – June 19, 1984) was an American abstract expressionist painter, with a strong speciality in collage. She was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner's training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock's more intuitive and unstructured output. Krasner is now seen as a key transitional figure within abstraction, who connected early-20th-century art with the new ideas of postwar America, and her work fetches high prices at auction. She is also one of the few female artists to have had a retrospective show at the Museum of Modern Art. Early life Krasner was born as Lena Krassner (outside the family she was known as Lenore Krasner) on October 27, 1908 in Brooklyn, New York. She was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Knight
Dame Laura Knight ( Johnson; 4 August 1877 – 7 July 1970) was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy.The first was Annie Swynnerton, who was elected to full membership in 1922, although shortly afterwards her membership status was changed to 'associate' when it was realized she was over the normal cut-off age for full membership, 75, at time of admission. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanisława De Karłowska
Stanisława de Karłowska (8 May 1876 – 9 December 1952) was a Polish-born artist who was a was a founder member of the The London Group, London Group. Her work combined a modernist style with elements of Polish folk art. Life and work Stanisława de Karłowska was the daughter of Aleksander de Karłowski and Paulina (from the Tuchołka family). Her father's family was descended from the Polish nobility (szlachta) and had substantial estates centred on Wszeliwy, near Łowicz, in central Poland. The family had a long history of patriotic activity, and her father had fought with Lajos Kossuth and Józef Bem in the late 1840s. He had also suffered considerable financial loss through the part that he played in the January Uprising of 1863. Stanisława had trained as an artist in Kraków prior to enrolling at the Académie Julian in Paris, in 1896. In the following summer she went to Jersey to the wedding of a fellow Polish art student Janina Flamm to Eric Forbes-Robertson. It was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(Art._IWM_ART_LD_2750).jpg "Click for more on -> Laura Knight")
