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What Every Girl Should Know (album)
''What Every Girl Should Know'' is an album recorded by Doris Day in December, 1959 and issued by Columbia Records on March 21, 1960 as catalog number CS-8234. Doris Day was backed by Harry Zimmerman's Orchestra. The album was combined with Day's 1961 album, '' I Have Dreamed'', on a compact disc, issued in 2001 The September 11 attacks against the United States by Al-Qaeda, which Casualties of the September 11 attacks, killed 2,977 people and instigated the global war on terror, were a defining event of 2001. The United States led a Participants in .... Track listing The tracks on the album were: Personnel * Doris Day - vocals * Harry Zimmerman - conductor * Ted Coconis - artwork References 1959 albums Doris Day albums Columbia Records albums {{1950s-pop-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doris Day
Doris Day (born Doris Mary Kappelhoff; April 3, 1922 – May 13, 2019) was an American actress, singer, and activist. She began her career as a big band singer in 1939, achieving commercial success in 1945 with two No. 1 recordings, " Sentimental Journey" and "My Dreams Are Getting Better All the Time" with Les Brown & His Band of Renown. She left Brown to embark on a solo career and recorded more than 650 songs from 1947 to 1967. Day was one of the biggest film stars of the 1950s–1960s. Day's film career began during the Golden Age of Hollywood with the film ''Romance on the High Seas'' (1948). She starred in films of many genres, including musicals, comedies, dramas, and thrillers. She played the title role in ''Calamity Jane'' (1953) and starred in Alfred Hitchcock's '' The Man Who Knew Too Much'' (1956) with James Stewart. Her best-known films are those in which she co-starred with Rock Hudson, chief among them 1959's ''Pillow Talk'', for which she was nominated fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Have Everything
''You Can't Have Everything'' is a 1937 Fox musical film directed by Norman Taurog and produced by Darryl F. Zanuck. The film stars Alice Faye and Don Ameche, and was the film debut for Gypsy Rose Lee credited as Louise Hovick part of her birth name. Plot Judith Poe Wells (Alice Faye) is a would-be playwright who has almost no money. As a result of ordering a meal in a restaurant where she cannot afford to pay, she meets George Macrae (Don Ameche), a musical writer with a lot of power. He offers her play ''North Winds'' to producer Sam Woods. He knows it isn't any good, but he has fallen in love with her and does it to win her over. Cast * Alice Faye – ''Judith Poe Wells'' * Don Ameche – ''George Macrae'' * Al Ritz – ''Al Ritz'' * Jimmy Ritz – ''Jimmy Ritz'' * Harry Ritz – ''Harry Ritz'' * Charles Winninger – ''Sam Gordon'' * Gypsy Rose Lee – ''Lulu Riley'' * Arthur Treacher – ''Bevins'' * Tony Martin – ''Bobby Walker'' * D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Young (lyricist)
Joe Young (July 4, 1889 – April 21, 1939) was an American lyricist. He was born in New York. Young was most active from 1911 through the late-1930s, beginning his career working as a singer and song-plugger for various music publishers. During World War I, he entertained the U.S. troops, touring Europe as a singer. Works An early work is the song "Way Down East" (©1910) words by Cecil Mack, music by Joe Young and Harold Norman, published by Gotham-Attucks Music Publishing Company. ''The Laugh Parade'' For the 1931 Broadway show ''The Laugh Parade'', Young collaborated with co-lyricist Mort Dixon and composer Harry Warren on " You're My Everything". The show also included: * "Ooh! That Kiss" * "Love Me Forever" * "That Torch Song" Later efforts * "In a Shanty in Old Shanty Town" * " Lullaby of the Leaves" * " Snuggled On Your Shoulder, Cuddled In Your Arms" * "Was That the Human Thing To Do?" * "Something in the Night" * "Annie Doesn't Live Here Anymore" * "I'm Growing Fonder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Hundred Years From Today
"A Hundred Years from Today" is a popular song published in 1933 with music by Victor Young and lyrics by Ned Washington and Joe Young. The song was included in the London production of Lew Leslie's ''Blackbirds of 1934''. A recording of "A Hundred Years from Today" by Ethel Waters accompanied by Benny Goodman & His Orchestra was very popular in 1933. Other recordings *Jack Teagarden recorded at least four versions of it, the first on November 11, 1933 for Brunswick Records (catalog No. 6716A) which is featured on his album ''King of the Blues Trombone'' (1963), another recorded for Decca Records on May 26, 1941 (catalog No. 4317B) that omits the verse, and one in his last album ''A Hundred Years from Today'' (1963). The first is sung by Teagarden in the style of smooth singers of the time, the last is bluesy. *Glen Gray and the Casa Loma Orchestra (vocal by Lee Wiley), recorded February 24, 1934 for Brunswick Records (catalog No.6775). *Sarah Vaughan - recorded on April 30, 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Something Wonderful (song)
"Something Wonderful" is a show tune from the 1951 Rodgers and Hammerstein musical ''The King and I''. The song was introduced in the Broadway production by Dorothy Sarnoff in the role of Lady Thiang, the King's head wife. In the 1956 film adaptation "Something Wonderful" was sung by Terry Saunders in the role of Lady Thiang: Saunders was the understudy for Sarnoff in the Broadway production and, in 1952, had taken over the role when Sarnoff departed. "Something Wonderful" is sung by Lady Thiang to Anna Leonowens to persuade her to accept the King for what he is, despite his faults. In a sense, these lyrics have echoes of the song "What's the Use of Wond'rin'" from the Rodgers and Hammerstein musical ''Carousel'', which also deals with the issue of women standing by their husbands despite all their faults. Musically, the heavy chords that punctuate the accompaniment bear some pre-echoes of the song "Climb Ev'ry Mountain" from ''The Sound of Music''. This is notable because both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Kinda Love
"My Kinda Love", also recorded as "My Kind of Love", is a popular song with music by Louis Alter and lyrics by Jo Trent, published in 1929. The song was used in the short lived Americana show in 1928. Bing Crosby recorded the song on three occasions. The first was with the Dorsey Brothers Orchestra recorded on January 26, 1929 for Okeh Records. The writer, Gary Giddins commenting on the session said "Best of all is "My Kinda Love," a flimsy song that he projects stirringly without a trace of the frangible crooning style." Crosby re-recorded the song a few weeks later on March 14, 1929 with a trio for Columbia Records and this was the first occasion that he would be top-billed on a record. In 1954, Crosby recorded the song again for his album '' Bing: A Musical Autobiography''. Lyrics My kinda love, your kinda love Keeps me believing, although you're deceiving My kinda love, one way to paradise My kinda lips, your kinda lips When love comes stealing, encourage that feeling My ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Fellow Needs A Girl
''Allegro'' is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital. After the immense successes of the first two Rodgers and Hammerstein musicals, ''Oklahoma!'' and '' Carousel'', the pair sought a subject for their next play. Hammerstein had long contemplated a serious work which would deal with the problems of the ordinary man in the fast-moving modern world. He and Rodgers sought to create a work which would be as innovative as their first two stage musicals. To that end, they created a play with a large cast, including a Greek chorus. The production would have no sets; props and projections served to suggest locations. After a disastrous tryout in New Haven, Connecticut, the musical opened on Broad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
