William Ecclestone
William Ecclestone or EgglestoneDNB ( fl. 1610 – 1623) was an actor in English Renaissance theatre, a member of Shakespeare's company the King's Men. Life Nothing is known with certainty about Ecclestone's early life. There was an Eccleston living in Southwark in 1583, and a person of the same name lived in Swan Alley, near the Swan Theatre, in 1601; this may have been one (or two) of the actor's family. (No personal name is given in the records in either case.) A "William Eglestone" was married to an Ann Jacob on 20 February 1603 at St. Saviour's in Southwark; this might (or might not) have been the actor. The man who definitely was the actor was with the King's Men in 1610 and 1611; he was part of the cast of their productions of Jonson's ''The Alchemist'' (1610) and ''Catiline'' (1611). In the latter year he left the King's Men for the Lady Elizabeth's Men; he became a sharer in that company and signed a bond with impresario Philip Henslowe on 29 August 1611, along ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Humorous Lieutenant
''The Humorous Lieutenant'', also known as ''The Noble Enemies'', ''Demetrius and Enanthe'', or ''Alexander's Successors'', is a Jacobean era stage play, a tragicomedy written by John Fletcher. Highly praised by critics, it has been called "Fletcher's best comedy." The drama was initially published in the first Beaumont and Fletcher folio of 1647. Date and performance The second Beaumont/Fletcher folio of 1679 provides a cast list for the original King's Men's production, which includes Henry Condell, Joseph Taylor, John Lowin, William Ecclestone, Richard Sharpe, John Underwood, Robert Benfield—and Thomas Pollard, the comic actor who filled the title role. This is the only cast list that includes both Taylor and Condell; Taylor joined the company in the spring of 1619, to replace Richard Burbage after his death in March of that year; and Condell is thought to have retired not long after—which appears to date the play fairly securely to 1619. Manuscript In additio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Ga ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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English Male Stage Actors
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edmund Kerchever Chambers
Sir Edmund Kerchever Chambers, (16 March 1866 – 21 January 1954), usually known as E. K. Chambers, was an English literary critic and Shakespearean scholar. His four-volume work on ''The Elizabethan Stage'', published in 1923, remains a standard resource. Life Chambers was born in West Ilsley, Berkshire. His father was a curate there and his mother the daughter of a Victorian theologian. He was educated at Marlborough College, before matriculating at Corpus Christi College, Oxford. He won a number of prizes, including the chancellor's prize in English for an essay on literary forgery in 1891. He took a job with the national education department, and married Eleanor Bowman in 1893. In the newly created Board of Education, Chambers worked principally to oversee adult and continuing education. He rose to be second secretary, but the work for which he is remembered took place outside the office, at least before he retired from the Board in 1926. He was the first president of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Commendatory Verse
The epideictic oratory, also called ceremonial oratory, or praise-and-blame rhetoric, is one of the three branches, or "species" (eidē), of rhetoric as outlined in Aristotle's ''Rhetoric'', to be used to praise or blame during ceremonies. Origin and pronunciation The term's root has to do with display or show (''deixis''). It is a literary or rhetorical term from the Greek ἐπιδεικτικός "for show". It is generally pronounced orAnother English form, now less common, is ''epidictic'' . Characteristics This is rhetoric of ceremony, commemoration, declamation, demonstration, on the one hand, and of play, entertainment and display, including self-display. It is also the rhetoric used at festivals, the Olympic Games, Olympic games, state visits and other formal events like the opening and closing ceremonies, and celebrations of anniversaries of important events, including illustrious victories, births, deaths, and weddings. Its major subject is praise and blame, acc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicholas Tooley
Nicholas Tooley (c. 1583 – June 1623) was a Renaissance actor in the King's Men, the acting company of William Shakespeare. Recent research has shown that Tooley was born in late 1582 or early 1583; his birth name was not Tooley but Wilkinson. (In 1623 he signed a codicil to his last will and testament "Nicholas Wilkinson, ''alias'' Tooley.")Edwin Nunzeger, ''A Dictionary of Actors and of Other Persons Associated with the Public Representation of Plays in England Before 1642'', New Haven, Yale University Press, 1929; pp. 374–5. He has been associated with the "Nick" in the surviving "plot" of ''The Seven Deadly Sins'', dated c. 1591. The association, if accurate, indicates that he began as a boy player. He was apprenticed to Richard Burbage, and may have followed that actor to the Lord Chamberlain's Men when that company re-formed in 1594. Tooley is mentioned in a letter of Joan Alleyn, Edward Alleyn's wife, in 1603, and he received a 20-shilling bequest in Augustine P ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Women Pleased
