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Watteau Cousines
Jean-Antoine Watteau (, , ; baptised October 10, 1684died July 18, 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of '' fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian and Habsburg Netherlands until its secession to France following the Franco-Dutch War. He was the second of four sons born to Jean-Philippe Watteau (1660–1720) and Mi ...
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Rosalba Carriera
Rosalba Carriera (12 January 1673 – 15 April 1757) was a Venetian Rococo painter. In her younger years, she specialized in portrait miniatures. Carriera would later become known for her pastel portraits, helping popularize the medium in eighteenth-century Europe. She is remembered as one of the most successful women artists of any era. Biography Carriera was born in Venice to Andrea Carriera, a lawyer, and Alba Foresti, who practiced embroidery and lace making. With her mother and sisters, Rosalba engaged in lace-making and other crafts. Her reasons for establishing her own studio as an artist remain unknown. An early biographer, Pierre-Jean Mariette, suggested that when the lace industry began to falter, Carriera had to find a new means of providing for herself and her family. The popularity of snuff-taking gave her an opportunity. Carriera began painting miniatures for the lids of snuff-boxes and as independent works. She was among the first painters to use ivory instead of ...
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Drawing
Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, erasers, markers, styluses, and metals (such as silverpoint). Digital drawing is the act of drawing on graphics software in a computer. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throu ...
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Walloons
Walloons (; french: Wallons ; wa, Walons) are a Gallo-Romance ethnic group living native to Wallonia and the immediate adjacent regions of France. Walloons primarily speak '' langues d'oïl'' such as Belgian French, Picard and Walloon. Walloons are historically and primarily Roman Catholic. In modern Belgium, Walloons are, by law, termed a "distinctive linguistic and ethnic community" within the country, as are the neighbouring Flemish, a Germanic group. When understood as a regional identification, the ethnonym is also extended to refer to the inhabitants of the Walloon region in general, regardless of ethnicity or ancestry. Etymology The term ''Walloon'' is derived from ''*walha'', a Proto-Germanic term used to refer to Celtic and Latin speakers. ''Walloon'' originated in Romance languages alongside other related terms, but it supplanted them. Its oldest written trace is found in Jean de Haynin's ''Mémoires de Jean, sire de Haynin et de Louvignies'' in 1465, where it r ...
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Franco-Dutch War
The Franco-Dutch War, also known as the Dutch War (french: Guerre de Hollande; nl, Hollandse Oorlog), was fought between France and the Dutch Republic, supported by its allies the Holy Roman Empire, Spain, Brandenburg-Prussia and Denmark-Norway. In its early stages, France was allied with Münster and Cologne, as well as England. The 1672 to 1674 Third Anglo-Dutch War and 1675 to 1679 Scanian War are considered related conflicts. The war began in May 1672 when France nearly overran the Dutch Republic, an event still known as the ''Rampjaar'' or "Disaster Year". Their advance was halted by the Dutch Water Line in June and by late July the Dutch position had stabilised. Concern over French gains led to a formal alliance in August 1673 between the Dutch, Emperor Leopold I, Spain and Brandenburg-Prussia. They were joined by Lorraine and Denmark, while England made peace in February 1674. Now facing a war on multiple fronts, the French withdrew from the Dutch Republic, retaining ...
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Habsburg Netherlands
Habsburg Netherlands was the Renaissance period fiefs in the Low Countries held by the Holy Roman Empire's House of Habsburg. The rule began in 1482, when the last House of Valois-Burgundy, Valois-Burgundy ruler of the Netherlands, Mary of Burgundy, Mary, wife of Maximilian I of Austria, died. Their grandson, Emperor Charles V, was born in the Habsburg Netherlands and made Brussels one of his capitals. Becoming known as the Seventeen Provinces in 1549, they were held by the Spanish branch of the Habsburgs from 1556, known as the Spanish Netherlands from that time on. In 1581, in the midst of the Dutch Revolt, the Seven United Provinces seceded from the rest of this territory to form the Dutch Republic. The remaining Spanish Southern Netherlands became the Austrian Netherlands in 1714, after Austrian acquisition under the Treaty of Rastatt. De facto Habsburg rule ended with the annexation by the revolutionary French First Republic in 1795. Austria, however, did not relinquish its ...
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Burgundian Netherlands
In the history of the Low Countries, the Burgundian Netherlands (french: Pays-Bas bourguignons, nl, Bourgondische Nederlanden, lb, Burgundeschen Nidderlanden, wa, Bas Payis borguignons) or the Burgundian Age is the period between 1384 and 1482, during which a growing part of the Low Countries was ruled by the Dukes of Burgundy. Within their Burgundian State, which itself belonged partly to the Holy Roman Empire and partly to the Kingdom of France, the dukes united these lowlands into a political union that went beyond a personal union as it gained central institutions for the first time (such as the States General). The period began with Duke Philip the Bold taking office as count of Flanders and Artois in 1384 and lasted until the death of Duchess Mary of Burgundy in 1482 after which the Burgundian State was dissolved, and the Low Countries came under the rule of the Habsburg monarchy by inheritance. In the 15th century, it was customary to refer to the Low Countries wh ...
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County Of Hainaut
The County of Hainaut (french: Comté de Hainaut; nl, Graafschap Henegouwen; la, comitatus hanoniensis), sometimes spelled Hainault, was a territorial lordship within the medieval Holy Roman Empire that straddled what is now the border of Belgium and France. Its most important towns included Mons ( nl, Bergen), now in Belgium, and Valenciennes, now in France. The core of the county was named after the river Haine. It stretched southeast to include the ''Avesnois'' region and southwest to the Selle (Scheldt tributary). In the Middle Ages, it also gained control of part of the original ''pagus'' of Brabant to its north and the ''pagus'' of Oosterbant to the east, but they were not part of the old ''pagus'' of Hainaut. In modern terms, the original core of Hainaut consisted of the central part of the Belgian province of Hainaut, and the eastern part of the French ''département'' of Nord (the arrondissements of Avesnes-sur-Helpe and Valenciennes). Hainaut already appeared in ...
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Voiced Labio-velar Approximant
Voice or voicing is a term used in phonetics and phonology to characterize speech sounds (usually consonants). Speech sounds can be described as either voiceless (otherwise known as ''unvoiced'') or voiced. The term, however, is used to refer to two separate concepts: *Voicing can refer to the ''articulatory process'' in which the vocal folds vibrate, its primary use in phonetics to describe phones, which are particular speech sounds. *It can also refer to a classification of speech sounds that tend to be associated with vocal cord vibration but may not actually be voiced at the articulatory level. That is the term's primary use in phonology: to describe phonemes; while in phonetics its primary use is to describe phones. For example, voicing accounts for the difference between the pair of sounds associated with the English letters "s" and "z". The two sounds are transcribed as and to distinguish them from the English letters, which have several possible pronunciations, depe ...
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Voiced Labiodental Fricative
The voiced labiodental fricative is a type of consonantal sound used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , and the equivalent X-SAMPA symbol is v. The sound is similar to voiced alveolar fricative /z/ in that it is familiar to most European speakers, but cross-linguistically it is a fairly uncommon sound, being only a quarter as frequent as Moreover, most languages that have /z/ also have /v/ and similarly to /z/, the overwhelming majority of languages with are languages of Europe, Africa, or Western Asia, although the similar labiodental approximant /ʋ/ is also common in India. The presence of and absence of , is a very distinctive areal feature of European languages and those of adjacent areas of Siberia and Central Asia. Speakers of East Asian languages that lack this sound may pronounce it as (Korean and Japanese), or / (Cantonese and Mandarin), and thus be unable to distinguish between a number of E ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ...
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Fête Galante
''Fête galante'' () (courtship party) is a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre, which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings. When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application. His reception piece was the ''Embarkation for Cythera'', now in the Louvre.Clarke, M. & D. (2010) "fête galante" in ''The Concise Oxford Dictionary of Art Terms''. oxfordreference.com, Oxford University Press. Retrieved 8 November 2013.Fête Galante
''Glossary'',