|
West Coast Swing
West Coast Swing is a partner dance with roots in the Lindy Hop. It is characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation. Typically the follower is led forward into new patterns traveling forward on counts "1" and "2" of each basic pattern, rather than rocking back. Traditional figures include 6-count and 8-count patterns of one of the four basic varieties: (1) Starter Step, (2) Side Pass, (3) Push Break / Sugar Push, (4) Whip. The Anchor Step is a common ending pattern of many West Coast Swing figures.Skippy Blair on Contemporary Social Dance. Skippy Blair. 1978. page 113. Alternatively the basic patterns in West Coast Swing are defined as: Push Break (or Sugar Push); Left Side Pass; Right Side Pass; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partner Dance
Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner. United States dance history Prior to the 20th century, many ballroom dance and folk dances existed in America. As jazz music developed at the start of the 20th century, Black American communities in tandem developed the Charleston and eventually the Lindy Hop by the end of the 1920s. Many cities had regular local competitions such as the Savoy Ballroom which accelerated the development and popularization of the dance. The dances were introduced to wider public through movies and regular performances such as those done at the Cotton Club in New York. An unusual (for the time) feature of the dance was the inclusion of sections where the dancers would move apart from each other and perform individual steps (known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Murray Dance Studio
Arthur Murray (born Moses Teichman, April 4, 1895 – March 3, 1991) was an American ballroom dancer and businessman, whose name is most often associated with the dance studio chain that bears his name. Early life and start in dance Arthur Murray was born in 1895 as Moses Teichman in Galicia, Austria-Hungary, to a family of Jewish background. In August 1897, he was brought to America by his mother Sarah on the ''S.S. Friesland'', and landed at Ellis Island. They settled in Ludlow Street, in the Lower East Side of Manhattan with his father, Abraham Teichmann. He soon began teaching ballroom dancing to patients from the greater Boston, area, at the Devereux Mansion Physical Therapy Clinic in Marblehead, Massachusetts, before moving to Asheville, North Carolina. Murray arrived at the Battery Park Hotel November 28, 1914, at age 19 and began teaching dance there. At the outbreak of World War I, under the pressure of the anti-German sentiment prevalent in the U.S., Murray changed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Morrow
Buddy Morrow (born Muni Zudekoff, aka Moe Zudekoff; February 8, 1919 – September 27, 2010) was an American trombonist and bandleader. Career On a scholarship at age 16, Morrow studied trombone with Ernest Horatio Clarke (1865–1947) at Juilliard from October to December 1936. During the next year he began playing trombone with Sharkey Bonano's Sharks of Rhythm, an Eddie Condon group. He then worked with Eddy Duchin, Vincent Lopez, and Artie Shaw. He became known as "Buddy Morrow" in 1938 when he joined the Tommy Dorsey band. In 1939 he performed with Paul Whiteman's Concert Orchestra for their recording of Gershwin's ''Concerto in F''. In 1940, Morrow joined the Tony Pastor band, but this was only a short detour on his way to replacing Ray Conniff in the Bob Crosby band. Shortly thereafter, he joined the U.S. Navy, during which he recorded with Billy Butterfield, leading a ten-piece band with three trombones, accompanying Red McKenzie singing four arrangements, including "Swe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Mint Julep
"One Mint Julep" is a R&B song, written and composed by Rudy Toombs, that became a 1952 hit for the Clovers. History "One Mint Julep" was recorded on the Atlantic Records label in New York City on December 19, 1951, and released in March 1952. It was one of the first "drinking songs" to become a hit and one of the first to feature a tenor saxophone solo. It was an important step in the history of Ahmet Ertegun and Atlantic Records in its quest to become a hot rhythm and blues label. Stylistically, the Clovers were moving away from the sentimental lyrics of the romantic doo-wop group songs and adapting a cooler group style, emphasizing rhythm more, nearing the style of a jump blues combo. Toombs had been hired by the Atlantic Records label to write and compose humorous up-tempo rhythm and blues novelty songs. Atlantic wanted material that was true to life, but also funny. The humor in this song comes in part from the idea of a young black man getting drunk on mint juleps, traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Brown (bandleader)