''Women Pleased'' is a late Jacobean era stage play, a tragicomedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647. Date and performance The play's date is uncertain; it is usually assigned to the 1619–23 period by scholars. It was acted by the King's Men; the cast list added to the play in the second Beaumont and Fletcher folio of 1679 cites Joseph Taylor, Nicholas Tooley, John Lowin, William Ecclestone, John Underwood, Richard Sharpe, Robert Benfield, and Thomas Holcombe – the same cast list as for '' The Little French Lawyer'' and ''The Custom of the Country,'' two other Fletcherian plays of the same era. The inclusion of Taylor dates the play after the March 1619 death of Richard Burbage. Authorship As he often did, Fletcher depended on a Spanish source for the plot of his play; in this case, ''Grisel y Mirabella'' (c. 1495) by Juan de Flores supplied part of the main plot. He also appears to have been influenced b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Spanish Curate
''The Spanish Curate'' is a late Jacobean era stage play, a comedy written by John Fletcher and Philip Massinger. It premiered on the stage in 1622, and was first published in 1647. Date and source The play was licensed for production by Sir Henry Herbert, the Master of the Revels, on 24 October 1622. The dramatists' source for their plot, the Spanish novel ''Gerardo, the Unfortunate Spaniard'' by Gonzalo de Céspedes y Meneses, was first published in English, in a translation by Leonard Digges, earlier in the same year. Performance and publication ''The Spanish Curate'' was acted by the King's Men, and was performed by that troupe at Court on St. Stephen's Day, 26 December 1622. The partial cast list of the premiere production, published in the second Beaumont and Fletcher folio of 1679, includes Joseph Taylor, William Ecclestone, John Lowin, Thomas Pollard, Nicholas Tooley, and Robert Benfield. The play received its initial publication in the first Beaumont and Fl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Sea Voyage
''The Sea Voyage'' is a late Jacobean comedy written by John Fletcher and Philip Massinger. The play is notable for its imitation of Shakespeare's '' The Tempest.'' Performance and publication ''The Sea Voyage'' was licensed for performance by the Master of the Revels on 22 June 1622. ''The Sea Voyage'' was acted by the King's Men; the second Beaumont/Fletcher folio of 1679 provides a partial cast list of the original production, which includes Joseph Taylor, William Ecclestone, Nicholas Tooley, John Lowin, and John Underwood, all members of the troupe. The play was entered into the Stationers' Register on 4 September 1646, and received its initial publication in the first Beaumont and Fletcher folio of 1647. Authorship The shares of the two collaborators, Massinger and Fletcher, are relatively easy to distinguish, due to Fletcher's distinctive pattern of linguistic usages. Cyrus Hoy observed that Fletcher's hand dominates in Acts I and IV, as Massinger's does in Ac ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Mad Lover
''The Mad Lover'' is a Jacobean stage play, a tragicomedy by John Fletcher. It was initially published in the first Beaumont and Fletcher folio of 1647. Fletcher's sole authorship was specified during the 17th century by his friend Sir Aston Cockayne. It displays Fletcher's distinctive pattern of stylistic and textual preferences throughout the text, so that his authorship is not questioned. Performance The play was acted by the King's Men; the cast list added in the second Beaumont and Fletcher folio of 1679 includes Richard Burbage, John Lowin, Robert Benfield, William Ecclestone, Nathan Field, Richard Sharpe, and Henry Condell. This indicates a production between 1616, when Field joined the company, and Burbage's death in March 1619. Lady Anne Clifford mentions in her diary seeing a performance of the play at court on 5 January 1617 (new style). The play was revived in 1630. Sources Fletcher drew materials for this play from Honoré D'Urfé's novel ''Astrée'', as he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Loyal Subject
''The Loyal Subject'' is a Jacobean era stage play, a tragicomedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647. Performance The play was acted by the King's Men; the cast list added to the text in the second Beaumont and Fletcher folio of 1679 cites Richard Burbage, Nathan Field, Henry Condell, John Underwood, John Lowin, Nicholas Tooley, Richard Sharpe, and William Ecclestone – which indicates a production in the 1616–19 era, between 1616, when Field joined the company, and Burbage's death in March 1619. Revival The company revived the play in 1633, and performed it at the Palace of Whitehall on the night of Tuesday, 10 December of that year, before King Charles I and Queen Henrietta Maria. The play was entered into the Stationers' Register in 1633, which normally preceded a publication; but the play remained out of print until 1647. Sir Henry Herbert, the Master of the Revels, left a note in his office book ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |