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What Do You Want To Make Those Eyes At Me For
"What Do You Want to Make Those Eyes at Me For?" is a song written by Joseph McCarthy, Howard Johnson and James V. Monaco in 1916 for the Broadway production ''Follow Me'', in which it was performed by Henry Lewis. Early recordings Lewis' version was released as a single on Emerson Records in early 1917. Around the same time, a version by Sam Ash was released in February on Columbia Records, having been recorded on 11 December 1916. It was first a hit when released in March that year by Ada Jones and Billy Murray on Victor Records, peaking at number 3 on the US ''Billboard'' chart. Emile Ford and the Checkmates version The song became a UK hit in 1959 when a doo-wop version was recorded by Emile Ford and the Checkmates as the B-side of their single "Don't Tell Me Your Trouble". This B-side became more popular and it topped the charts for six weeks over the Christmas and New Year of 1959/60. It retained the number one position for the first three weeks of 1960. This earned Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James V
James V (10 April 1512 – 14 December 1542) was King of Scotland from 9 September 1513 until his death in 1542. He was crowned on 21 September 1513 at the age of seventeen months. James was the son of King James IV and Margaret Tudor, and during his childhood Scotland was governed by regents, firstly by his mother until she remarried, and then by his second cousin, John, Duke of Albany. James's personal rule began in 1528 when he finally escaped the custody of his stepfather, Archibald Douglas, Earl of Angus. His first action was to exile Angus and confiscate the lands of the Douglases. James greatly increased his income by tightening control over royal estates and from the profits of justice, customs and feudal rights. He founded the College of Justice in 1532, and also acted to end lawlessness and rebellion in the Borders and the Hebrides. The rivalry between France, England, and the Holy Roman Empire lent James unwonted diplomatic weight, and saw him secure two politically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pye Records
Pye Records was a British record label. Its best known artists were Lonnie Donegan (1956–1969), Petula Clark (1957–1971), the Searchers (1963–1967), the Kinks (1964–1971), Sandie Shaw (1964–1971), Status Quo (1968–1971) and Brotherhood of Man (1975–1979). The label changed its name to PRT Records (distributing as Precision Records & Tapes) in 1980, before being briefly reactivated as Pye Records in 2006. History The Pye Company originally manufactured televisions and radios. Its main plant was situated off what used to be Haig Road, in Cambridge, and it entered the record business when it bought Nixa Records in 1953. In 1955, the company acquired Polygon Records, a label that had been established by Leslie Clark and Alan A. Freeman to control distribution of the recordings of the former's daughter, Petula Clark. Pye merged it with Nixa Records to form Pye Nixa Records. Pye International In 1958, Pye International Records was established. The company licensed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feel The Need In Me
"Feel the Need in Me" is a song written by Abrim Tilmon, a member of the American R&B/soul vocal group the Detroit Emeralds. It was released as a single by the group in October 1972 on the Westbound label. It reached number 4 on the UK Singles Chart, number 22 on the R&B chart, and number 110 on the ''Billboard'' pop chart. The song was featured on their 1972 album '' You Want It, You Got It''. The group re-recorded the song and re-released a disco version in 1977 as "Feel the Need". This version reached number 12 on the UK Singles Chart, number 14 on the U.S. dance chart, number 73 on the R&B chart, and number 90 on the ''Billboard'' pop chart. It was featured on their 1973 album ''Feel the Need'' and has appeared on many other compilation albums since. The song was produced by Katouzzion and arranged by Abrim Tilmon and Johnny Allen. Other charting versions *Graham Central Station released a funk version of the song as a single entitled "Feel the Need" in 1975 which reache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come See About Me
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a Fade (audio engineering), fade-in, marking one of the first times the technique had been used on a studio recording. The song became third of five consecutively released Supremes songs to top the Billboard Hot 100, ''Billboard'' pop singles chart in the United States (the others are "Where Did Our Love Go", "Baby Love", "Stop! In the Name of Love" and "Back in My Arms Again"). It topped the chart twice, non-consecutively, being toppled by and later replacing the Beatles' "I Feel Fine" in December 1964 and January 1965. The BBC ranked "Come See About Me" at #94 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all time UK downloads and streams. History Overview "Come See About Me" was written and produced by Motown's main production team Holland–Dozier–Holland. It was recorded during a two week period in which the Supremes also recorded "Baby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Records
Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America Sony Corporation of America (SONAM, also known as SCA), is the American arm of the Japanese conglomerate Sony Group Corporation SONAM, headquartered in New York City, manages the company's US-based businesses. Sony's principal U.S. business ..., the North American division of Japanese Conglomerate (company), conglomerate Sony. The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop music, pop, Rhythm and blues, R&B, rock music, rock, and hip hop music, hip hop. History Beginnings Epic Records was launched in 1953 by the Columbia Records unit of CBS, for the purpose of marketing jazz, pop music, pop, and European classical music, classical music that did not fit the theme of its more mainstream Columbia Records label. Initial classical music r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Boogie
''Let's Boogie'' is an album by Welsh rock and roll singer Shakin' Stevens, released in October 1987 by Epic Records. It peaked at number 59 on the UK Albums Chart. Release and content The album is split into a studio side and a live side. Of the five studio tracks, four were released as singles, all becoming Top-40 hits in the UK, with "What Do You Want to Make Those Eyes at Me For" charting the highest at number 5, which was his last Top-10 single until the re-entry of "Merry Christmas Everyone" in 2018. The second side, titled 'The Hits Keep Coming...' is a medley of Stevens' previous hits, recorded live at the London Palladium on 7 December 1986. On the original release of the album, the individual songs are chaptered. However on the 2009 re-release of the album as part of '' The Epic Masters'' box set, the medley is listed in its 'correct' format as one 23-minute track. Also different on the 2009 release of the album is that "What Do You Want to Make Those Eyes at Me For" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakin' Stevens
Michael Barratt (born 4 March 1948), known professionally as Shakin' Stevens, is a Welsh singer and songwriter. He was the UK's biggest-selling singles artist of the 1980s. His recording and performing career began in the late 1960s, although it was not until 1980 that his commercial success began. His most successful songs were nostalgia hits, evoking the sound of 1950s rock and roll and pop. In the UK alone, Stevens has charted 33 Top 40 hit singles including four chart-topping hits "This Ole House", "Green Door", " Oh Julie", and "Merry Christmas Everyone". Aside from "Merry Christmas Everyone" remaining popular during the Christmas season, his last Top 40 single was "Trouble" in 2005. Early life Michael Barratt, who would later adopt the stage name "Shakin' Stevens", was the youngest of 11 children born to Jack and May Barratt. His father was a First World War veteran who by 1948 was working in the building trade, having previously worked as a coal miner. The oldest of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cuffley
Climax Blues Band (originally known as The Climax Chicago Blues Band) is a British blues rock band. The band was formed in Stafford, England, in 1967 by vocalist and harmonica player Colin Cooper (1939–2008), guitarist and vocalist Pete Haycock (1951–2013), guitarist Derek Holt (b. 1949), bassist and keyboardist Richard Jones (b. 1949), drummer George Newsome (b. 1947), and keyboardist Arthur Wood (1929–2005). History In 1972 the group shortened its name to Climax Blues Band. The band has released at least 19 albums and had a Top 10 hit in the UK with "Couldn't Get It Right". That song and " I Love You" were also hits in the United States; "Couldn't Get It Right" reached No. 3 on the ''Billboard'' Hot 100 in 1977, and "I Love You" peaked at No. 12 in 1981. Jones left the group in 1969 and Holt began playing bass. The band switched labels to Harvest Records in 1970 and subsequent records had a more rock-oriented feel. John Cuffley replaced Newsome in 1971. Alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Hawkshaw
William Alan Hawkshaw (27 March 1937 – 16 October 2021) was a British composer and performer, particularly of library music used as themes for movies and television programs. Hawkshaw worked extensively for the KPM production music company in the 1950s to the 1970s, composing and recording many stock tracks that have been used extensively in film and TV. He was the composer of a number of theme tunes including ''Grange Hill'' (originally library music recorded in Munich known as "Chicken Man") and ''Countdown''. In addition, he was an arranger and pianist, and in the United States with the studio group Love De-Luxe scored a number 1 single on the '' Billboard'' Hot Dance Music/Club Play chart with "Here Comes That Sound Again" in 1979. His song "Charlie" is heard on '' Just for Laughs Gags''. He was the father of singer-songwriter Kirsty Hawkshaw (a member of the dance music group Opus III from 1991 to 1995) and also worked with artists such as Tiësto, Delerium, BT, Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gold Disc
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achiev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
