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Wipeout (Psygnosis Video Game Series)
''Wipeout'' (stylised as ''wipE′out″'' or ''WipEout'') is a series of futuristic anti-gravity racing video games developed by Studio Liverpool (formerly known as Psygnosis). The series is defined by its fast-paced gameplay, 3D visual design running on the full resolution of the game's console, and its association with electronic dance music (mainly techno and trance) as well as its continuous collaboration with electronic artists (The Chemical Brothers, Leftfield, CoLD SToRAGE, Kraftwerk, Orbital, DJ Fresh, Noisia and others). The series’s distinctive graphic design identity was provided by The Designers Republic for the first three games. The concept of ''Wipeout'' was first discussed during a pub conversation, when a Psygnosis staff member, Jim Bowers, envisioned creating a futuristic racing game which featured anti-gravity ships. Some elements of the game were inspired by ''Matrix Marauders'', an Amiga game released by the Liverpudlian studio in 1990. A beta vers ...
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Psygnosis
Psygnosis Limited (known as SCE Studio Liverpool or simply Studio Liverpool from 1999) was a British video game developer and Video game publisher, publisher headquartered at Wavertree Technology Park in Liverpool. Founded in 1984 by Ian Hetherington, Jonathan Ellis, and David Lawson, the company initially became known for well-received games on the Atari ST and Commodore Amiga. In 1993, it became a wholly owned subsidiary of Sony Computer Entertainment (SCE) and began developing games for the original PlayStation (console), PlayStation. It later became a part of SCE Worldwide Studios. The company was the oldest and second largest development house within SCE's Sony Computer Entertainment Europe, European stable of developers, and became best known for franchises such as ''Lemmings (video game), Lemmings'', ''Wipeout (video game series), Wipeout'', ''Formula One (Studio Liverpool video game series), Formula One'', and ''Colony Wars''. Reports of Studio Liverpool's closure surfac ...
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Racing Video Game
Racing games are a video game genre in which the player participates in a racing competition. They may be based on anything from real-world racing leagues to fantastical settings. They are distributed along a spectrum between more realistic racing simulations and more fantastical arcade-style racing games. Kart racing games emerged in the 1990s as a popular sub-genre of the latter. Racing games may also fall under the category of sports video games. Sub-genres Arcade-style racing Arcade-style racing games put fun and a fast-paced experience above all else, as cars usually compete in unique ways. A key feature of arcade-style racers that specifically distinguishes them from simulation racers is their far more liberal physics. Whereas in real racing (and subsequently, the simulation equivalents) the driver must reduce their speed significantly to take most turns, arcade-style racing games generally encourage the player to "powerslide" the car to allow the player to keep up thei ...
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Noisia
Noisia (stylised as NOISIΛ; "VISION" turned upside down) was a Dutch electronic music trio consisting of members Nik Roos, Martijn van Sonderen and Thijs de Vlieger from Groningen, Netherlands. They produce a wide variety of music including drum and bass, dubstep, breakbeat and house. They have released music under several labels including Skrillex's Owsla, deadmau5's mau5trap and Jay-Z's Roc Nation. Noisia previously combined with the group Foreign Beggars to form the supergroup side project ''I Am Legion''. They released their collaborative '' self-titled album'' on 2 September 2013. Noisia also have production credits under the pseudonym Nightwatch, such as for their work with Alexis Jordan, Hadouken!, Wiley and Wretch 32. They produced Hadouken!'s album ''For the Masses'' that charted at number 19 on the UK Albums Chart. Noisia have also produced numerous works for video games, notably a soundtrack for '' DmC: Devil May Cry'', a '' Counter-Strike: Global Offensive'' Music ...
