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We Gotta Get Out Of This Place
"We Gotta Get Out of This Place", occasionally written "We've Gotta Get Out of This Place", is a rock song written by Barry Mann and Cynthia Weil and recorded as a 1965 hit single by the Animals. It has become an iconic song of its type and was immensely popular with United States Armed Forces G.I.s during the Vietnam War. In 2004 it was ranked number 233 on ''Rolling Stone'''s The 500 Greatest Songs of All Time list; it is also in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list. History Barry Mann and Cynthia Weil were husband and wife (and future Hall of Fame) songwriters associated with the 1960s Brill Building scene in New York City. Mann and Weil wrote and recorded "We Gotta Get Out of This Place" as a demo, with Mann singing and playing piano. It was intended for The Righteous Brothers, for whom they had written the number one hit "You've Lost That Lovin' Feelin'" Demo audio stream at end of article. but then Mann gained a recording contract for ...
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The Animals
The Animals (also billed as Eric Burdon and the Animals) are an English rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic number-one hit single "The House of the Rising Sun" as well as by hits such as "We Gotta Get Out of This Place", " It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider" and "Don't Let Me Be Misunderstood." The band balanced tough, rock-edged pop singles against rhythm-and-blues-oriented album material and were part of the British Invasion of the US. The Animals underwent numerous personnel changes in the mid-1960s, and suffered from poor business management, leading the original incarnation to split up in 1966. Burdon assembled a mostly new lineup of musicians under the name Eric Burdon and the Animals; the much-changed act moved to Ca ...
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Songwriters Hall Of Fame
The Songwriters Hall of Fame (SHOF) is an American institution founded in 1969 by songwriter Johnny Mercer, music publisher/songwriter Abe Olman, and publisher/executive Howie Richmond to honor those whose work, represent, and maintain, the heritage and legacy of a spectrum of the most beloved English language songs from the world's popular music songbook. It not only celebrates these established songwriters, but is also involved in the development of new English language songwriting talent through workshops, showcases, and scholarships. There are many programs designed to teach and discover new English language songwriters. Nile Rodgers serves as the organization's chairman. The Hall of Fame was formed in 1969, and in 2010, an exhibit was put on display online inside the Grammy Museum at L.A. Live in Los Angeles. The Hall has no permanent place of residence, and because the awards are not televised, there would be no other digital recording of the event for posterity. There ar ...
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Working Class
The working class (or labouring class) comprises those engaged in manual-labour occupations or industrial work, who are remunerated via waged or salaried contracts. Working-class occupations (see also " Designation of workers by collar colour") include blue-collar jobs, and most pink-collar jobs. Members of the working class rely exclusively upon earnings from wage labour; thus, according to more inclusive definitions, the category can include almost all of the working population of industrialized economies, as well as those employed in the urban areas (cities, towns, villages) of non-industrialized economies or in the rural workforce. Definitions As with many terms describing social class, ''working class'' is defined and used in many different ways. The most general definition, used by many socialists, is that the working class includes all those who have nothing to sell but their labour. These people used to be referred to as the proletariat, but that term has gone out of ...
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Industrial Revolution
The Industrial Revolution was the transition to new manufacturing processes in Great Britain, continental Europe, and the United States, that occurred during the period from around 1760 to about 1820–1840. This transition included going from hand production methods to machines, new chemical manufacturing and iron production processes, the increasing use of steam power and water power, the development of machine tools and the rise of the mechanized factory system. Output greatly increased, and a result was an unprecedented rise in population and in the rate of population growth. Textiles were the dominant industry of the Industrial Revolution in terms of employment, value of output and capital invested. The textile industry was also the first to use modern production methods. The Industrial Revolution began in Great Britain, and many of the technological and architectural innovations were of British origin. By the mid-18th century, Britain was the world's leadi ...
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Don't Bring Me Down (The Animals Song)
"Don't Bring Me Down" is a song composed by Gerry Goffin and Carole King and recorded as a 1966 hit single by the Animals. It was the group's first release with drummer Barry Jenkins, who replaced founding member John Steel as he had left the band in February of that year. History "Don't Bring Me Down" was one of a series of Animals renditions of Brill Building material, following the 1965 hits "We Gotta Get Out of This Place" and " It's My Life". According to one account, all three came out of one call in 1965 that the Animals' then-producer Mickie Most made for songs. The Animals had always had a somewhat contentious relationship with such songs, knowing they gave them hits but preferring the more straightforward R&B numbers they used for album tracks. Moreover, now they were performing a Goffin and King selection; although the couple was already legendary for their pop songwriting prowess, Animals lead singer Eric Burdon had previously seemingly mocked Goffin-King's "Take G ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Allen Klein
Allen Klein (December 18, 1931 July 4, 2009) was an American businessman whose aggressive negotiation tactics affected industry standards for compensating recording artists. He founded ABKCO Music & Records Incorporated. Klein increased profits for his musician clients by negotiating new record company contracts. He first scored monetary and contractual gains for Buddy Knox and Jimmy Bowen, one-hit rockabillies of the late 1950s, then parlayed his early successes into a position managing Sam Cooke, and eventually managed the Beatles and the Rolling Stones simultaneously, along with many other artists, becoming one of the most powerful individuals in the music industry during his era. Rather than offering financial advice and maximizing his clients' income, as a business manager normally would, Klein set up what he called "buy/sell agreements" where a company that Klein owned became an intermediary between his client and the record label, owning the rights to the music, manufact ...
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Red Bird Records
Red Bird Records was a record label founded by American pop music songwriters Jerry Leiber, Mike Stoller, and George Goldner in 1964. Though often thought of as a "girl-group" label, female-led acts made up only 40% of the artist roster on Red Bird and its associated labels (including Blue Cat Records, Tiger and Daisy). However, female-led acts also accounted for more than 90% of the label's charting records. The label's first release was "Chapel of Love" by the Dixie Cups, which quickly reached number one on the ''Billboard'' Hot 100, a feat matched later that year by the Shangri-Las' "Leader of the Pack". Eleven of the first 30 singles released by Red Bird reached the Top Forty. History After closing Spark Records (in 1955) and working for Atlantic (1955–1961) then United Artists (1961–1963) and starting Red Bird, Leiber and Stoller brought in George Goldner, a veteran record promoter and former owner of Gee Records, Gone Records and Rama Records. They used the skill ...
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You've Lost That Lovin' Feelin'
"You've Lost That Lovin' Feelin is a song by Phil Spector, Barry Mann and Cynthia Weil, first recorded in 1964 by the American vocal duo the Righteous Brothers, whose version was also produced by Spector and is cited by some music critics as the ultimate expression and illustration of his Wall of Sound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom. The single ranked No. 5 in ''Billboard'''s year-end Top 100 of 1965 Hot 100 hits – based on combined airplay and sales, and not including three charted weeks in December 1964 – and has entered the UK Top Ten on an unprecedented three occasions. "You've Lost That Lovin' Feelin has been covered successfully by numerous artists. In 1965, Cilla Black's recording reached No. 2 in the UK Singles Chart. Dionne Warwick took her version to No. 16 on the ''Billboard'' Hot 100 chart in 1969. A 1971 duet version ...
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The Righteous Brothers
The Righteous Brothers are an American musical duo originally formed by Bill Medley and Bobby Hatfield but now comprising Medley and Bucky Heard. Medley formed the group with Hatfield in 1963. They had first performed together in 1962 in the Los Angeles area as part of a five-member group called the Paramours, and adopted the name The Righteous Brothers when they became a duo. Their most active recording period was in the 1960s and '70s, and, after several years inactive as a duo, Hatfield and Medley reunited in 1981 and continued to perform until Hatfield's death in 2003. The music they performed is sometimes dubbed " blue-eyed soul". Hatfield and Medley had contrasting vocal ranges, which helped them create a distinctive sound as a duet, also both had a strong vocal talent individually that allowed them to perform as soloists. Medley sang the low parts with his bass-baritone voice, with Hatfield taking the higher-register vocals with his tenor. His voice reached the register of ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Demo Recording
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ...
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