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Weekends (The Black Eyed Peas Song)
"Weekends" is a song recorded by American group Black Eyed Peas for their second studio album '' Bridging the Gap'' (2000). It features vocals from Canadian singer Esthero. The song was released as the second single from ''Bridging the Gap'' on August 29, 2000, by Interscope Records. A modest commercial success, it peaked at number 73 on the US Hot R&B/Hip-Hop Songs. Background A remix of the song was featured on the deluxe edition of the group's fifth studio album, '' The E.N.D.'' The song samples the intro of "Family Affair" by Sly & the Family Stone, while the intro samples "Lord of the Golden Baboon" by Mandrill. The song's chorus is an interpolation of the chorus to Debbie Deb's "Lookout Weekend". This was the last single they released before Kim Hill left the group. Music video The video starts with members of the band at a work place. and continues by showing the band leaving. Arriving home, they start planning what they are going to do at the weekend. This is later fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Black Eyed Peas
Black Eyed Peas (also known as The Black Eyed Peas) is an American musical group consisting of rappers will.i.am, apl.de.ap, Taboo. The group's line-up during the height of their popularity in the 2000s featured Fergie, who replaced Kim Hill in 2002. Originally an alternative hip hop group, they subsequently refashioned themselves as a more marketable pop-rap act. Although the group was founded in Los Angeles in 1995, it was not until the release of their third album, ''Elephunk'', in 2003, that they achieved high record sales. Black Eyed Peas' first major hit was the 2003 single "Where Is the Love?" from ''Elephunk'', which topped the charts in 13 countries, including the United Kingdom, where it spent seven weeks at number one and went on to become Britain's biggest-selling single of 2003. Their fourth album, '' Monkey Business'', was an even bigger worldwide success, and became certified 3× Platinum in the United States. In 2009, the group became one of only 11 artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Family Affair (Sly & The Family Stone Song)
"Family Affair" is a 1971 number-one hit single recorded by Sly and the Family Stone for the Epic Records label. Their first new material since the double A-sided single "Thank You (Falettinme Be Mice Elf Agin)"/ "Everybody Is a Star" nearly two years prior, "Family Affair" became the third and final number-one pop single for the band. In 2021, ''Rolling Stone'' magazine ranked the song 57th on their list of the 500 Greatest Songs of All Time. The cover version by John Legend, Joss Stone, and Van Hunt, won the Grammy Award for Best R&B Performance by a Duo or Group with Vocals at 49th Annual Grammy Awards. Overview Released on November 6, 1971, "Family Affair" was markedly different from the earlier Sly & the Family Stone hits. Engineering consultant Richard Tilles muted most of Sly Stone's guitar parts while emphasizing the electric piano played by Billy Preston and "edit ngthe rhythm box to sound like a heartbeat," according to David Hepworth. "Family Affair" was the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal Music
Universal Music Group N.V. (often abbreviated as UMG and referred to as just Universal Music) is a Netherlands, Dutch–United States, American multinational Music industry, music corporation under Law of the Netherlands, Dutch law. UMG's corporate headquarters are located in Hilversum, Netherlands and its operational headquarters are located in Santa Monica, California. The biggest music company in the world, it is one of the "Record label#3, Big Three" record labels, along with Sony Music and Warner Music Group. Tencent acquired ten percent of Universal Music Group in March 2020 for €3 billion and acquired an additional ten percent stake in January 2021. Pershing Square Holdings later acquired ten percent of UMG prior to its Initial public offering, IPO on the Euronext Amsterdam stock exchange. The company went public on September 21, 2021, at a valuation of €46 billion. In 2019, ''Fast Company'' named Universal Music Group the most innovative music company and listed UM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxi Single
A maxi single or maxi-single (sometimes abbreviated to MCD or CDM) is a music single release with more than the usual two tracks of an A-side song and a B-side song. The first maxi singles Mungo Jerry's first single, "In the Summertime" was the first maxi single in the world. The term came into wide use in the 1970s, where it usually referred to 7-inch vinyl singles featuring one track on the A-side and two on the B-side. The 1975 reissue of David Bowie's "Space Oddity", where the featured song is coupled with "Changes" and "Velvet Goldmine", is a typical example. By the mid-1970s, it was used to refer to 12" vinyl singles with three or four tracks (or an extended or remixed version of the lead single/song) on the A-side, with an additional two or three tracks on the B-side; the B-side was initially used by DJs. Later, in the 1980s, a typical practice was to release a two-song single on 7" vinyl and cassette, and a maxi-single on 12" vinyl. These first 12" maxi-singles were prom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-inch Single
The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl ( polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either or 45 . The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. Technical features Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Contemporary Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary Radio
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARIA Charts
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the ''Countdown'' chart, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blood Of Abraham
Blood of Abraham was an American hip-hop duo composed of Benyad (Benjamin Mor) and Mazik (David Saevitz). They debuted in 1993 with the release of the LP '' Future Profits'' on Ruthless Records. A key characteristic of the group was their unapologetic Jewish identity. Their best-known track is "Niggaz and Jewz (Some Say Kikes)", a call for blackJewish unity in the face of shared struggle against bigotry. Made at the height of the strain on Black-Jewish relations in the United States, its opening sample was an actual recording of a Ku Klux Klansman. It featured a verse from Eazy-E as well as the first recorded appearance by will.i.am of the Black Eyed Peas known then as Will 1X (the group was then known as "Atban Klann".) Other tracks dealing with Jewish themes were "Father of Many Nations" (a song in praise of the Biblical patriarch Abraham) and "Stick To Your Own Kind". A video was shot for the track "Stabbed by the Steeple," and print ads were centered on large text procla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kim Hill (soul Musician)
Kimberly Allise Hill is an American soul musician, best known for her work with the hip hop group the Black Eyed Peas. Personal life Hill grew up in Camillus, New York, a small suburb outside Syracuse, New York. She was raised by her single mother in a primarily white neighborhood. Hill is divorced and has one son. She also has a brother. Career When Hill moved to Los Angeles, she found work as an extra on television for shows such as ''Living Single''. She joined Black Eyed Peas after meeting them backstage at a BMI showcase in 1995. She also signed to will.i.am's label I Am Music (an imprint of Interscope Records). Hill got to realize her childhood dream of performing on ''Soul Train'' when Black Eyed Peas were asked to perform in 1998.'''' Hill signed a solo deal with Interscope Records in 1998, but she later ended up releasing the record on her own. As the merger of Interscope's parent company Universal Music Group and PolyGram took full effect, Hill resisted pressur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