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DJ Fresh
Daniel Edward Stein (born 11 April 1977), better known by his stage name DJ Fresh, is an English musician, DJ, record producer, best known for making electronic music. He is one of the principal members of the drum and bass group Bad Company, alongside Darren White (dBridge), Jason Maldini and Michael Wojcicki (Vegas). He also owns and runs the drum and bass label Breakbeat Kaos with Adam F. DJ Fresh released his third studio album, ''Nextlevelism'', in October 2012 on Ministry of Sound Recordings, which includes the two number one hit singles " Louder" and "Hot Right Now" – the UK's first dubstep and drum and bass number ones respectively – "The Power (DJ Fresh song), The Power", "The Feeling (DJ Fresh song), The Feeling", "Gravity (DJ Fresh song), Gravity" and "Gold Dust (DJ Fresh song), Gold Dust". DJ Fresh scored his fourth top five single with "Earthquake (DJ Fresh and Diplo song), Earthquake", a collaboration with Mad Decent label boss Diplo, featuring Dominique Youn ...
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Orbital (band)
Orbital are an English electronic music duo from Otford, Kent, England, consisting of brothers Phil and Paul Hartnoll. The band's name is taken from Greater London's orbital motorway, the M25, which was central to the early rave scene during the early days of acid house. Additionally, the cover art on three of their albums showcase stylised atomic orbitals. Orbital have been critically and commercially successful, known particularly for their live improvisation during shows. They were initially influenced by early electro and punk rock. Career Early years In 1989, Orbital recorded " Chime" on their father's 4 track tape deck, which they released on Oh Zone Records in December 1989 and re-released on FFRR Records a few months later. The track became a rave anthem, reaching number 17 in the UK charts and earning them an appearance on ''Top of the Pops'', during which they wore anti- Poll Tax T-shirts. According to Paul Hartnoll, the track was recorded "under the stairs" of ...
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Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ...
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Tim Wright (Welsh Musician)
Tim Wright, alias CoLD SToRAGE, is a Welsh video game music composer most known for his work in video game soundtracks such as ''Shadow of the Beast II'', ''Agony'', ''Lemmings'', '' Wipeout'' and ''Colony Wars''. His first commercial works were created using the Amiga in the early 1990s and featured in computer games published by Psygnosis. Wright left Sony in 1997 to form Jester Interactive with the key goal of developing music creation software for home consoles. In his role as creative director at Jester, he designed ''Music'' and ''Music 2000'' for the PlayStation and MTV, along with ''Music Generator'' and ''Music 3000'' for the PlayStation 2 before leaving along with his brothers to form Checkmate Solutions Limited. At Checkmate, Wright developed several musical sequencing products for Empire Interactive plc. under the eJay brand. After several products were developed, Wright left to form his own company, Tantrumedia Limited. Wright currently manages Tantrumedi ...
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Leftfield
Leftfield are a British electronic music duo formed in 1989 as the duo of Neil Barnes and Paul Daley (the latter formerly of the Rivals and A Man Called Adam). The duo was very influential in the evolution of electronic music in the 1990s, with ''Mixmag'' describing them as "the single most influential production team working in British dance music". As with many of their contemporaries, such as the Chemical Brothers and Fatboy Slim, Leftfield are notable for their use of guest vocalists in their works. Among those involved were Toni Halliday on "Original", Johnny Rotten on " Open Up", Djum Djum on "Afro-Left", and Earl 16 and Cheshire Cat on "Release the Pressure". The term progressive house was coined to define their style, a fusion of house with dub and reggae. There was a hiatus in recording and live performances between 2002 and 2010. When Barnes revived Leftfield, Daley declined to be involved, in order to focus on his solo career. After touring for a few years, Barnes ...
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The Chemical Brothers
The Chemical Brothers are an English electronic music duo formed by Tom Rowlands and Ed Simons in Manchester in 1989. They were pioneers (along with the Prodigy, Fatboy Slim, the Crystal Method, and other acts) in bringing the big beat genre to the forefront of pop culture. After attracting Virgin Records, the duo achieved further success with second album ''Dig Your Own Hole'' (1997), which topped the UK Albums Chart, UK charts. In the UK, they have had six No. 1 albums and 13 top-20 singles, including two chart-toppers. Their name came about in 1995 after they dropped their original moniker the Dust Brothers due to the Dust Brothers, existence of a different band with the same name. In the United States, they have won six Grammy Awards including Best Rock Instrumental Performance, Best Dance Recording and Best Dance/Electronic Album of the year as recently as 2020. History 1984–1995: Formation and early incarnations Ed Simons was born the son of a barrister mother and a ...
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Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ...
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Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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