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Wild Honey (album)
''Wild Honey'' is the 13th studio album by American Rock music, rock band the Beach Boys, released December 18, 1967 on Capitol Records. It was the group's first foray into soul music and was heavily influenced by the Rhythm and blues, R&B of artists such as Stevie Wonder. The album was the band's worst-selling at that point, charting at number 24 in the US. Lead single "Wild Honey (The Beach Boys song), Wild Honey" peaked at number 31, while its follow-up "Darlin' (The Beach Boys song), Darlin" reached number 19. In the UK, the album peaked at number seven. The album's sessions began immediately after the recording of ''Lei'd in Hawaii'', a failed live album, and the release of ''Smiley Smile'', their previous LP. Like ''Smiley Smile'', ''Wild Honey''s core instrumental combo consists of Electronic organ, organ, honky-tonk piano, and electric bass. The Beach Boys were inspired to regroup as a self-contained rock band, partly in response to critical assertions that they were "ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll Revival
The rock and roll revival was a back-to-basics musical trend of the late 1960s and early 1970s, in a sort-of backlash against the heavier and psychedelic rock sounds then in vogue. History As the Sixties ended, several early rock and rollers like Little Richard, Chuck Berry, Jerry Lee Lewis, Carl Perkins, Bill Haley & His Comets and Bo Diddley, who had been out of fashion since the British Invasion, experienced a resurgence in popularity, performing their old hits to a mix of old and new fans. Rock and roll revival festivals became popular, and anticipated the "oldies show" package tours of later years. Bo Diddley announced "I'm back and I'm feelin' fine" in his comeback single titled ''Bo Diddley 1969'', released by Checker Records. Sha Na Na performed "At the Hop" at the Woodstock Festival in 1969, in the revival spirit. John Lennon and Yoko Ono had a surprise hit album in 1970 with ''Live Peace in Toronto 1969'', recorded at the Toronto Rock and Roll Revival in September 1969. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys Love You
''The Beach Boys Love You'' is the 21st studio album by American rock band the Beach Boys, released April 11, 1977 on Brother/Reprise. Sometimes referred to as the band's "punk" or "synth pop" album, ''Love You'' is distinguished for its pioneering use of synthesizers and its juxtaposition of adolescent-oriented lyrics with the adult band members' rough vocals. The album was largely recorded in late 1976 at the band's Brother Studios. Originally planned as ''Brian Loves You'', it is essentially a solo project by Brian Wilson, who wrote almost all of the material and played nearly every instrument on the record, including keyboards, synthesizers, and drums. ''Love You'' marked the first time he was given full control of a Beach Boys album since the ''Smile'' sessions in 1967, albeit with strong assistance from his brothers Carl and Dennis. Engineer Earle Mankey described the work as "serious", "autobiographical", and "frighteningly accurate" to Brian's personality. The subject mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summer Days (And Summer Nights!!)
''Summer Days (And Summer Nights!!)'' is the ninth studio album by American rock band the Beach Boys, released on July 5, 1965, on Capitol. The band's previous album, ''The Beach Boys Today!'' (released March 1965), represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. ''Summer Days'' thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling. Produced by Wilson, ''Summer Days'' reached number two on the US ''Billboard 200'' and number four on the UK Albums Chart. Two singles were issued from the album: "Help Me, Rhonda", which became the group's second chart-topper in the US, and "California Girls", which peaked at number three. Background Carl Wilson reflected of ''Summer Days'', "There was a time when it was uncool to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Wilson
Carl Dean Wilson (December 21, 1946 – February 6, 1998) was an American musician, singer, and songwriter who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group's ''de facto'' leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death. Influenced by the guitar playing of Chuck Berry and the Ventures, Wilson's initial role in the group was that of lead guitarist and backing vocals, but he performed lead vocals on several of their later hits, including "God Only Knows" (1966), "Good Vibrations" (1966), "I Can Hear Music" (1969), and " Kokomo" (1988). Unlike other members of the band, he often played alongside the studio musicians employed during the group's critical and commercial peak in the mid-1960s. After Brian's reduced involvement with the group, Carl produced the bulk of their albums between ''20/20'' (1969) and ''Holland'' (1973). Concurrently, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smile (The Beach Boys Album)
''Smile'' (stylized as ''SMiLE'') is an unfinished album by the American rock band the Beach Boys that was planned to follow their 11th studio album ''Pet Sounds'' (1966). It was to be a 12-track LP that drew from over 50 hours of interchangeable sound fragments, similar to the group's 1966 single "Good Vibrations". Instead, after a year of recording, the album was shelved and the group released a downscaled version, ''Smiley Smile'', in September 1967. Over the next four decades, few of the original ''Smile'' tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history. The album was produced and almost entirely composed by Brian Wilson with guest lyricist and assistant arranger Van Dyke Parks, both of whom conceived the project as a riposte to the British sensibilities that had dominated popular music of the era. Wilson touted ''Smile'' as a "teenage symphony to God" to surpass ''Pet Sounds''. It was a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collapse Of Smile
''Smile'' (stylized as ''SMiLE'') is an unfinished album by the American rock band the Beach Boys that was planned to follow their 11th studio album ''Pet Sounds'' (1966). It was to be a 12-track LP that drew from over 50 hours of interchangeable sound fragments, similar to the group's 1966 single "Good Vibrations". Instead, after a year of recording, the album was shelved and the group released a downscaled version, ''Smiley Smile'', in September 1967. Over the next four decades, few of the original ''Smile'' tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history. The album was produced and almost entirely composed by Brian Wilson with guest lyricist and assistant arranger Van Dyke Parks, both of whom conceived the project as a riposte to the British sensibilities that had dominated popular music of the era. Wilson touted ''Smile'' as a "teenage symphony to God" to surpass ''Pet Sounds''. It was a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Wilson
Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness. Raised in Hawthorne, California, Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and ''de facto'' leader. After signing w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honky-tonk Piano
A tack piano (also known as a harpsipiano, jangle piano, and junk piano) is an altered version of an ordinary piano, in which objects such as thumbtacks or nails are placed on the felt-padded hammers of the instrument at the point where the hammers hit the strings, giving the instrument a tinny, more percussive sound. It is used to evoke the feeling of a honky-tonk piano. Tack pianos are commonly associated with ragtime pieces, often appearing in Hollywood Western saloon scenes featuring old upright pianos. The instrument was originally used for classical music performances as a substitute for a harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism .... Honky-tonk piano A honky-tonk piano has a similar tone as a tack piano, however, the method of obtaining its sound is di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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