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Willehalm
''Willehalm'' is an unfinished Middle High German poem from the early 13th century, written by the poet Wolfram von Eschenbach. In terms of genre, the poem is "a unique fusion of the courtly and the heroic, with elements of the saintly legend attaching to it." Sources ''Willehalm'' is based on French sources. Its foremost source is the Old French ''chanson de geste'' ''Aliscans'', which was written a few decades earlier. The French sources were provided by Wolfram's patron, Landgrave Hermann of Thuringia. ''Willehalm'' represents (even in its unfinished form) a drastic but artistic condensation of the sprawling French adventures Wolfram inherited. For the poem ''Aliscans'' is, in turn, likely derived from the earlier '' Chanson de Guillaume'', inspired by a historic battle in 793 wherein the Carolingian figure of Count William of Toulouse, who featured in the Carolingian song-cycle ''La Geste de Garin de Monglane'', was defeated by an invading Muslim army from Spain. Date Writt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfram Von Eschenbach
Wolfram von Eschenbach (; – ) was a German knight, poet and composer, regarded as one of the greatest epic poets of medieval German literature. As a Minnesinger, he also wrote lyric poetry. Life Little is known of Wolfram's life. There are no historical documents which mention him, and his works are the sole source of evidence. In ''Parzival'', he talks of ''wir Beier'' ("we Bavarians"); the dialect of his works is East Franconian. This and a number of geographical references have resulted in the present-day Wolframs-Eschenbach, until 1917 Obereschenbach, near Ansbach in present-day Bavaria, being officially designated as his birthplace. However, the evidence is circumstantial and not without problems - there are at least four other places named Eschenbach in Bavaria, and Wolframs-Eschenbach was not part of the Duchy of Bavaria ('' Altbayern'') in Wolfram's time. The arms shown in the Manesse manuscript come from the imagination of a 14th-century artist, drawing on the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Von Ems
Rudolf von Ems (c. 1200 – 1254) was a Middle High German narrative poet. Life Rudolf von Ems was born in the Vorarlberg in Austria. He took his name from the castle of Hohenems near Bregenz, and was a knight in the service of the Counts of Montfort. His works were written between 1220 and 1254. He is thought to have died whilst accompanying King Conrad IV on his advance into Italy. He was one of the most learned and also most productive poets of his time, although not all his works are preserved. Those that are, were distinguished by grace and sincerity in the narration, strict morality and technical mastery. He himself describes Gottfried von Strassburg as his ideal; this is quite credible, as he sometimes quotes literally from "Tristan". He also adopted Gottfried's technique of making literary excursuses in which he names works of contemporaries and of his own. He is thought to have died in Italy in 1254. Works Of his surviving works, the tale ''Der gute Gerhard'' (''Gerh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Courtly Romance
In the Middle High German (MHG) period (1050–1350) the courtly romance, written in rhyming couplets, was the dominant narrative genre in the literature of the noble courts, and the romances of Hartmann von Aue, Gottfried von Strassburg and Wolfram von Eschenbach, written , are recognized as classics. The courtly romance has its origins in French-speaking courts around 1160, where various poets adapted the Matter of Rome (tales from the classical world) to the written vernacular, while Chrétien de Troyes did the same for the Matter of Britain (King Arthur and the knights of the Round Table). Chrétien, in particular, had a decisive influence on the development of the genre in German. The earliest German romance is Heinrich von Veldeke's ''Eneas'', based on the anonymous Old French ''Roman d'Enéas'', part of the Matter of Rome, itself an adaptation of Virgil's Aeneid. As Gottfried von Strassburg put it, Veldeke "made the first graft on the tree of German" (''Tristan'', l. 4738f) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain as to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson De Geste
The ''chanson de geste'' (, from Latin 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.Hasenohr, 242. Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred ''chansons de geste'' have survived in approximately three hundred manuscripts''La Chanson de Roland,'' 12. that date from the 12th to the 15th century. Origins Since the 19th century, much critical debate has centered on the origins of the ''chansons de geste'', and particularly on explaining the length of time between the composition of the ''chansons'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aliscans
