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Willie The Weeper
"Willie the Weeper" is a song about drug addiction. It is based on a standard vaudeville song, likely written in 1904. It is credited to Walter Melrose, Grant Rymal, Marty Bloom, who published it with Morris Edwin H & Co Inc in 1908. The first recording was likely by Freddie Keppard between 1923 and 1926. Many artists recorded it in 1927, including Frankie "Half-Pint" Jaxon, Louis Armstrong and His Hot Seven, and King Oliver. Ernest Rodgers recorded a version, also in 1927, which shares several lines with Cab Calloway's "Minnie the Moocher". The song has many different versions, but all share a common theme: Willie, a chimney sweeper with a dope habit, is introduced. The rest of the song is a description of his drug-induced dream. As Carl Sandburg wrote in his book ''The American Songbag:'' R. W. Gordon in his editorship of the Adventure magazine department "Old Songs That Men Have Sung" received thirty versions of Willy the Weeper, about one hundred verses different. Willy sho ...
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Walter Melrose
Walter Melrose (October 26, 1889– May 30, 1973) was a music publisher and lyricist in the 1920s and 1930s. Background He was born in Sumner, Illinois, and was the brother of Lester Melrose, with whom he established a music store in Chicago. This became successful after the Tivoli Theatre opened in the same street, greatly increasing the amount of passing trade. Melrose branched into music publishing when Jelly Roll Morton turned up in his store, and hits such as Wolverine Blues and King Porter Stomp became highly successful for the company. In 1926 he arranged a series of recordings for Victor Records by Morton's Red Hot Peppers, which have come to be regarded as landmarks of early jazz. He later parted company with Morton acrimoniously, and stopped paying him royalties for his compositions. Major publications He and his brother published the jazz standard "Tin Roof Blues" composed by the New Orleans Rhythm Kings" in 1923. He also wrote the lyrics to that song. Melrose added ...
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Bette Davis
Ruth Elizabeth "Bette" Davis (; April 5, 1908 – October 6, 1989) was an American actress with a career spanning more than 50 years and 100 acting credits. She was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical films, suspense horror, and occasional comedies, although her greater successes were in romantic dramas. A recipient of two Academy Awards, she was the first thespian to accrue ten nominations. Bette Davis appeared on Broadway in New York, then the 22-year-old Davis moved to Hollywood in 1930. After some unsuccessful films, she had her critical breakthrough playing a vulgar waitress in ''Of Human Bondage'' (1934) although, contentiously, she was not among the three nominees for the Academy Award for Best Actress that year. The next year, her performance as a down-and-out actress in ''Dangerous'' (1935) did land Davis her first Best Actress nomination, ...
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Fictional Chimney Sweepers
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Songs About Drugs
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composer ...
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Songs About Occupations
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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American Songs
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ...
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1908 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot ...
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Jerome Moross
Jerome Moross (August 1, 1913July 25, 1983) was an American composer best known for his music for film and television. He also composed works for symphony orchestras, chamber ensembles, soloists and musical theater, as well as orchestrating scores for other composers. Biography He was born in Brooklyn, New York City, United States, in 1913 to Jewish parents: Mollie (Greenberg) Moross, born in New York, and Samuel Moross, born in Russia. He became a talented piano player and composed music for the theater. During his early years, Moross met and became lifelong friends with Bernard Herrmann. In 1931, he met Aaron Copland and joined his Young Composers Group, whose members also included Herrmann. Copland supported his work and Herrmann provided him an introduction to the entertainment media, beginning with the composition of music cues for radio shows in 1935. In the 1940s he began to work in Hollywood, California, where he would compose the music scores for sixteen films from 1948 ...
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Billy Walker (musician)
William Marvin Walker (January 14, 1929 – May 21, 2006) was an American country music singer and guitarist best known for his 1962 hit, " Charlie's Shoes". Nicknamed The Tall Texan, Walker had more than 30 charting records during a nearly 60-year career, and was a longtime member of the Grand Ole Opry. Biography Early years Billy Walker was born in Ralls, Texas, United States, and was the youngest of three children. His mother died when he was only six years old, and Billy's father was unable to care for him and his two older brothers. Some of the children, including Billy, were placed in a Methodist orphanage in Waco, Texas. He attended High School in Whiteface, Texas, and had won a talent contest which entitled him to appear on radio in Clovis, New Mexico. He had returned to live with his father at the age of 11. Inspired by the music of Gene Autry as a teenager, he had begun his professional music career in 1947 at age 18. After his debut on Clovis radio as a teenager he la ...
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The Cabin In The Cotton
''The Cabin in the Cotton'' is a 1932 American Pre-Code Hollywood, pre-Code drama film directed by Michael Curtiz. The screenplay by Paul Green (playwright), Paul Green is based on the novel of the same title by Harry Harrison Kroll. The film perhaps is best known for a line of dialogue spoken by a platinum-blonde Bette Davis in a Southern United States, Southern drawl -- "I'd like ta kiss ya, but I just washed my hair."—a line lifted directly from the book. In later years it was immortalized by Davis impersonators and quoted in the 1995 film ''Get Shorty (film), Get Shorty''. Plot Marvin Blake is a sharecropper's son who wants to better himself by continued schooling instead of working in the fields under the heat in the Deep South. Initially, greedy Planter (American South), planter Lane Norwood is opposed to the idea and says he needs to work in his fields, but after the sudden death of his over-worked father, he grudgingly helps Blake achieve his goal and gives the young ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Drug Addiction
Addiction is a neuropsychological disorder characterized by a persistent and intense urge to engage in certain behaviors, one of which is the usage of a drug, despite substantial harm and other negative consequences. Repetitive drug use often alters brain function in ways that perpetuate craving, and weakens (but does not completely negate) self-control. This phenomenon – drugs reshaping brain function – has led to an understanding of addiction as a brain disorder with a complex variety of psychosocial as well as neurobiological (and thus involuntary) factors that are implicated in addiction's development. Classic signs of addiction include compulsive engagement in rewarding stimuli, ''preoccupation'' with substances or behavior, and continued use despite negative consequences. Habits and patterns associated with addiction are typically characterized by immediate gratification (short-term reward), coupled with delayed deleterious effects (long-term costs). Examples o ...
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