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Wednesday Concerts
The Wednesday Concerts were a series of concerts held at Exeter Hall in London, established in 1848 and discontinued in 1850. The purpose was to give a miscellaneous musical entertainment at a cheap price of admission, similar to that paid at the Popular Concerts. The first series, consisting of fifteen concerts, began on 22 November 1848, and were continued once a week until 28 February 1849. The second and third series were continued until 27 June, twenty-seven having been given altogether. There was a small orchestra under John Willy as leader, and the programmes consisted of light overtures, operatic selections, vocal and orchestral, ballads, and light instrumental pieces. Occasionally more important works were tried, such as Mendelssohn's ''Antigone'', Rossini's Stabat Mater, or Mendelssohn's Piano Concerto No. 1. A fourth series of fifteen concerts was given, extending from 24 October 1849 to 30 January 1850, and a fifth was attempted, but only twelve of the fifteen were gi ...
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Exeter Hall
Exeter Hall was a large public meeting place on the north side of the Strand in central London, opposite where the Savoy Hotel now stands. From 1831 until 1907 Exeter Hall was the venue for many great gatherings by promoters of human betterment, most notably the anti-slavery movement. History London in the 19th century was the most populous city in the world, and yet its indoor meeting places were inadequate. The largest, the Freemasons' Hall, could only fit about 1600 people, so a consortium decided that it was time to build a larger venue. Exeter Hall was erected between 1829 and 1831 to designs by John Peter Gandy, the brother of the visionary architect Joseph Michael Gandy. The hall was built on the site of Exeter Exchange, which had been famous for its menagerie of wild animals; prior to the Exeter 'Change, as it was known, the site had been occupied since the 16th century by part of Exeter House (formerly Burghley House and Cecil House), the London residence of the Ea ...
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Giorgio Ronconi
Giorgio Ronconi (6 August 1810 – 8 January 1890) was an Italian operatic baritone celebrated for his brilliant acting and compelling stage presence. In 1842, he created the title-role in Giuseppe Verdi's ''Nabucco'' at La Scala, Milan. Personal life Ronconi was born in Milan and had been taught to sing by his father, Domenico Ronconi, who was a leading tenor. He married soprano Elguerra Giannoni on 8 October 1837 in Naples, Naples, Italy. By some accounts Giannoni had sung with some success at the Lyceum Theatre, London, Lyceum Theatre and at the Her Majesty's Theatre, King's Theatre in London. However, Harold Rosenthal has written: "This lady, who failed on virtually every opera stage in Europe, was considered a good concert-room singer only, but so indispensable was her husband to any Italian company that willy-nilly she had to be engaged as well." In his later years, Ronconi founded a school of singing at Granada in Spain and also accepted a professorial post at the Madrid R ...
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British Music History
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * B ...
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George John Bennett
George John Bennett (1800–1879) was for nearly 40 years a Shakespearian actor on the London stage, notably Covent Garden and Drury Lane. Life He was the son of the eminent popular comedian George Bennett anHarriet Morland, the daughter of an ancient family in Westmorland (parents: Jacob Morland of Killington, Dorothy Brisco of Kendal, and sister, Lady Shackerley of Somerford Hall). Both parents acted for the Norwich Company of Comedians. He was born in Ripon in Yorkshire on 9 March 1800. At the age of 18, he acted at the Lynn Theatre in Norfolk under the management of Messrs. Elliston and John Brunton. The Provincial circuits From the Lynn theatre, he went to the Theatre at Newcastle, where he played with great success under the eminent tragedian Macready. After two years of wandering from theatre to theatre, from Richmond to North and South Shields, his popularity increasing wherever he went, he finally settled in the York circuit, where his reputation as an actor was perm ...
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Charlotte Vandenhoff
Charlotte Elizabeth Vandenhoff (1818 – 31 July 1860), became Charlotte Swinbourne, was a British actress who appeared in leading theatres in London, New York and Philadelphia. Life Vandenhoff was born in Liverpool in 1818. Her parents were Elizabeth (born Pike) and the actor John Vandenhoff. Her younger brother was the elocutionist and actor George Vandenhoff. Her debut as an actress was in the role of Juliet at Drury Lane on 11 April 1836. She soon appeared at the other leading theatres of Covent Garden and the Haymarket. She played several roles in ''The Lady of Lyons'' (Imogen, Cordelia, and Pauline). In 1837 she took the role of Lydia in the first production of ''The Love Chase'' by Sheridan Knowles. In 1852, she was chosen to be in John Tallis's "Shakespeare Gallery" in a painting titled ''Miss Vandenhoff as Juliet'' (with a quote from Act 3, scene ii). Engravings were made and potters in Stoke made figurines of her. In 1839 she went to America where she acted in New ...
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John Vandenhoff
John Michael Vandenhoff (31 March 1790 – 4 October 1861) was an English actor. He performed in London theatres, and also in Edinburgh and Liverpool; he played leading roles including those in Shakespearean tragedy. Life Vandenhoff was born in 1790 Salisbury, where his family, of Dutch extraction, coming over, it is said, in the train of William of Orange, appear to have been dyers. He was educated at Stonyhurst College, with a view to the priesthood. For a year he taught classics in a school. Early career His first appearance on the stage was at Salisbury in May 1808, as Osmond in '' The Castle Spectre''. After playing at Exeter, Weymouth, and elsewhere, with Edmund Kean, and at Swansea with John Cooper, he made his first appearance at Bath in October 1813 as Jaffier in ''Venice Preserv'd''. During the season 1813–1814 he played Alcanor in '' Mahomet'', Freehold in ''The Country Lasses'' and King Henry in ''First Part of Henry IV''. In 1814 he was a member of the company ...
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Distin Family
The Distin family was an ensemble of British musicians in the 19th century who performed on brass instruments, and from 1845 promoted the saxhorn. One of them, Henry Distin, later became a noted brass instrument manufacturer in the United Kingdom and United States. John Distin, early career John Distin (1798–1863) was born in Plympton, and began his musical career with the South Devon Militia, and from 1814 in the Grenadier Guards. He was known as a soloist in his early teens: the melodrama ''The Miller and his Men'' by Henry Bishop, which contained a trumpet obbligato based on Distin's style, dates from 1813. In the Guards, he was taken to be a virtuoso of the keyed bugle, and came to notice in Paris after the battle of Waterloo. The development by Halary of the ophicleides is put down to a request from Grand Duke Konstantin Pavlovich of Russia, who had there heard Distin play the keyed bugle for the Grenadier Guards. Distin in 1821 joined the band of George IV, in which he p ...
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Antoine Joseph Lavigne
Antoine Joseph Lavigne (23 March 1816 – 1886) was a highly regarded French oboist. He lived in England for much of his career, and was a member of the Hallé Orchestra. Life Lavigne was born in Besançon in 1816, and received his early musical education from his father, a musician in an infantry regiment. In 1830 he was admitted a pupil of the Conservatoire de Paris, where he studied the oboe under Gustave Vogt. He was obliged to leave in May 1835, when his father's regiment was ordered from Paris. He rejoined the school in October 1836, and obtained the first prize in 1837. Lavigne was for several years principal oboe at the Théâtre-Italien at Paris. In 1841 he came to England, and appeared as oboe soloist at the Promenade Concerts at Theatre Royal, Drury Lane. Later he was for many years a member of the Hallé Orchestra in Manchester. He addressed himself with great earnestness to applying to the oboe the system of keys which Boehm had contrived for the flute, and devoted ...
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Eugène Léon Vivier
Eugène Léon Vivier (1821–1900) Percy A. Scholes. "Vivier, Eugène Léon" in ''The Concise Oxford Dictionary of Music''. Oxford University Press, 1964. was a French horn player, admired by Napoleon III. Life He was born in 1821 in Ajaccio, Corsica; his father was a tax collector. He moved to Paris, where he became a member of the orchestra of the Théâtre-Italien."Vivier, Eugene Leon"
Grande Musica. Retrieved 14 April 2019.
"Vivier, the Horn Player: Practical joking which was in vogue under Napoleon III"
''Daily Journal'' (Te ...
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Heinrich Wilhelm Ernst
Heinrich Wilhelm Ernst (8 June 18128 October 1865) was a Moravian-Jewish violinist, violist and composer. He was seen as the outstanding violinist of his time and one of Niccolò Paganini's greatest successors. He contributed to polyphonic playing and discovered new ways to compose polyphonic violin music. His most famous, and technically difficult, compositions include the sixth of his ''Polyphonic Studies'' "Die letzte Rose", and ''Grand Caprice'' on Schubert's "Erlkönig". Biography Ernst was born in Brno, Moravia on 8 June 1812.Most articles concerning Heinrich Wilhelm Ernst say he was born on 6 May 1814. Mark W. Rowe, in his 2008 work, concluded that this date could not be correct. The pressure, as a prodigy, to be young, coupled with the absence of a birth certificate and unreliability of the marriage certificate, makes Rowe think that Ernst was actually born on 8 June 1812, and was therefore nearly two years older than is normally thought. He began playing violin at the ag ...
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Prosper Sainton
Prosper Philippe Catherine Sainton (5 June 1813 – 17 October 1890) was a French violinist. Life Sainton was the son of a merchant at Toulouse, where he was born. He entered the Paris Conservatoire under François Antoine Habeneck in 1831, and became professor of the violin in the Conservatoire of Toulouse. In 1844 he made his first appearance in England, at a Philharmonic concert directed by Mendelssohn. Settling in London, he was in 1845 appointed professor at the Royal Academy of Music. In the early organizations for chamber music which culminated in the establishment of the Popular Concerts, Sainton bore an important part; and when the Royal Italian Opera was started at Covent Garden, he led the orchestra under Michael Costa, with whom he migrated to Her Majesty's Theatre in 1871. From 1848 to 1855 Sainton was leader of the Queen's Band, and in 1862 he conducted the music at the opening of the International Exhibition. In 1860, he married the famous contralto si ...
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Sigismond Thalberg
Sigismond Thalberg (8 January 1812 – 27 April 1871) was an Austrian composer and one of the most distinguished virtuoso pianists of the 19th century. Family He was born in Pâquis near Geneva on 8 January 1812. According to his own account, he was the illegitimate son of Moritz, Prince of Dietrichstein and Baroness Maria Julia Wetzlar von Plankenstern (an ennobled Jewish Viennese family). She was born Julia Bydeskuty von Ipp, from a Hungarian family of lower nobility, and in 1820 married Baron Alexander Ludwig Wetzlar von Plankenstern. However, according to his birth certificate, he was the son of Joseph Thalberg and Fortunée Stein, both from Frankfurt-am-Main. Early life Little is known about Thalberg's childhood and early youth. It is possible that his mother had brought him to Vienna at the age of 10 (the same year in which the 10-year-old Franz Liszt arrived there with his parents). According to Thalberg's own account, he attended the first performance of Beethoven's ...
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