|
Welcome Plastics
''Welcome Plastics'' is the debut studio album by Japanese rock band Plastics. The album, produced by the band, was released on 25 January 1980 by the Victor Music Industries label Invitation. Reception ''Trouser Press'' called the album "marvelous and well worth finding for fans of extreme kitsch and quirk". Legacy ''Welcome Plastics'' was ranked number 19 in the Japanese edition ''Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first kno ...'''s list of "The 100 Greatest Japanese Rock Albums of All Time". Track listing Release history *The entire album is included on the ''Forever Plastico'' compilation album. *"Copy", "Robot", "Delicious", "Digital Watch", "Complex", "Last Train to Clarksville", "Can I Help Me?", "I Love You Oh No!" and "Welcome Plastics" are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastics (band)
Plastics, or The Plastics, were a short-lived Japanese new wave band who rose to prominence in the late 1970s and early 1980s. originally issue #4 Audimat (in French). Their music was a major influence on Japanese pop music and their songs have been covered by many bands, most notably Polysics, Pizzicato Five, and Stereo Total. In September 2007, '' Rolling Stone Japan'' ranked their debut album ''Welcome Plastics'' at No. 19 on their list of the "100 Greatest Japanese Rock Albums of All Time". Biography Fellow new wave bands Talking Heads, The B-52's and Devo were fans of Plastics and were instrumental in getting their albums released in the United States. The band's mainstream exposure began when Toshio Nakanishi designed a tour program book for Talking Heads and gave their frontman David Byrne a tape of Plastics demos. Byrne promptly sent it to the B-52's' manager, who offered to represent them internationally. The band used the Roland CR-68 and CR-78 drum mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harajuku
is a district in Shibuya, Tokyo, Japan. Harajuku is the common name given to a geographic area spreading from Harajuku Station to Omotesando, corresponding on official maps of Shibuya ward as Jingūmae 1 chōme to 4 chōme. In popular reference, Harajuku also encompasses many smaller backstreets such as Takeshita Street and Cat Street spreading from Sendagaya in the north to Shibuya in the south. Harajuku is known internationally as a center of Japanese youth culture and fashion. Shopping and dining options include many small, youth-oriented, independent boutiques and cafés, but the neighborhood also attracts many larger international chain stores with high-end luxury merchandisers extensively represented along Omotesando. Harajuku Station on the East Japan Railway (JR East) Yamanote Line and Meiji-jingumae 'Harajuku' Station served by the Tokyo Metro Chiyoda Line and Tokyo Metro Fukutoshin Line also act as gateways to local attractions such as the Meiji Shrine, Yoyogi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tracks Of My Tears
"The Tracks of My Tears" is a song written by Smokey Robinson, Pete Moore, and Marv Tarplin. It is a multiple award-winning 1965 hit R&B song originally recorded by their group, The Miracles, on Motown's Tamla label. The Miracles' million-selling original version has been inducted into The Grammy Hall of Fame, has been ranked by the Recording Industry Association of America and The National Endowment for the Arts at 127 in its list of the "Songs of the Century" – the 365 Greatest Songs of the 20th Century, and has been selected by ''Rolling Stone'' as No. 50 on its list of "The 500 Greatest Songs of All Time", among many other awards. In 2021, ''Rolling Stone'' ranked The Miracles' original recording of "The Tracks of My Tears" as "The Greatest Motown Song of All Time." The Miracles original version Background "The Tracks of My Tears" was written by Miracles members Smokey Robinson (lead vocalist), Pete Moore (bass vocalist), and Marv Tarplin (guitarist). In the five-LP p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound And Vision
"Sound and Vision" is a song by English musician David Bowie. It was released in January 1977 by RCA Records on side one of his 11th studio album '' Low''. RCA later chose it as the first single from the album. Co-produced by Bowie and Tony Visconti, the song was recorded at the Château d'Hérouville in Hérouville, France, in September 1976, and completed at Hansa Studios in West Berlin in October and November. The song began as a simple G major chord progression that Bowie gave to the backing musicians, writing and recording his vocals afterward. It features backing vocals from Brian Eno and Visconti's then-wife Mary Hopkin. Regarded by biographers as the closest to a "conventional pop song" on ''Low'', "Sound and Vision" is oddly structured. Beginning as an instrumental, elements are added throughout the song's runtime; Bowie's vocals do not appear for over a minute and a half. The song's lyrics are dark and introspective, reflecting Bowie's mental state after years of d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low (David Bowie Album)
''Low'' is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. After years of drug addiction when living in Los Angeles, Bowie moved to France in 1976 with his friend Iggy Pop to sober up. There, Bowie produced and co-wrote Pop's debut studio album, ''The Idiot'', featuring sounds Bowie would explore on his next record. After completing ''The Idiot'', Bowie began recording the first of three collaborations that became known as the Berlin Trilogy with American producer Tony Visconti and English musician Brian Eno. Sessions began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated. Grounded in art rock and experimental rock and influenced by German bands such as Tangerine Dream, Neu!, Harmonia and Kraftwerk, ''Low'' features Bowie's first explorations in electronic and ambient styles. Side one consists primarily of short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Be My Wife
