William Walker (baritone)
William Sterling Walker (October 29, 1931"Baritone sang on one of opera's biggest stages: the Met in New York," Chris Vaughn, Fort Worth Star Telegram, 04/12/2010, accessed via web 04/18/2010 – April 10, 2010) was a baritone with the Metropolitan Opera (1962–1980) whose singing career included performances at the White House, at Carnegie Hall and other concert venues across North America and Europe, and some 60 appearances on ''The Tonight Show Starring Johnny Carson''. From 1991-2002, he produced opera as General Director of Fort Worth Opera in Fort Worth, Texas. Early life William Walker was born in Waco, Texas and moved with his family to Fort Worth at the age of 6, where his father eventually went to work for Consolidated Vultee, a predecessor of General Dynamics. Known as "Bill" to his family and friends, Walker began singing professionally at the age of 12 but secretly yearned to play baseball. After watching him strike out four times one night at a high school game, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Walker Baritone 1966
William is a male given name of Germanic languages, Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will (given name), Will, Wills (given name), Wills, Willy, Willie, Bill (given name), Bill, and Billy (name), Billy. A common Irish people, Irish form is Liam. Scottish people, Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play Douglas (play)#Theme and response, ''Douglas''). Female forms are Willa, Willemina, Wilma (given name), Wilma and Wilhelmina (given name), Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Muny
The St. Louis Municipal Opera Theatre (commonly known as The Muny) is an amphitheater located in St. Louis, Missouri. The theatre seats 11,000 people with about 1,500 free seats in the last nine rows that are available on a first come, first served basis. The Muny seasons run every year from mid-June to mid-August. It is run by a nonprofit organization. The current president and chief executive is Kwofe Coleman. The current artistic director and executive producer is Mike Isaacson. History In 1914, Luther Ely Smith began staging pageant-masques on Art Hill in Forest Park. In 1916, a grassy area between two oak trees on the present site of The Muny was chosen for a production of '' As You Like It'' produced by Margaret Anglin and starring Sydney Greenstreet with a local cast of "1,000 St. Louis folk dancers and folk singers" in connection with the tercentenary of Shakespeare's death. The audience sat in portable chairs on a gravel floor. Soon after, the Convention Board of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cesare Siepi
Cesare Siepi (10 February 19235 July 2010) was an Italian opera singer, generally considered to have been one of the finest basses of the post-war period. His voice was characterised by a deep, warm timbre, a full, resonant, wide-ranging lower register with relaxed vibrato, and a ringing, vibrant upper register. Although renowned as a Verdian bass, his tall, striking presence and the elegance of phrasing made him a natural for the role of Don Giovanni. He can be seen in that role on Paul Czinner's 1954 film of the opera made during an edition of the Salzburg Festival under the baton of Wilhelm Furtwängler. Early career Born in Milan (his year of birth is debated between 1919 and 1923, though 1923 is given as official), he began singing as a member of a madrigal group. He often claimed to have been largely self-taught, having attended the music conservatory in his home city for just a short time. His operatic career was interrupted by World War II. After his debut in 1941 (in S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gabriella Tucci
Gabriella Tucci (4 August 19299 July 2020) was an Italian operatic soprano who was particularly associated with the Italian repertory and performed at notable opera houses worldwide. She appeared at the Metropolitan Opera in 11 Verdi roles across 13 seasons, including Violetta in ''La traviata'' and Desdemona in ''Otello''. Life Born in Rome on 4 August 1929, Tucci trained at the Accademia di Santa Cecilia with Leonardo Filoni, whom she later married. She made her debut at the Teatro del Giglio in Lucca in 1951 as Verdi's La traviata. In 1952, she won the competition of Spoleto, and appeared at the Teatro Lirico Sperimentale as Leonora in Verdi's ''La forza del destino'' alongside Beniamino Gigli. She then took part in the famous revival of Cherubini's ''Medea'', as Glauce opposite Maria Callas, at the Maggio Musicale Fiorentino in 1953. She made her debut at La Scala in Milan in 1959 as Mimi in Puccini's ''La bohème'', and her American debut the same year at the San Franci ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolai Gedda
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera ''Vanessa'' at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception. Early years Harry Gustaf Nikolai Gädda, who later changed the spelling of his surname to Gedda, was born out of wedlock in Stockholm to a Swedish mother and a half-Russian father. He was raised by his aunt Olga Gädda and his adoptive father Michail Ustinov (a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Tonight Show Starring Johnny Carson
''The Tonight Show Starring Johnny Carson'' was an American late-night talk show hosted by Johnny Carson on NBC, the third iteration of the ''Tonight Show'' franchise. The show debuted on October 1, 1962, and aired its final episode on May 22, 1992. Ed McMahon served as Carson's sidekick and the show's announcer. For its first decade, Johnny Carson's ''The Tonight Show'' was based at 30 Rockefeller Plaza, New York City, with some episodes recorded at NBC Studios in Burbank, California; on May 1, 1972, the show moved to Burbank as its main venue and remained there exclusively after May 1973 until Carson's retirement. The show's house band, the NBC Orchestra, was led by Skitch Henderson, until 1966 when Milton Delugg took over, who was succeeded by Doc Severinsen less than a year later. The series has been ranked as one of the greatest TV shows of all time in polls from both 2002 and 2013. Format Johnny Carson's ''Tonight Show'' established the modern format of the late ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Voice Of Firestone