Lester Raymond Brown (March 14, 1912 – January 4, 2001) was an American jazz musician who led the big band Les Brown and His Band of Renown for nearly seven decades from 1938 to 2000. Biography Brown was born in Reinerton, Pennsylvania. He enrolled in the Conway Military Band School (later part of Ithaca College) in 1926, studying with famous bandleader Patrick Conway for three years before receiving a music scholarship to the New York Military Academy, where he graduated in 1932. Brown attended college at Duke University from 1932 to 1936. There he led the group Les Brown and His Blue Devils, who performed regularly on Duke's campus and up and down the east coast. Brown took the band on an extensive summer tour in 1936. At the end of the tour, while some of the band members returned to Duke to continue their education, others stayed on with Brown and continued to tour, becoming in 1938 the Band of Renown. The band's original drummer, Don Kramer, became the acting manager and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Anthony
Raymond Antonini (born January 20, 1922), known as Ray Anthony, is an American bandleader, trumpeter, songwriter, and actor. He is the last surviving member of the Glenn Miller Orchestra. Biography Anthony was born to an Italian family in Bentleyville, Pennsylvania, but moved with his family to Cleveland, Ohio, where he studied the trumpet. He played in Glenn Miller's band from 1940 to 1941 and appeared in the Glenn Miller movie ''Sun Valley Serenade'' before joining the United States Navy, U.S. Navy during World War II. After the war he formed his own group. The Ray Anthony Orchestra became popular in the early 1950s with "Bunny hop (dance), The Bunny Hop", "Hokey Pokey", and the theme from ''Dragnet (series), Dragnet''.Wynn, RonRay Anthony Biography, Allmusic, retrieved 2011-06-17 He had a No. 2 chart hit with a recording of the tune "At Last" in 1952; it was the highest charting pop version of the song in the U.S. His 1962 recording 'Worried Mind' received considerable radi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Era
The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Myths
''Urban Myths'' is a British biographical comedy drama television series first aired on 19 January 2017 on the Sky Arts. Each episode featured a story surrounding popular culture which may or may not be true, ranging from Muhammad Ali talking a man down from a ledge to Bob Dylan turning up on a stranger's doorstep in London. A second series was announced featuring The Sex Pistols and Salvador Dalí, which began airing on 12 April 2018. The series was most notable for a controversy surrounding the casting of Joseph Fiennes in the role of Michael Jackson, an episode that was pulled from transmission. Episodes Series 1 (2017) Series 2 (2018) Series 3 (2019) Series 4 (2020) Reception Although stories surrounding the pulled episode overshadowed the rest of the series, the aired episodes attracted a positive response. In particular the opening episode, featuring Eddie Marsan as Bob Dylan, was described in approving newspaper reviews as "charming and hilarious", "short, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slotted Dance
In slotted dances, the dance slot is an imaginary narrow rectangle within which the follower moves back and forth in relation to the leader, who is comparatively stationary. Slotted dances include: West Coast Swing, Dallas Push, Houston Whip, Supreme Swing in Tulsa, Imperial Swing in St. Louis, Alcatraz in New Orleans, Carolina Shag, DC Swing, as well as variants of other dances, such as Salsa or Hustle, that may be performed in a slotted style as well. As a rule, the leader mostly stays in the slot, leaving it only to make room for the follower to pass by. The leader almost never makes the follower circle around when passing by; they may go into a common rotational figure when the follower happens to come close, but such figures are usually in a tight position and do not change the overall "slotted" appearance. Factors that have often been looked upon as contributing to the development of slotted dance style include: # Maximizing visibility for the audience, when a dance will ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of U
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fad Dance
A fad or trend is any form of collective behavior that develops within a culture, a generation or social group in which a group of people enthusiastically follow an impulse (psychology), impulse for a short period. Fads are objects or behaviors that achieve short-lived popularity but fade away. Fads are often seen as sudden, quick-spreading, and short-lived. Fads include fad diet, diets, clothing, hairstyles, toys, and more. Some popular fads throughout history are toys such as yo-yos, hula hoops, and fad dances such as the Macarena (song), Macarena, Floss (dance), floss and the Twist (dance), twist. Similar to habits or Convention (norm), customs but less durable, fads often result from an activity or behavior being perceived as emotionally Popularity, popular or excited state, exciting within a peer group, or being deemed "peer pressure, cool" as often promoted by social networks.Kornblum (2007), p. 213. A fad is said to "catch on" when the number of people adopting it begins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(LOC)_(4843125023).jpg "Click for more on -> Les Brown (bandleader)")