''Aliscans'' is a ''chanson de geste'' of the late twelfth century. It recounts the story of the fictional battle of Aliscans (Alescans), a disastrous defeat of a Christian by a pagan army. The name 'Aliscans' presumably refers to the Alyscamps in Arles. It belongs to the Guillaume d'Orange cycle, and in the action Guillaume's nephew Vivien is killed. It is written in the old Picard language, and has around 8000 lines. It is dated, probably, as composed 1180-1190, and survives in 13 manuscripts. It is generally thought to be a source for the ''Willehalm'' of Wolfram von Eschenbach Wolfram von Eschenbach (; – ) was a German knight, poet and composer, regarded as one of the greatest epic poets of medieval German literature. As a Minnesinger, he also wrote lyric poetry. Life Little is known of Wolfram's life. There are ..., and the two works cover the same events.Marion E. Gibbs and Sidney M. Johnson (1997), ''Medieval German Literature'' p. 195-6. The ''chanson'' is likely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Geste De Garin De Monglane
''La Geste de Garin de Monglane'' is the second cycle of the three great cycles of ''chansons de geste'' created in the early days of the genre. It centres on Garin de Monglane. One of its main characters is William of Gellone. The cycle The cycle of Guillaume has more unity than the other great cycles of Charlemagne or of Doon de Mayence, the various poems which compose it forming branches of the main story rather than independent epic poems. There exist numerous cyclic manuscripts in which there is an attempt at presenting a continuous ''histoire poétique'' of Guillaume and his family. Manuscript Royal 20 D xi. in the British Museum contains eighteen chansons of the cycle. The conclusions arrived at by earlier writers are combated by Joseph Bédier in the first volume, "Le Cycle de Guillaume d'Orange" (1908), of his ''Legendes epiques'', in which he constructs a theory that the cycle of Guillaume d'Orange grew up round the various shrines on the pilgrim route to Saint Gilles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthurian Literature In German
King Arthur ( cy, Brenin Arthur, kw, Arthur Gernow, br, Roue Arzhur) is a legendary king of Britain, and a central figure in the medieval literary tradition known as the Matter of Britain. In the earliest traditions, Arthur appears as a leader of the post-Roman Britons in battles against Saxon invaders of Britain in the late 5th and early 6th centuries. He appears in two early medieval historical sources, the ''Annales Cambriae'' and the ''Historia Brittonum'', but these date to 300 years after he is supposed to have lived, and most historians who study the period do not consider him a historical figure.Tom Shippey, "So Much Smoke", ''review'' of , ''London Review of Books'', 40:24:23 (20 December 2018) His name also occurs in early Welsh poetic sources such as ''Y Gododdin''. The character developed through Welsh mythology, appearing either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century Poems
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Gorye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just War Theory
The just war theory ( la, bellum iustum) is a doctrine, also referred to as a tradition, of military ethics which is studied by military leaders, theologians, ethicists and policy makers. The purpose of the doctrine is to ensure that a war is morally justifiable through a series of criteria, all of which must be met for a war to be considered just. The criteria are split into two groups: ("right to go to war") and ("right conduct in war"). The first group of criteria concerns the morality of going to war, and the second group of criteria concerns the moral conduct within war. There have been calls for the inclusion of a third category of just war theory (''jus post bellum'') dealing with the morality of post-war settlement and reconstruction. The just war theory postulates the belief that war, while it is terrible but less so with the right conduct, is not always the worst option. Important responsibilities, undesirable outcomes, or preventable atrocities may justify war. Opp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalry
Chivalry, or the chivalric code, is an informal and varying code of conduct developed in Europe between 1170 and 1220. It was associated with the medieval Christianity, Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's ''Historia Regum Britanniae'', written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table. All of these were taken as historically accurate until the beginnings of modern scholarship in the 19th century. The code of chivalry that developed in medieval Europe had its roots in earlier centuries. It arose in the Carolingian Empire from the idealisation of the cavalryman—involving mili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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