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What You Need (Side Effect Album)
''What You Need'' is the third album by R&B group Side Effect. Released in 1976, this was their second album for Fantasy Records Fantasy Records is an American independent record label company founded by brothers Max and Sol Stanley Weiss in 1949. The early years of the company were dedicated to issuing recordings by jazz pianist Dave Brubeck, who was also one of its inves .... Track listing # Always There 5:04 (Paul Allen, Ronnie Laws, William Jeffrey) #Keep That Same Old Feeling 7:06 (Wayne Henderson) #Time Has No Ending 3:55 (Henderson, Esau Joyner) #S.O.S 4:06 (Helen Lowe, August W. Johnson) #Honky Tonk Scat 3:45 (Johnson, Henderson) #Finally Found Someone 2:53 (Joyner) #Changes 3:36 (Gregory Matta, Louie Patton) #Life Is What You Make It 2:54 (Johnson) #I Know You Can 6:21 (Johnson) Charts Singles References External linksSide Effect-What you Need at Discogs 1976 albums Fantasy Records albums Side Effect albums Albums produced by Wayne Henderson (mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Side Effect
In medicine, a side effect is an effect, whether therapeutic or adverse, that is secondary to the one intended; although the term is predominantly employed to describe adverse effects, it can also apply to beneficial, but unintended, consequences of the use of a drug. Developing drugs is a complicated process, because no two people are exactly the same, so even drugs that have virtually no side effects, might be difficult for some people. Also, it is difficult to make a drug that targets one part of the body but that does not affect other parts, the fact that increases the risk of side effects in the untargeted parts. Occasionally, drugs are prescribed or procedures performed specifically for their side effects; in that case, said side effect ceases to be a side effect and is now an intended effect. For instance, X-rays were historically (and are currently) used as an imaging technique; the discovery of their oncolytic capability led to their employ in radiotherapy (ablation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco Music
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasy Records
Fantasy Records is an American independent record label company founded by brothers Max and Sol Stanley Weiss in 1949. The early years of the company were dedicated to issuing recordings by jazz pianist Dave Brubeck, who was also one of its investors, but in more recent years the label has been known for its recordings of comedian Lenny Bruce, jazz pianist Vince Guaraldi, the last recordings made on the Wurlitzer organ in the San Francisco Fox Theatre before the theatre was demolished, organist Korla Pandit, the 1960s rock band Creedence Clearwater Revival, bandleader Woody Herman, and Disco/R&B singer Sylvester. Formation In 1949, Jack Sheedy, owner of a San Francisco-based record label called Coronet, was talked into making the first recording of an octet and a trio featuring Dave Brubeck (not to be confused with either the Australian Coronet Records or the New York City-based Coronet Records of the late 1950s). Sheedy's Coronet Records had recorded area Dixieland bands. But he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayne Henderson (musician)
Wayne Maurice Henderson (September 24, 1939 – April 5, 2014) was an American soul jazz and hard bop trombonist and record producer. In 1961, he co-founded the soul jazz/hard bop group The Jazz Crusaders. Henderson left the group (who by then had changed their name to The Crusaders) in 1976 to pursue a career in producing, but revived The Jazz Crusaders in 1995. In 2007, Henderson took a position with the California College of Music in Pasadena, California. Henderson had suffered from diabetes and died of heart failure at a Culver City hospital on April 5, 2014 at age 74. Discography As leader/co-leader *1968: The Freedom Sounds fest. Wayne Henderson ''People Get Ready'' (Atlantic) *1969: The Freedom Sounds fest. Wayne Henderson ''Soul Sound System'' (Atlantic) *1977: ''At Big Daddies'' (ABC) *1977: ''Big Daddy's Place'' (ABC) *1978: ''Living on a Dream'' (Polydor) *1978: ''Step in to Our Life'' (Polydor)(with Roy Ayers) *1979: ''Emphasized'' (Polydor)(with Roy Ayers) *1980: R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Side Effect (album)
''Side Effect'' is the second album by R&B group Side Effect. Released in 1975, this was their first album for Fantasy Records Fantasy Records is an American independent record label company founded by brothers Max and Sol Stanley Weiss in 1949. The early years of the company were dedicated to issuing recordings by jazz pianist Dave Brubeck, who was also one of its inves .... Track listing #Baby Love (Love You Baby) 3:56 #Oh Baby 2:25 #There She Goes Again 5:01 #What The Heck, Let's Discothèque 4:52 #Spend It On Love 3:37 #Checkin' It Out 3:37 #I Love You So Much 4:30 #Dancin' Shoes 4:00 #Tree Of Love 3:14 References External links Side Effect-Side Effect at Discogs 1975 albums Fantasy Records albums Side Effect albums Albums produced by Wayne Henderson (musician) {{1970s-R&B-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goin' Bananas (album)
''Goin' Bananas'' is the fourth album by soul group Side Effect. Released in 1977 by Fantasy Records, it was produced by Wayne Henderson. Like other releases by the group, the work featured an R&B based sound greatly influenced by contemporary disco and jazz music. In terms of background, the group had endured a major line-up change as singer Helen Lowe had her role taken over by Sylvia St. James. The album embraced bananas as a gimmick. Besides the cheeky title, the cover depicts vocalist Sylvia St. James in an outfit highly reminiscent of film icon Carmen Miranda. The record company even pressed the release on yellow vinyl. ''Goin' Bananas'' ended up receiving supportive yet mixed reviews. Music critic Alex Henderson of Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Always There (Side Effect Song)
"Always There" is a 1975 song by Ronnie Laws and William Jeffrey from Laws' album '' Pressure Sensitive''. After producer Wayne Henderson of The Crusaders enlisted lyricist Paul B Allen III to create a vocal version of the tune, officially making Allen a co-writer, it was re-recorded in 1976 by R&B group Side Effect for their third album, '' What You Need''. It was a minor hit, reaching the top 5 on the US Dance chart; however it was a larger hit for Incognito & Jocelyn Brown in 1991, whose version reached no. 6 in the UK. Incognito and Jocelyn Brown version On 17 June 1991, the song was covered and released by British acid jazz band Incognito and American R&B and dance singer Jocelyn Brown, whose version was the biggest version in the UK. This was Incognito's breakthrough hit; however, Brown had been well-known and popular since the late 70s. The song was released as the second single from their second album, ''Inside Life'' (1991). It peaked at number two in the Netherl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
