|
Whitman Sisters
The Whitman Sisters were four African-American sisters who were stars of Black Vaudeville. They ran their own performing touring company for over forty years from 1900 to 1943, becoming the longest-running and best-paid act on the T.O.B.A. circuit. They comprised Mabel (May) (b. Ohio; 1880–1942), Essie (Essie Barbara Whitman; b. Osceola, Arkansas, July 4, 1882 – May 7, 1963), Alberta "Bert" (b. Kansas; 1887–1964) and Alice (b. Georgia (U.S. state), Georgia; 1900–December 29, 1968). History The sisters were the daughters of Reverend Albery Allson Whitman and Caddie Whitman (), who lived in Ohio, Arkansas and Kansas before settling in Atlanta, Georgia. The sisters had an older brother, Caswell (1876–1936). Reverend A. A. Whitman came to be known as the "Poet Laureate of the Negro Race". The sisters were taught by their father to sing religious songs and to dance, in order to accompany him on evangelical tours. Around 1899, Mabel and Essie began performing as the Danze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitman Sisters
The Whitman Sisters were four African-American sisters who were stars of Black Vaudeville. They ran their own performing touring company for over forty years from 1900 to 1943, becoming the longest-running and best-paid act on the T.O.B.A. circuit. They comprised Mabel (May) (b. Ohio; 1880–1942), Essie (Essie Barbara Whitman; b. Osceola, Arkansas, July 4, 1882 – May 7, 1963), Alberta "Bert" (b. Kansas; 1887–1964) and Alice (b. Georgia (U.S. state), Georgia; 1900–December 29, 1968). History The sisters were the daughters of Reverend Albery Allson Whitman and Caddie Whitman (), who lived in Ohio, Arkansas and Kansas before settling in Atlanta, Georgia. The sisters had an older brother, Caswell (1876–1936). Reverend A. A. Whitman came to be known as the "Poet Laureate of the Negro Race". The sisters were taught by their father to sing religious songs and to dance, in order to accompany him on evangelical tours. Around 1899, Mabel and Essie began performing as the Danze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legomania
Eccentric dance is a style of dance performance in which the moves are unconventional and individualistic. It developed as a genre in the United States in the late 19th and early 20th centuries as a result of the influence of African and exotic dancers on the traditional styles of clog and tap dancing. Instead of holding the body stiff and straight in the style of a jig, acrobatics such as flips and contortions were used in a more exuberant, expressive and idiosyncratic way. The style was used in stage performances such as minstrel shows, music hall or vaudeville. Dance styles which used eccentric moves and encouraged improvisation, such as the Charleston, became popular crazes in the 1920s. It was used in movies to provide comic relief. Early distinctive forms of eccentric dancing had names like rubber legs or legmania. Rubberlegging involved leg shaking or snaking which later evolved into Shag and the showcase style of Elvis Presley, while legmania added leaps and kicks in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Robinson
Bill Robinson, nicknamed Bojangles (born Luther Robinson; May 25, 1878 – November 25, 1949), was an American tap dancer, actor, and singer, the best known and the most highly paid African-American entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television. According to dance critic Marshall Stearns, "Robinson's contribution to tap dance is exact and specific. He brought it up on its toes, dancing upright and swinging," adding a "hitherto-unknown lightness and presence." His signature routine was the stair dance, in which he would tap up and down a set of stairs in a rhythmically complex sequence of steps, a routine that he unsuccessfully attempted to patent. He is also credited with having popularized the word ''copacetic'' throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Johnson (musician)
Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer, guitarist, violinist and songwriter. He was a pioneer of jazz guitar and jazz violin and is recognized as the first to play an electrically amplified violin.Herzhaft, Gérard (1979). ''Encyclopedia of the Blues''. Biography Early career Johnson was born in New Orleans, Louisiana, and raised in a family of musicians. He studied violin, piano and guitar as a child and learned to play various other instruments, including the mandolin, but he concentrated on the guitar throughout his professional career. "There was music all around us," he recalled, "and in my family you'd better play something, even if you just banged on a tin can." In 1917, Johnson joined a revue that toured England, returning home in 1919 to find that all of his family, except his brother James, had died in the 1918 influenza epidemic. He and his brother settled in St. Louis in 1921, where they performed as a d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeni Le Gon
Jeni LeGon (born Jennie Ligon; August 14, 1916 – December 7, 2012), also credited as Jeni Le Gon, was an American dancer, dance instructor, and actress. She was one of the first African-American women to establish a solo career in tap dance. Early years Born as Jennie Ligon in Chicago, Illinois, her parents were Hector Ligon, a chef who also worked as a railway porter, and Harriet Bell Ligon, a housewife. She grew up in the Black Belt area of Chicago and finished Sexton Elementary School in 1928. When she was 13, she successfully auditioned for the chorus line of band leader Count Basie. She attended Englewood High School for one year thereafter. Career In 1931, LeGon began performing across the southern United States with the Whitman Sisters company. In 1933, she and her half-sister, Willa Mae Lane, formed the LeGon and Lane song-and-dance team. They were given the opportunity to go to Detroit and work with nightclub owner Leonard Reed. While there, they received a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Bryant
William Stevens Bryant (August 30, 1908 – February 9, 1964) was an American jazz bandleader, vocalist, and disc jockey, known as the "Mayor of Harlem". Biography Born in Chicago, Illinois, United States, while growing up he took trumpet lessons to little success. His first job in entertainment was dancing in the Whitman Sisters Show in 1926. He worked in various vaudeville productions for the next several years, and in 1934 he appeared in the show ''Chocolate Revue'' with Bessie Smith. In 1934, he put together his first big band, which at times included Teddy Wilson, Cozy Cole, Johnny Russell (saxophonist), Johnny Russell, Benny Carter, Ben Webster, Eddie Durham, Ram Ramirez, and Taft Jordan. They recorded six times between 1935 and 1938; Bryant sings on 18 of the 26 sides recorded. Once his ensemble disbanded, Bryant worked in acting and disc jockeying. He recorded R&B in 1945 and led another big band between 1946 and 1948. During September and October 1949, he hosted '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Reed
Leonard Reed (January 7, 1907 in Lightning Creek, Oklahoma – April 5, 2004 in West Covina, California) was an American tap dancer, co-creator with his partner, Willie Bryant, of the famous Shim Sham Shimmy (Goofus) tap dance routine. He was survived by his wife Barbara DeCosta Reed, his granddaughter Bausheba Delaney-Trenchard, great grandchildren Vincent Morrison, Alaina Trenchard, Melody Trenchard, HaileyJames Trenchard, Gabriel Trenchard and Tristen Trenchard Early life and career Born in Lightning Creek, Oklahoma, Reed was a mix of black, white and Choctaw. His mother died of pneumonia when he was two, and he never knew his father. He was raised by his great-grandmother until he was 11, when he was placed in a foster home in Kansas City, Missouri. Leonard was habitually assaulted by the guardian of the foster home and at the age of 13 was threatened with a four-year stretch in reform school for buying alcohol under-age. The headmaster of his high school, Hugh Oliver Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cakewalk
The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on Black Slavery in the United States, slave plantations before and after End of slavery in the United States of America, emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance danced with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country.. The fluid and graceful steps of the dance may have g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coon Shout
Coon songs were a genre of music that presented a stereotype of black people. They were popular in the United States and Australia from around 1880 to 1920, though the earliest such songs date from minstrel shows as far back as 1848, when they were not yet identified with "coon" epithet. The genre became extremely popular, with white and black men giving performances in blackface and making recordings. Women known as coon shouters also gained popularity in the genre. Rise and fall from popularity Although the word "coon" is now regarded as racist, according to Stuart Flexner, "coon" was short for "raccoon", and it meant a frontier rustic (someone who may wear a coonskin cap) by 1832. By 1840 it also meant a Whig as the Whig Party was keen to be associated with rural white common people. At that time, "coon" was typically used to refer someone white, and a coon song referred to a Whig song. it was only in 1848 when the first clear case of using "coon" to refer to a black person i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spiritual (music)
Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature (but not continuation) of slavery for many. Many new derivative music genres emerged from the spirituals songcraft. Prior to the end of the US ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
