Watford Museum
Watford Museum is a local museum in Watford, Hertfordshire, in the United Kingdom. It is owned by Watford Borough Council and is located on the Lower High Street in Watford. The museum opened in 1982 and is housed in a Grade II-listed Georgian town house which was previously the premises of Benskins Brewery. Its collection includes fine art, displays about local heritage, industry and sport, with a special collection related to the history of the Cassiobury Estate. History The mansion house at 194 Watford High Street was built for the Dyson family around 1775, although there are records of a brewery operating on the site since 1750. The three-storey, red-brick house, built in the Georgian neoclassical style, is fronted by a three-bay pediment with a central bull's eye window, and flanked by two lower wings which were added circa 1807. Tall, yellow-brick Victorian brewing premises once stood behind the house, although these have since been demolished. The house was bought in 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Watford
Watford () is a town and borough in Hertfordshire, England, 15 miles northwest of Central London, on the River Colne. Initially a small market town, the Grand Junction Canal encouraged the construction of paper-making mills, print works, and breweries. While industry has declined in Watford, its location near London and transport links has attracted several companies to site their headquarters in the town. Cassiobury Park is a public park that was once the manor estate of the Earls of Essex. The town developed next to the River Colne on land belonging to St Albans Abbey. In the 12th century, a charter was granted allowing a market, and the building of St Mary's Church began. The town grew partly due to travellers going to Berkhamsted Castle and the royal palace at Kings Langley. A mansion was built at Cassiobury in the 16th century. This was partly rebuilt in the 17th century and another country house was built at The Grove. The Grand Junction Canal in 1798 and th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Wootton
John Wootton (c.1686– 13 November 1764)Deuchar, S. (2003). "Wootton, John". Grove Art Online. was an English painter of sporting subjects, battle scenes and landscapes, and illustrator. Life Born in Snitterfield, Warwickshire (near Stratford-upon-Avon), he is best remembered as a pioneer in the painting of sporting subjects – together with Peter Tillemans and James Seymour – and was considered the finest practitioner of the genre in his day. As such, his paintings were very fashionable and were sought after by those among the highest strata of the British society. These included figures such as George II of Great Britain, Frederick, Prince of Wales, and the Duke of Marlborough. It is likely that he received artistic training from Jan Wyck before 1700. Wootton may have begun life as a page to the family of the Dukes of Beaufort. His earliest surviving dated work is the equine portrait ''Bonny Black'' (1711). He remained active until his death in 1764, based in the capit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Art Fund
Art Fund (formerly the National Art Collections Fund) is an independent membership-based British charitable organization, charity, which raises funds to aid the acquisition of artworks for the nation. It gives grants and acts as a channel for many gifts and bequests, as well as lobbying on behalf of museums and galleries and their users. It relies on members' subscriptions and public donations for funds and does not receive funding from the government or the National Lottery (United Kingdom), National Lottery. Since its foundation in 1903 the Fund has been involved in the acquisition of over 860,000 works of art of every kind, including many of the most famous objects in British public collections, such as Diego Velázquez, Velázquez's ''Rokeby Venus'' in the National Gallery, London, National Gallery, Pablo Picasso, Picasso's ''The Weeping Woman, Weeping Woman'' in the Tate collection, the Anglo-Saxon Staffordshire Hoard in Birmingham Museum and Art Gallery and the medieval Cant ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ronald Pope
Ronald Pope (16 August 1920–14 May 1997) was an English sculptor and artist. Biography Pope was born in 1920 and after his studies moved to Derbyshire to work as an engineer. He started at the Rolls-Royce factory in Derby (the largest employer at that time in the city). He was at Rolls-Royce throughout the Second World War as a tool maker, where the engines were built for the Spitfire aircraft. Pope learnt and gained experience in techniques such as welding and brazing which he exploited later for artistic reasons. After the end of the war he went to London to study sculpture at the Slade School of Fine Art with Prof. F. McWilliam. Pope continued studying ceramics afterward at Woolwich Polytechnic with the ceramist Heber Matthews. Pope lived and worked as an artist in Melbourne, Derbyshire. He was inspired by his love of the countryside, particularly the Derbyshire High Peak, the Derbyshire Dales, the Lake District and Snowdonia. The influence of rock formations can be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peter Lely
