Whiskey Tjukangku
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Whiskey Tjukangku
Whiskey Tjukangku is an Australian Aboriginal artist from South Australia. He paints for Iwantja Arts, the community co-operative at Indulkana on the Aṉangu Pitjantjatjara Yankunytjatjara Lands. He is an elder of the Yankunytjatjara people, and a ' (traditional healer). One of his works was chosen as a finalist for the National Aboriginal & Torres Strait Islander Art Award in 2012. His brother Barney Wangin and his granddaughter Kaylene Whiskey is also an artist. Tjukangku was born around 1939, in the bush near Umuwa in north-western South Australia. The name "Whiskey" was given to him by one of his friends when he was a young boy. It is said that Tjukangku took this name because he could not pronounce his own Aboriginal name. Tjukangku grew up at the mission in Ernabella and at De Rose Hill, a cattle station located along the Stuart Highway. He never went to school. As a child, he was taught about working with horses and cattle at De Rose Hill. By the time he was a teenage ...
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Umuwa, South Australia
Umuwa is an Aboriginal community in Anangu Pitjantjatjara Yankunytjatjara (APY lands) in South Australia, serving as an administrative centre for the six main communities on "The Lands" (the others being Amata, Pipalyatjara, Pukatja/Ernabella, Fregon/Kaltjiti, Indulkana and Mimili), as well as the outlying communities. Geography Umuwa is located approximately north-west of Marla and south-west of Alice Springs. Based upon the climate records of the nearest weather station at Marla Police Station, Umuwa experiences a hot-desert climate ( Köppen: ''BWh'', Trewartha: ''BWhl''), with very hot, relatively dry summers; mild to hot, dry springs and autumns; and mild, dry winters. It experiences summer maximum temperatures of an average of 37.3 degrees Celsius in January and a winter maximum average temperature of 19.6 degrees Celsius in June. Overnight lows range from a mean minimum temperature of 22.0 degrees in January to 4.8 degrees in June. Annual rainfall averages 216.9 ...
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Stockman (Australia)
In Australia a stockman (plural stockmen) is a person who looks after the livestock on a large property known as a station (Australian agriculture), station, which is owned by a wikt:grazier, grazier or a grazing company, traditionally on horseback. In this sense it has a similar meaning to "cowboy". A stockman may also be employed at an abattoir, feedlot, on a livestock export ship, or with a stock and station agency. Associated terms Stockmen who work with the cattle in the Top End are known as ringers and are often only employed for the dry season which lasts from April to October. A station hand is an employee who is involved in routine duties on a rural property or station, which may also involve caring for livestock. With pastoral properties facing dire recruitment problems as young men are lured into the booming mining industry, young women from the cities are becoming a common sight on outback stations, often attracted by the chance to work with horses. An associated ...
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Ochre
Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as "red ochre" (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. * Yellow ochre, , is a hydrated iron hydroxide (limonite) also called gold ochre. * Red ochre, , takes its reddish colour from the mineral hematite, which is an anhydrous iron ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ...
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Western Desert Cultural Bloc
The Western Desert cultural bloc or just Western Desert is a cultural region in central Australia covering about , including the Gibson Desert, the Great Victoria Desert, the Great Sandy and Little Sandy Deserts in the Northern Territory, South Australia and Western Australia. The Western Desert cultural bloc can be said to stretch from the Nullarbor in the south to the Kimberley in the north, and from the Percival Lakes in the west through to the Pintupi lands in the Northern Territory. Languages The term is often used by anthropologists and linguists when discussing the 40 or so Aboriginal groups that live there, who speak dialects of one language, often called the Western Desert language. Country According to anthropologist Robert Tonkinson, Extending over a million square miles, the Western Desert... covers a vast area of the interior of the continent. It extends across western South Australia into central and central northern Western Australia (south of the Kimberleys ...
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Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ...
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Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed i ...
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Nostalgia
Nostalgia is a sentimentality for the past, typically for a period or place with happy personal associations. The word ''nostalgia'' is a learned formation of a Greek language, Greek compound, consisting of (''nóstos''), meaning "homecoming", a Homeric word, and (''álgos''), meaning "sorrow" or "despair", and was coined by a 17th-century medical student to describe the anxieties displayed by Swiss mercenaries fighting away from home. Described as a medical condition—a form of Depression (mood), melancholy—in the Early Modern period, it became an important Trope (literature), trope in Romanticism. Nostalgia is associated with a longing for the past, its personalities, possibilities, and events, especially the "Good old days, good ol' days" or a "warm childhood". There is a predisposition, caused by cognitive biases such as rosy retrospection, for people to view the past more favourably and future more negatively. When applied to one's beliefs about a society or institutio ...
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Reflection
Reflection or reflexion may refer to: Science and technology * Reflection (physics), a common wave phenomenon ** Specular reflection, reflection from a smooth surface *** Mirror image, a reflection in a mirror or in water ** Signal reflection, in signal transmission * Elastic scattering, a process in nuclear and particle physics * Reflection nebula, a nebula that is extended and has no boundaries * Reflection seismology or seismic reflection, a method of exploration geophysics Mathematics * Reflection principle, in set theory * Point reflection, a reflection across a point * Reflection (mathematics), a transformation of a space * Reflection formula, a relation in a function * Reflective subcategory, in category theory Computing * Reflection (computer graphics), simulation of reflective surfaces * Reflection (computer programming), a program that accesses or modifies its own code * Reflection, terminal emulation software by Attachmate Arts and entertainment Film and television * ...
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Dementia
Dementia is a disorder which manifests as a set of related symptoms, which usually surfaces when the brain is damaged by injury or disease. The symptoms involve progressive impairments in memory, thinking, and behavior, which negatively affects a person's ability to function and carry out everyday activities. Aside from memory impairment and a disruption in thought patterns, the most common symptoms include emotional problems, difficulties with language, and decreased motivation. The symptoms may be described as occurring in a continuum over several stages. Consciousness is not affected. Dementia ultimately has a significant effect on the individual, caregivers, and on social relationships in general. A diagnosis of dementia requires the observation of a change from a person's usual mental functioning, and a greater cognitive decline than what is caused by normal aging. Several diseases and injuries to the brain, such as a stroke, can give rise to dementia. However, th ...
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Intaglio (printmaking)
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally, copper or in recent times zinc sheets, called plates, are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. Process In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called ''engraving''; or t ...
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Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by ...
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