''The Voice of Firestone'' was a radio and television program of classical music. The show featured leading singers in selections from opera and operetta. Originally titled ''The Firestone Hour'', it was first broadcast on the NBC Radio network on December 3, 1928 and was later also shown on television starting in 1949. The program was last broadcast in 1963. Radio The program was sponsored by the Firestone Tire and Rubber Company and aired on the " Blue Network" of NBC Radio on Monday nights at 8:30 p.m. Eastern Standard Time from its 1928 inception. In 1948, ''The Voice of Firestone'' was the first commercial radio program to be carried simultaneously on both AM and FM radio stations. Firestone's 25th anniversary program was broadcast November 30, 1953, and it continued to be heard on radio until 1957.John Dunning's reference book, ''On the Air: The Encyclopedia of Old-Time Radio'', gives the date of the final radio broadcast as June 10, 1957. Regular performers on the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Bell Telephone Hour
''The Bell Telephone Hour'' (also known as ''The Telephone Hour'') is a concert series that began April 29, 1940, on NBC Radio, and was heard on NBC until June 30, 1958. Sponsored by Bell Telephone as the name implies, it showcased the best in classical and Broadway music, reaching eight to nine million listeners each week. It continued on television from 1959 to 1968. Throughout the program's run on both radio and television, the studio orchestra on the program was conducted by Donald Voorhees. Synopsis After early shows featuring James Melton and Francia White as soloists, producer Wallace Magill restructured the format on April 27, 1942, into the "Great Artists Series" of concert and opera performers, beginning with Jascha Heifetz. The list of talents heard over the years includes Marian Anderson, Bing Crosby, Margaret Daum, Nelson Eddy, Benny Goodman, Josef Hofmann, José Iturbi, Fritz Kreisler, Gregor Piatigorsky, Oscar Levant, Ezio Pinza, Lily Pons, Gladys Swarthout, and H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metropolitan Opera National Council Auditions
The Metropolitan Opera Eric and Dominique Laffont Competition (formerly the Metropolitan Opera National Council Auditions) is an annual singing competition sponsored by the Metropolitan Opera. Established in 1954, its purpose is to discover, assist, promote, and develop young opera singers. The competition is held in four stages: Districts, Regional, Semi-Final, and Final competitions. Each stage is judged by a panel of representatives from the Metropolitan Opera. There are a total of 14 regional competitions within the United States, Canada and Puerto Rico, and 42 district competitions within each region. Winners from the district competition compete in Regionals, and then the winners of regionals are awarded a trip to New York City where they compete on the stage of the Metropolitan Opera in the National Semi-Final Competition. Approximately 10 semi-finalists are chosen to compete in the final competition; the five winners are awarded a grand prize of $15,000 each, and the remainin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carousel (musical)
''Carousel'' is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnár's 1909 play ''Liliom'', transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right. A secondary plot line deals with millworker Carrie Pipperidge and her romance with ambitious fisherman Enoch Snow. The show includes the well-known songs "If I Loved You", "June Is Bustin' Out All Over" and "You'll Never Walk Alone". Richard Rodgers later wrote that ''Carousel'' was his favorite of all his musicals. Following the spectacular success of the first Rodgers and Hammerstein musical, ''Oklahoma!'' (1943), the pair sought to collaborate on anot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Damn Yankees
''Damn Yankees'' is a 1955 musical comedy with a book by George Abbott and Douglass Wallop, music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's 1954 novel ''The Year the Yankees Lost the Pennant''. The show ran for 1,019 performances in its original Broadway production. Adler and Ross's success with it and ''The Pajama Game'' seemed to point to a bright future for them, but Ross suddenly died of chronic bronchiectasis at age 29, several months after ''Damn Yankees'' opened. Plot NOTE: This is the plot of the 1994 Broadway revival of the show; there are differences from the original 1955 version. For the 1958 film version, see ''Damn Yankees'' (film). Middle-aged real estate agent Joe Boyd is a long-suffering fan of the pathetic Washington Senators baseball team. His wife, Meg, laments th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Desert Song
''The Desert Song'' is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Moroccan fighters, against French colonial rule. It was also inspired by stories of Lawrence of Arabia aiding native guerrillas. Many tales romanticizing Arab North Africa were in vogue, including ''Beau Geste'' and ''The Son of the Sheik''.Traubner, Richard. ''Operetta: A Theatrical History'', pp. 387–89 (2003) Routledge Originally titled "Lady Fair", after successful out-of-town tryouts in [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |