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Wavestation
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS. Designed as a "pure" synthesizer rather than a music workstation, it lacked an on-board song sequencer, yet the Wavestation, unlike any synthesizer prior to its release, was capable of generating complex, lush timbres and rhythmic sequences that sounded like a complete soundtrack by pressing only one key. – see "The Wavestation Family" – see heading "1990" & "Milestone—The Wavestation Family" ''Keyboard Magazine'' readers gave the Wavestation its "Hardware Innovation of the Year" award, (see also cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg Wavestation
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS. Designed as a "pure" synthesizer rather than a music workstation, it lacked an on-board song sequencer, yet the Wavestation, unlike any synthesizer prior to its release, was capable of generating complex, lush timbres and rhythmic sequences that sounded like a complete soundtrack by pressing only one key. – see "The Wavestation Family" – see heading "1990" & "Milestone—The Wavestation Family" ''Keyboard Magazine'' readers gave the Wavestation its "Hardware Innovation of the Year" award, (see also c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vector Synthesis
Vector Synthesis is a type of audio synthesis introduced by Sequential Circuits in the Prophet VS synthesizer during 1986. The concept was subsequently used by Yamaha in the SY22/ TG33 and similar instruments and by Korg in the Wavestation. Vector synthesis provides movement in a sound by providing dynamic cross-fading between (usually) four sound sources. The four sound sources are conceptually arranged as the extreme points of X and Y axes, and typically labelled A, B, C and D. A given mix of the four sound sources can be represented by a single point in this 'vector plane'. Movement of the point provides sonic interest and is the power of this technique. Mixing is frequently done using a joystick, although the point can be controlled using envelope generators or LFOs. Vector synthesis implementations There have been a number of different implementations of vector synthesis. These differ in what they use for the four sound sources, and what processing is done to the sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vector Synthesis
Vector Synthesis is a type of audio synthesis introduced by Sequential Circuits in the Prophet VS synthesizer during 1986. The concept was subsequently used by Yamaha in the SY22/ TG33 and similar instruments and by Korg in the Wavestation. Vector synthesis provides movement in a sound by providing dynamic cross-fading between (usually) four sound sources. The four sound sources are conceptually arranged as the extreme points of X and Y axes, and typically labelled A, B, C and D. A given mix of the four sound sources can be represented by a single point in this 'vector plane'. Movement of the point provides sonic interest and is the power of this technique. Mixing is frequently done using a joystick, although the point can be controlled using envelope generators or LFOs. Vector synthesis implementations There have been a number of different implementations of vector synthesis. These differ in what they use for the four sound sources, and what processing is done to the sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Circuits
Sequential is an American synthesizer company founded in 1974 as Sequential Circuits by Dave Smith. In 1978, Sequential released the Prophet-5, the first programmable polyphonic synthesizer; it became a market leader and industry standard, used by artists including Michael Jackson, Madonna, and John Carpenter. In the 1980s, Sequential was pivotal in the development of MIDI, a technical standard for synchronizing electronic instruments. In 1987, Sequential went out of business and was purchased by Yamaha. Smith continued to develop instruments through a new company, Dave Smith Instruments. In 2015, Yamaha returned the Sequential Circuits trademark to Dave Smith Instruments, which rebranded as Sequential in 2018. In 2021, Sequential was acquired by the British audio technology company Focusrite. History 1974–1980: Founding, first products and Prophet-5 The engineer Dave Smith founded Sequential Circuits in San Francisco in 1974. The first Sequential Circuits product wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History Korg was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Dissatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.Julian Colbeck, Keyfax Omnibus Edition, MixBooks, 1996, p. 52. The company's first product was an electro-mech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI Clock
{{No footnotes, date=January 2020 MIDI beat clock, or simply MIDI clock, is a clock signal that is broadcast via MIDI to ensure that several MIDI-enabled devices such as a synthesizer or music sequencer stay in synchronization. Clock events are sent at a rate of 24 pulses per quarter note. Those pulses are used to maintain a synchronized tempo for synthesizers that have BPM-dependent voices and also for arpeggiator synchronization. MIDI beat clock differs from MIDI timecode in that MIDI beat clock is tempo-dependent. Location information can be specified using MIDI Song Position Pointer (SPP, see below), although many simple MIDI devices ignore this message. Messages MIDI beat clock defines the following real-time messages: * clock (decimal 248, hex 0xF8) * start (decimal 250, hex 0xFA) * continue (decimal 251, hex 0xFB) * stop (decimal 252, hex 0xFC) MIDI also specifies a System Common message called Song Position Pointer (SPP). SPP can be used in conjunction with the above rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossfade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A Sound recording and reproduction, recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the Envelope (music)#ADSR, attack in voca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample-based Synthesis
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis. History Before digital recording became practical, instruments such as the Welte (1930s), phonogene (1950s) and the Mellotron (1960s) used analog optical disks or analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed timbres by combining pre-recorded samples from ROM before routing the result through analog or digital filters. These synthesizers and their more complex descendants are often referred to as ROMplers. Sample-based instruments have been used since the Computer Music Melodian, the Fairlight CMI an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rompler
A rompler is a synthesizer that plays pre-fabricated sounds based on audio samples. The term ''rompler'' is a blend of the terms ''ROM'' and ''sampler.'' In contrast to samplers, romplers do not record audio. Both may have additional sound editing features, such as layering several waveforms and modulation with ADSR envelopes, filters and LFOs. The waveforms are commonly stored in form of PCM-encoded waveforms which were similar to those stored in WAV or AIFF file formats, although in some hardware design other encodings and forms of (usually lossless) compression could be used. The core characteristic of a rompler, compared to a sampler, is that they do not have the ability to record new samples, or in case of software instruments, the ability to add user samples from disk. Note that earlier digital synthesizers, which used short-cycle sampled waveforms, are usually not considered romplers but are either called "PCM synthesizers" or "wavetable synthesizers" because the sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joystick
A joystick, sometimes called a flight stick, is an input device consisting of a stick that pivots on a base and reports its angle or direction to the device it is controlling. A joystick, also known as the control column, is the principal control device in the cockpit of many civilian and military aircraft, either as a centre stick or side-stick. It often has supplementary switches to control various aspects of the aircraft's flight. Joysticks are often used to control video games, and usually have one or more push-buttons whose state can also be read by the computer. A popular variation of the joystick used on modern video game consoles is the analog stick. Joysticks are also used for controlling machines such as cranes, trucks, underwater unmanned vehicles, wheelchairs, surveillance cameras, and zero turning radius lawn mowers. Miniature finger-operated joysticks have been adopted as input devices for smaller electronic equipment such as mobile phones. Aviation Joystic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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