"Be My Wife" is a song by English musician David Bowie. It was the second single from ''Low'' (1977), released on 17 June 1977. Its presence in ''Low'' tones down the electronic feel of the rest of the album. The song also features a more conventional lyric which is closer to a traditional rock song than the more fragmented lyrics elsewhere on that album. The song features a ragtime piano opening, which serves the somewhat retro lyrics some justice, although it is soon set against a backdrop of guitars and drums. The song repeats its lyrics, changing the spacing of the lyrics amongst the song's verse. The song closes simply with a fadeout, as the song returns to the introductory ragtime riff repeating indefinitely, with the rest of the band playing behind it. "Be My Wife" became the first new Bowie release since " Changes" to fail to break into the UK chart. It was frequently played live on the various tours after its release and Bowie is said to have repeatedly announced t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunky Dory
''Hunky Dory'' is the fourth studio album by English musician David Bowie, released on 17December 1971 through RCA Records. Following the release of his 1970 album, '' The Man Who Sold the World'', Bowie took time off from recording and touring. He settled down to write new songs, composing on piano rather than guitar as on earlier tracks. Following a tour of the United States, Bowie assembled a new backing band consisting of guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey, and began to record a new album in mid-1971 at Trident Studios in London. Future Yes member Rick Wakeman contributed on piano. Bowie co-produced the album with Ken Scott, who had engineered Bowie's previous two records. Compared to the guitar-driven hard rock sound of ''The Man Who Sold the World'', Bowie opted for a warmer, more melodic piano-based pop rock and art pop style on ''Hunky Dory''. His lyrical concerns on the record range from the compulsive nature of artistic reinventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changes (David Bowie Song)
"Changes" is a song by English singer-songwriter David Bowie, originally released on his 1971 album ''Hunky Dory''. RCA Records then released it as a single from the album on 7 January 1972. Written following his promotional tour of America in early 1971, "Changes" was recorded at Trident Studios in London between June and July that year. Co-produced by Bowie and Ken Scott, it featured Strawbs member Rick Wakeman on piano and the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. The song also marks the first instance of Bowie playing the saxophone on one of his recordings. At this point in his career, Bowie had experimented with numerous musical styles, all of which failed to earn him stardom. The lyrics of "Changes" reflect this, with the first verse focusing on the compulsive nature of artistic reinvention and distancing oneself from the rock mainstream. The second verse concerns clashes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loaded (The Velvet Underground Album)
''Loaded'' is the fourth studio album by American rock band The Velvet Underground, released in November 1970 by Atlantic Records' subsidiary label Cotillion. Despite having a number of singles originate from it, the album itself failed to chart. It was the final album recorded featuring founding member and main songwriter Lou Reed, who left shortly before its release. Other founding members Sterling Morrison and Maureen Tucker would leave in 1971. For this reason, it is often considered by fans to be the "last" Velvet Underground album. It has retrospectively gained positive reception; ''Loaded'' was ranked number 110 in 2012, and ranked number 242 in 2020, on '' Rolling Stone''s list of the 500 greatest albums of all time. Background ''Loaded'' was a commercial effort aimed at radio play, and the album's title refers to Atlantic's request that the band produce an album "loaded with hits", with a double meaning about the word "loaded", that can also mean "full of drugs" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Jane
"Sweet Jane" is a song by American rock band the Velvet Underground; it appears on their fourth studio album '' Loaded'' (1970). The song was written by Lou Reed, the band's leader, who continued to incorporate the piece into live performances as a solo artist. When ''Loaded'' was originally released in 1970, the song's bridge was cut. The box set ''Peel Slowly and See'' (1995) and reissue ''Loaded: Fully Loaded Edition'' restored the missing section. The song also appears on the albums ''Live at Max's Kansas City''; '' 1969: The Velvet Underground Live''; ''Peel Slowly and See''; ''Live MCMXCIII''; '' Loaded: Fully Loaded Edition''; ''American Poet''; ''Rock 'n' Roll Animal''; '' Live: Take No Prisoners''; '' Live in Italy''; ''The Concert for the Rock and Roll Hall of Fame''; '' Rock and Roll: an Introduction to The Velvet Underground''; ''NYC Man (The Ultimate Collection 1967–2003)''; ''Live on Letterman: Music from The Late Show''; and '' Berlin: Live At St. Ann's Warehous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Velvet Underground & Nico
''The Velvet Underground & Nico'' is the debut album by the American rock band the Velvet Underground and German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. The album features Experimental music, experimental performance sensibilities and controversial lyrical topics, including drug abuse, prostitution, sadomasochism and sexual deviancy. ''The Velvet Underground & Nico'' initially sold poorly, but later became regarded as one of the most influential albums in Rock music, rock and pop music. Described as "the original art rock, art-rock record", it was a major influence on many subgenres of rock music and Alternative rock, alternative music, including Punk rock, punk, garage rock, garage, krautrock, post-punk, shoegaze, Goth rock, goth, and Indie rock, indie. In 1982, the English musician Brian Eno said that while the album only sold approximately 30,000 copies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> David Bowie")