Sir Peter Lely (14 September 1618 – 7 December 1680) was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. Life Lely was born Pieter van der Faes to Dutch parents in Soest in Westphalia, where his father was an officer serving in the armed forces of the Elector of Brandenburg. Lely studied painting in Haarlem, where he may have been apprenticed to Pieter de Grebber. He became a master of the Guild of Saint Luke in Haarlem in 1637. He is reputed to have adopted the surname "Lely" (also occasionally spelled Lilly) from a heraldic lily on the gable of the house where his father was born in The Hague. He arrived in London in around 1643, His early English paintings, mainly mythological or religious scenes, or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque. Lely's portraits were well received, and he succeeded Anthony van Dyck (who had died ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adriaen Van Ostade
Adriaen van Ostade (baptized as Adriaen Jansz Hendricx 10 December 1610 – buried 2 May 1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Life According to Arnold Houbraken, he and his brother were pupils of Frans Hals and like him, spent most of their lives in Haarlem. He thought they were " Lubekkers" by birth, though this has since found to be false.Adriaan & Izaak van Ostade biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pieter Neeffs I
Pieter Neefs the Elder or Pieter Neeffs the Elder (c. 1578 in Antwerp – after 1656 before 1661 in Antwerp) was a Flemish painter who specialized in architectural interiors of churches. Active in Antwerp, he was influenced by the works of the Dutch architectural painters Hendrik van Steenwijk the Elder and the Younger. His principal contribution to the genre were his nocturnal church interiors lit by two light sources. Life The year of birth of Pieter Neefs is not known with certainty. It is placed some time between 1578 and 1590.Pieter Neefs (I) at the He is believed to have been born in Antwerp. His father was Aart Neefs, a cloth me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolaes Molenaer
Nicolaes (Klaes) Molenaer (1626-1629 in Haarlem – 1676 in Haarlem) was a Dutch Golden Age landscape painter and Drawing, draughtsman. Biography Molenaer was born and died in Haarlem in the family of tailor Jan Mienssen Molenaer and his second wife Grietgen Adriaens: they would get 8 children of whom no birthdates are known, as the family was Roman Catholic and no baptismal register was kept. According to the Netherlands Institute for Art History, RKD among his brothers there were the painters Bartholomeus Molenaer, Bartholomeus and Jan Miense Molenaer.Nicolaes Molenaer in the RKD He became a member of the Haarlem Guild of St. Luke in 1651 and paid dues yearly until 1676. He was a winter landscape painter influenced by Jacob van Ruisdael. References [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adam Frans Van Der Meulen
Adam Frans van der Meulen or Adam-François van der MeulenAdam Frans van der Meulen at the (11 January 163215 October 1690) was a Flemish painter and draughtsman who was particularly known for his scenes of military campaigns and conquests.Christine van Mulders. "Meulen, Adam Frans van der." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 4 September 2017 Van der Meulen also painted portraits, hunting scenes, paintings of chateaux and landscapes. He created designs for prints and cartoon
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Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dutch School (painting)
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting. The history of Dutch art is dominated by the Dutch Golden Age painting, mostly of about 1620 to 1680, when a very distinct style and new types of painting were developed, though still keeping close links with Flemish Baroque painting. There was a healthy artistic climate in Dutch cities during the seventeenth century. For example, between 1605 and 1635 over 100,000 paintings were produced in Haarlem. At that time art ownership in the city was 25%, a record high. After the end of the Golden Age, production of paintings remained high, but ceased to influence the rest of Europe as strongly. Many painters, sculptors and architects of the seventeenth century are called "Dutch masters", while earlier artists are generally referred to as part of the " ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |